Literary Hub » Film and TV

Why All of Ashley C. Ford’s Comfort Movies Are Sad

Why All of Ashley C. Ford’s Comfort Movies Are Sad

The Author of Somebody's Daughter in Conversation with Mychal Denzel Smith on Open Form

By Open Form | March 10, 2022

Ben Affleck just looks confused in the trailer of <em>Deep Water</em>.

Ben Affleck just looks confused in the trailer of Deep Water.

By Dan Sheehan | March 8, 2022

Here’s <em>Fire Island</em>, the star-studded, gay adaptation of <em>Pride and Prejudice</em>.

Here’s Fire Island, the star-studded, gay adaptation of Pride and Prejudice.

By Walker Caplan | March 8, 2022

Stop, Collaborate, and Listen: Amanda Pellegrino on Writing for TV Versus Writing a Novel

Stop, Collaborate, and Listen: Amanda Pellegrino on Writing for TV Versus Writing a Novel

"Writing a TV show is a team sport from day one."

By Amanda Pellegrino | March 8, 2022

It’s an Honor Just to Be Asian: Sandra Oh on Systemic Racism in Hollywood

It’s an Honor Just to Be Asian: Sandra Oh on Systemic Racism in Hollywood

“For the first time, I’m finally getting film roles where my character’s name is Korean.”

By Jeff Yang, Phil Yu, and Philip Wang | March 7, 2022

Reading Rainbow is coming—this time, without LeVar Burton.

Reading Rainbow is coming—this time, without LeVar Burton.

By Walker Caplan | March 4, 2022

Best Reviewed
Books of the Week

The Literary Film and TV You Need to Stream in March

By Eliza Smith | March 4, 2022

Joachim Trier Isn’t Afraid of Virginia Woolf

By Meg Walters | March 4, 2022

Does Success Justify Abandonment? Min Jin Lee on Cinema Paradiso and the Artist's Life

By Open Form | March 3, 2022

Kathryn Davis on Bingeing <em>Lost</em> and Coming to Terms with the Unknowable

Kathryn Davis on Bingeing Lost and Coming to Terms with the Unknowable

“There is unearthly howling. There is a hatch leading who knows where.”

By Kathryn Davis | March 2, 2022

Watch Bob Odenkirk show Stephen Colbert how he wrote his memoir. (Spoiler: it’s comedy.)

Watch Bob Odenkirk show Stephen Colbert how he wrote his memoir. (Spoiler: it’s comedy.)

By Walker Caplan | March 1, 2022

Petroleum and Patriarchy: How Art Functions in <em>Written on the Wind</em> and <em>Giant</em>

Petroleum and Patriarchy: How Art Functions in Written on the Wind and Giant

Laura Valenza on the Subversive Power of (Over-the-Top) Artwork

By Laura Valenza | March 1, 2022

Harvey Fierstein on the Best Late Night Hosts He Ever Worked With

Harvey Fierstein on the Best Late Night Hosts He Ever Worked With

The Hairspray Star Recounts His Tell Alls, from The Tonight Show to 20/20

By Harvey Fierstein | March 1, 2022

Dana Stevens on Writing a “Zigzagging Biography” of Buster Keaton

Dana Stevens on Writing a “Zigzagging Biography” of Buster Keaton

In Conversation with Christopher Hermelin on So Many Damn Books

By So Many Damn Books | March 1, 2022

Just a reminder that Haruki Murakami’s <em>Drive My Car</em> is coming to streaming in March.

Just a reminder that Haruki Murakami’s Drive My Car is coming to streaming in March.

By Walker Caplan | February 28, 2022

Is Adaptation a Feminine Act? On the Women Writers Who Worked on <em>Alfred Hitchcock Presents</em>

Is Adaptation a Feminine Act? On the Women Writers Who Worked on Alfred Hitchcock Presents

Annie Berke on the Writers Who “Hijacked” the Gender Politics of Their Source Materials

By Annie Berke | February 28, 2022

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