The Work of Witnessing: On New Ukrainian Lit by Artur Dron, Andriy Lyubka, and Lena Lyagushonkova 

The Work of Witnessing: On New Ukrainian Lit by Artur Dron, Andriy Lyubka, and Lena Lyagushonkova 

“For Ukrainians of today, war is neither an adventure nor a political game where they are someone’s pawns.”

By Oksana Lutsyshyna | October 14, 2026

Jérôme Lindon, <em>Jérôme Lindon</em>: On the Relationship Between Jean Echenoz and His Publisher

Jérôme Lindon, Jérôme Lindon: On the Relationship Between Jean Echenoz and His Publisher

Mark Polizzotti Remembers His Encounters With the French Literary Establishment

By Mark Polizzotti | October 9, 2026

One Night in Frankfurt: Scenes From the Incomparable Heinrich Maria Ledig-Rowohlt Translation Prize Dinner

One Night in Frankfurt: Scenes From the Incomparable Heinrich Maria Ledig-Rowohlt Translation Prize Dinner

Morgan Entrekin on One of His Favorite Nights at the Frankfurt Book Fair; With Speeches From Jo Lendle and Stephan Kleiner

By Literary Hub | October 8, 2026

Happy International Translation Day!

Happy International Translation Day!

Celebrating an Essential Literary Art

By Literary Hub | September 30, 2026

Antonella Lettieri On Translating Roberta Recchia’s <em>All That is Left of Life</em>

Antonella Lettieri On Translating Roberta Recchia’s All That is Left of Life

"Its true grace is in the balance it achieves between big, choral moments and smaller, more intimate ones."

By Antonella Lettieri | September 18, 2026

Learning From Shame: R.F. Kuang on Diaspora, Language and Writing Young Protagonists

Learning From Shame: R.F. Kuang on Diaspora, Language and Writing Young Protagonists

Adam Dalva Talks to the Author of Taipei Story

By Adam Dalva | September 9, 2026

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Emily Wilson Talks Complicated Men, Celebrating Strangeness, and Why There is Always Another Way to Say It

By Leanne Ogasawara | September 8, 2026

A Poetry of Witness and Invention: Wallis Wilde-Menozzi on Translating Antonella Anedda

By Wallis Wilde-Menozzi | August 27, 2026

Translation as a Journey: Jessica Sequeira on Vlady Kociancich’s The Eighth Wonder

By Jessica Sequeira | August 26, 2026

Ways of Connecting: On Writing That Marries the Psychological, the Personal and the Political

Ways of Connecting: On Writing That Marries the Psychological, the Personal and the Political

Faraaz Mahomed Discusses His Debut Novel Mother/Land With Damon Galgut

By Faraaz Mahomed and Damon Galgut | August 21, 2026

Considering the Many Forms a Family Can Take in Japanese Literature

Considering the Many Forms a Family Can Take in Japanese Literature

Laurel Taylor on Maiko Seo’s Someone to Cook For

By Laurel Taylor | August 6, 2026

What Happens When Literary Passion Leads to Physical Illness?

What Happens When Literary Passion Leads to Physical Illness?

Max Lawton In Praise of Writing and Translating That Consumes Us To the Fullest

By Max Lawton | July 28, 2026

How Translating Korean Literature Made Me a Better Fiction Writer

How Translating Korean Literature Made Me a Better Fiction Writer

Lizzie Buehler on Incorporating Techniques From Literary Translation Into Her Writing Practice

By Lizzie Buehler | July 28, 2026

To Think the Unthinkable: On the Work of Polish Nobel Laureate Wisława Szymborska

To Think the Unthinkable: On the Work of Polish Nobel Laureate Wisława Szymborska

Clare Cavanagh: “The bits and pieces matter; they are the stuff that make up our lives, that make up life as such.”

By Clare Cavanagh | July 16, 2026

Can ChatGPT Produce a Version of Proust Worth Reading?

Can ChatGPT Produce a Version of Proust Worth Reading?

Bryan Charles on the Slow But Steady Encroachment of Artificial Intelligence Into Literary Translation

By Bryan Alistair Charles | July 7, 2026

Why Soledad Acosta de Samper’s <em>Dolores</em> is a Unicorn in the Practice of Translation

Why Soledad Acosta de Samper’s Dolores is a Unicorn in the Practice of Translation

Sara Abadía Alvarado on Preserving and Protecting the Original Translation of the Novel

By Sara Abadía Alvarado | July 1, 2026

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