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Film and TV
A Shakespearean Study Guide for
The Northman
Saxo and Shakespeare, Masculine Fantasies, and Racist Fictions in Robert Eggers’s New Blockbuster
By
The Why Shakespeare? Course
| May 3, 2022
The Untold and Very True Story of
The Devil Wears Prada
On Anna Wintour, a Former Assistant, and the Role That Made an Editor a Celebrity
By
Amy Odell
| May 3, 2022
The Literary Film and TV You Need to Stream in May
From True Crime to Giant Snakes, Something for Everyone
By
Eliza Smith
| May 2, 2022
Andy Serkis is bringing this 1996 Elizabeth McCracken novel to the big screen.
By
Dan Sheehan
| April 28, 2022
Food and Drink Pairings For Patrick Swayze’s Filmography? Yes Please.
Red Dawn
Obviously Calls for Bloody Marys and Beef Stroganoff
By
Neal E. Fischer
| April 28, 2022
Maybe Don’t Try to Play the
Withnail & I
Drinking Game
Adam Haslett in Conversation with Mychal Denzel Smith on
Open Form
By
Open Form
| April 28, 2022
Best Reviewed
Books of the Week
What
Julia
—HBO’s New Julia Child Series—Gets Terribly Wrong About Legendary Editor Judith Jones
By
Sara B. Franklin
| April 27, 2022
Did Thomas Edison “Disappear” His Most Significant Rival in Inventing the Kinetograph?
By
Paul Fischer
| April 22, 2022
On the Absolute Pleasure of British Historical Reality TV Shows
By
Colleen Hubbard
| April 21, 2022
John Keats on Film: Considering Jane Campion’s Exquisitely Rendered
Bright Star
Lucasta Miller Investigates the Limits and Possibilities of Literary Biopics
By
Lucasta Miller
| April 21, 2022
What Does It Mean to Cook Dinner Under Occupation? Rewatching
The Time That Remains
Randa Jarrar in Conversation with Mychal Denzel Smith on the
Open Form
Podcast
By
Open Form
| April 21, 2022
Andy Serkis will direct an animated adaptation of
Animal Farm.
By
Corinne Segal
| April 20, 2022
The Stumbles and Obsessions on Jeff Bezos’ Awkward Journey to Hollywood
Dade Hayes and Dawn Chmielewski on the “Data-Driven” Approach to Film and TV
By
Dawn Chmielewski and Dade Hayes
| April 18, 2022
Where to stream Emma Thompson’s best literary roles.
By
Eliza Smith
| April 15, 2022
On the High-Flying Self-Actualization of
The Flight Attendant
’s Second Season
Olivia Rutigliano on the Continuation of HBO Max's Espionage Comedy
By
Olivia Rutigliano
| April 15, 2022
How
Wolf Girl
Speaks to the Communal Experience of Marginalization
Melissa Lozada-Oliva in Conversation with Mychal Denzel Smith on
Open Form
By
Open Form
| April 14, 2022
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