Literary Hub » Craft and Advice

Tom Junod on Finding the Right Trick

Tom Junod on Finding the Right Trick

A Lesson from a Long Career of Magazine Writing

By Tom Junod | May 8, 2026

Why Writing Stories For Children is So Much Harder Than Writing Stories For Adults

Why Writing Stories For Children is So Much Harder Than Writing Stories For Adults

Claire Swinarski on the Fulfilling Job of Creating Stories for Kids

By Claire Swinarski | May 8, 2026

Am I the Literary Asshole For Thinking Most Writers Are Trash, Actually?

Am I the Literary Asshole For Thinking Most Writers Are Trash, Actually?

Kristen Arnett Answers Your Awkward Questions About Bad Bookish Behavior

By Kristen Arnett | May 7, 2026

Fellow Travelers: On Reimagining Chaucer in Post-Soviet Ukraine

Fellow Travelers: On Reimagining Chaucer in Post-Soviet Ukraine

Irene Zabytko Recounts the Process of Creating Her Own Version on The Canterbury Tales

By Irene Zabytko | May 7, 2026

In Writing About Cults (and Religion) Telling is Better than Showing

In Writing About Cults (and Religion) Telling is Better than Showing

Harrison Hill in Conversation with Benjamin Hale

By Literary Hub | May 7, 2026

Where I End, the Writing Begins: What Undergoing Surgery Taught Me About Transcendence

Where I End, the Writing Begins: What Undergoing Surgery Taught Me About Transcendence

Diane Les Becquets: “And I watched those moments unfold before me, as if in real time, and I felt everything.”

By Diane Les Becquets | May 7, 2026

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How I Found Myself—and My Next Setting—at the Beach

By Angela Brown | May 7, 2026

What Objects Can—and Should—Reveal About Their Owners

By Rachel F. Seidman | May 6, 2026

On Making Time to Read War and Peace and Other Great Literary Works

By Laura Vanderkam | May 5, 2026

Charles Dickens... and Other Bad Men Who are Good Writers

Charles Dickens... and Other Bad Men Who are Good Writers

Francine Prose Explores the Disconnect of Loving Works Written By Monstrous Authors

By Francine Prose | May 5, 2026

Elizabeth Strout on Creating a Quietly Strong Protagonist

Elizabeth Strout on Creating a Quietly Strong Protagonist

Jane Ciabattari Talks to the Author of The Things We Never Say

By Jane Ciabattari | May 5, 2026

How Being a Mediocre Scientist Helped Me Become a Better Novelist

How Being a Mediocre Scientist Helped Me Become a Better Novelist

Vincent Yu on the Creative Lessons He Learned From His Stint In Evolutionary Biology

By Vincent Yu | May 5, 2026

Maria Semple Thinks Abandoning a Novel is One of Life’s Great Feelings

Maria Semple Thinks Abandoning a Novel is One of Life’s Great Feelings

The Author of Go Gentle Takes the Lit Hub Questionnaire

By Literary Hub | May 4, 2026

Saying Yes to the Book is Just Like Saying Yes to the Dress

Saying Yes to the Book is Just Like Saying Yes to the Dress

Jocelyn Jane Cox on Writing a Story About Figure Skating, Dementia, and Zebras

By Jocelyn Jane Cox | May 4, 2026

Writing My Great-Great-Grandmother’s Escape From Eastern European Antisemitism as Gothic Horror

Writing My Great-Great-Grandmother’s Escape From Eastern European Antisemitism as Gothic Horror

Gabrielle Sher Shares the Inspiration For Her Debut Novel, Odessa

By Gabrielle Sher | May 4, 2026

To Be Honest in Poetry Right Now is to Embrace the Abstract, Negative, and Weak

To Be Honest in Poetry Right Now is to Embrace the Abstract, Negative, and Weak

An Essay and Poem by Xuela Zhang

By Xuela Zhang | May 4, 2026

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