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The Woefully Neglected (and Partially Unfilmable) Creations of Alasdair Gray

The Woefully Neglected (and Partially Unfilmable) Creations of Alasdair Gray

Jonathan Russell Clark on Poor Things and Its Adaptation

By Jonathan Russell Clark | December 19, 2023

John F. Kennedy’s Last Movie: <em>From Russia with Love</em>

John F. Kennedy’s Last Movie: From Russia with Love

“Kennedy proclaimed his love for James Bond whenever he could.”

By Stanley Schtinter | December 18, 2023

More Than a Satire: <em>American Fiction</em> is a Poignant Reflection on Existence

More Than a Satire: American Fiction is a Poignant Reflection on Existence

Olivia Rutigliano on the New Film from Cord Jefferson

By Olivia Rutigliano | December 15, 2023

<em>Ferrari</em> Performs an Opera of Capitalism and Comes Up Loud

Ferrari Performs an Opera of Capitalism and Comes Up Loud

Frank Falisi on Michael Mann’s new film

By Frank Falisi | December 15, 2023

Sarcasm as Global Export; Or an Ode to Matthew Perry’s Chandler Bing

Sarcasm as Global Export; Or an Ode to Matthew Perry’s Chandler Bing

Shaan Sachdev on the Best Global Export to Come from Friends

By Shaan Sachdev | December 14, 2023

Growing Up in Taylor Swift’s America

Growing Up in Taylor Swift’s America

Kelly Marie Coyne on Women Writers, Role Models, and Miss Americana

By Kelly Marie Coyne | December 14, 2023

Best Reviewed
Books of the Week

  • Villa Coco
  • Something We Said: Richard Pryor, a Notorious Word, and Me
  • Contrapposto
  • Earth 7
  • The Traveler: One Man's Quest for Humanity from the South Seas to Revolutionary Paris
  • Flyboy in the Buttermilk: Essays on Contemporary America

What’s Old is New Again (and Again): On the Cyclical Nature of Nostalgia

By Tobias Becker | December 13, 2023

Rumaan Alam on the Surreality of Seeing Leave the World Behind Come to Life on Screen

By Rumaan Alam | December 8, 2023

When the Culture Wars Came for Monty Python’s Life of Brian

By Kliph Nesteroff | December 8, 2023

<em>Eileen</em> Complicates the Relationship at the Heart of Ottessa Moshfegh’s Novel

Eileen Complicates the Relationship at the Heart of Ottessa Moshfegh’s Novel

Emmeline Clein Digs in to the New Adaptation, from Page to Screen

By Emmeline Clein | December 6, 2023

<em>Poor Things</em> is a Curious Phantasmagoria

Poor Things is a Curious Phantasmagoria

Olivia Rutigliano on Yorgos Lanthimos’s (Best) New Film

By Olivia Rutigliano | December 5, 2023

The Literary Film & TV You Need to Stream in December

The Literary Film & TV You Need to Stream in December

The End of the Year Approaches

By Emily Temple | December 1, 2023

Feminine Appetites in Todd Haynes’s <em>May December</em>

Feminine Appetites in Todd Haynes’s May December

Hannah Bonner on the Aesthetics of Tabloid Culture

By Hannah Bonner | December 1, 2023

Graffiti Gentrification: Mattilda Bernstein Sycamore on the Exploitation of Basquiat

Graffiti Gentrification: Mattilda Bernstein Sycamore on the Exploitation of Basquiat

Considering Boom for Real: The Late-Teenage Years of Jean-Michel Basquiat While Walking Through Baltimore

By Mattilda Bernstein Sycamore | November 30, 2023

Beyond <em>Poor Things</em>: An Ode to Alasdair Gray’s Lesser-Known, Equally Deserving Books

Beyond Poor Things: An Ode to Alasdair Gray’s Lesser-Known, Equally Deserving Books

Including a Gargantuan Retelling of the History of English Literature and a Bowdlerization of The Divine Comedy

By Mazin Saleem | November 29, 2023

What Really Went on Between Francis Ford Coppola and Martin Sheen During the Filming of <em>Apocalypse Now</em>?

What Really Went on Between Francis Ford Coppola and Martin Sheen During the Filming of Apocalypse Now?

The Disturbing—and Revealing—Story Behind an Iconic Moment in Cinema History

By Sam Wasson | November 28, 2023

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Page 23 of 117
    • It's time to talk about PsychJune 15, 2026 by Olivia Rutigliano
    • 5 Great Thrillers Where Writers Are at the Center of the ActionJune 15, 2026 by Jamie Day
    • 10 New Books Coming Out This WeekJune 15, 2026 by CrimeReads
    • Villa Coco
    • The Best Reviewed Books of the Week
    • "None of this is particularly suspenseful the novel s chief revelation is telegraphed about halfway…"
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