Literary Hub » Film and TV

Marguerite Duras on Writing the Screenplay for Alain Resnais’s <em>Hiroshima Mon Amour</em>

Marguerite Duras on Writing the Screenplay for Alain Resnais’s Hiroshima Mon Amour

“We’re afraid. But ultimately, isn’t that necessary from time to time? Especially in film?”

By Marguerite Duras | August 22, 2022

Art Doesn’t Care If You Like It: Gabrielle Bellot on <em>The Sandman</em> Adaptation

Art Doesn’t Care If You Like It: Gabrielle Bellot on The Sandman Adaptation

“Why should art need to appease and excite everyone at once?”

By Gabrielle Bellot | August 19, 2022

The Making of a Muse: When Edie Sedgwick Met Andy Warhol

The Making of a Muse: When Edie Sedgwick Met Andy Warhol

Alice Sedgwick Wohl on Her Sister’s Transformation From Model To Icon

By Alice Sedgwick Wohl | August 19, 2022

When Rick James Fought to Get Black Artists on MTV

When Rick James Fought to Get Black Artists on MTV

Ramon Hervey II on a Lesser-Known Moment in Music History

By Ramon Hervey II | August 19, 2022

Watch the trailer for Tegan and Sara's <em>High School</em> and fuel your inner indie teenage angst.

Watch the trailer for Tegan and Sara's High School and fuel your inner indie teenage angst.

By Katie Yee | August 18, 2022

Why Publishing Sitcoms Help Me Maintain Hope and Humor for the Future of the Industry

Why Publishing Sitcoms Help Me Maintain Hope and Humor for the Future of the Industry

Emma Kantor on the Screwball Comedies Younger and Love & Anarchy

By Emma Kantor | August 18, 2022

Best Reviewed
Books of the Week

Ingrid Rojas Contreras on Watching a Film About Memory Loss While Experiencing Memory Loss

By Open Form | August 18, 2022

Chlöe Sevigny and Naomi Watts to star in Feud as “Capote’s women.”

By Jonny Diamond | August 17, 2022

Dear Sally Albright: 40 is Only the Beginning

By Miriam Parker | August 17, 2022

Watch the trailer for the sexy, creepy, totally inaccurate new Emily Brontë biopic.

Watch the trailer for the sexy, creepy, totally inaccurate new Emily Brontë biopic.

By Emily Temple | August 12, 2022

Juvenile Delinquency and the “Sinister Adolescents” of <em>Moonrise Kingdom</em>

Juvenile Delinquency and the “Sinister Adolescents” of Moonrise Kingdom

Wes Anderson’s Film About Two Misunderstood Preteens Has More in Common with Terrence Malick’s Badlands Than it Might Seem

By Ethan Warren | August 12, 2022

A Show of One’s Own: On the Women Who Made the Leap from <em>Saturday Night Live</em> to Sitcoms

A Show of One’s Own: On the Women Who Made the Leap from Saturday Night Live to Sitcoms

Annie Berke Watches the SNL Spinoff Vehicles Loot and I Love That for You

By Annie Berke | August 12, 2022

Impossible Decisions at a Hurricane-Ravaged Hospital in New Orleans

Impossible Decisions at a Hurricane-Ravaged Hospital in New Orleans

Read a Scene from Five Days at Memorial, Newly Adapted by Apple TV+

By Sheri Fink | August 12, 2022

Fire up your loins because the Nabokovs are coming to TV.

Fire up your loins because the Nabokovs are coming to TV.

By Dan Sheehan | August 11, 2022

Elif Batuman on the Cult of Family in <em>Get Out</em>

Elif Batuman on the Cult of Family in Get Out

This Week on the Open Form Podcast

By Open Form | August 11, 2022

A Beautiful, Sacred Thing: Megan Giddings on Going to the Movies To Invoke Anger

A Beautiful, Sacred Thing: Megan Giddings on Going to the Movies To Invoke Anger

Or, Finding the Line Between Art and Entertainment

By Megan Giddings | August 11, 2022

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