Who Killed Prestige TV? Toward a “Good Fan” Theory of Television

Who Killed Prestige TV? Toward a “Good Fan” Theory of Television

M.C. Mah on the Rise and Fall and Rise of Endless Streaming

By M. C. Mah | March 7, 2024

Your Literary Guide to the 2024 Oscars

Your Literary Guide to the 2024 Oscars

Ryan Coleman on This Year’s Academy Award Nominees for Best Original and Adapted Screenplay

By Ryan Coleman | March 4, 2024

Why Voting in The Oscars (and in Politics) Is Broken, and How to Fix Both

Why Voting in The Oscars (and in Politics) Is Broken, and How to Fix Both

Ismar Volić on Why We Need to Abandon Winner-Take-All Voting

By Ismar Volić | March 4, 2024

The Literary Film & TV You Need to Stream in March

The Literary Film & TV You Need to Stream in March

Spring? Spring? Spring?

By Emily Temple | March 1, 2024

How Richard Wright’s <em>Native Son</em> Eventually Made It to the Big Screen

How Richard Wright’s Native Son Eventually Made It to the Big Screen

Charlene Regester on the Fraught Relationship Between Early Black Writers and the American Film Industry

By Charlene Regester | February 29, 2024

Kyle MacLachlan Keeps Himself Open

Kyle MacLachlan Keeps Himself Open

This Week on the Talk Easy Podcast with Sam Fragoso

By Talk Easy | February 27, 2024

Best Reviewed
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“What If We Weren’t Afraid to Tell the Hard Truths?” Chris Chalk on Playing James Baldwin

By Dan Sheehan | February 21, 2024

What Writing TV Soap Operas Taught Me About Writing Novels

By Ellen Feldman | February 21, 2024

Always Rooting for the Antihero: How Three TV Shows Have Defined 21st-Century America

By Michiko Kakutani | February 20, 2024

On Ten Iconic Women Writers of Film and Television

On Ten Iconic Women Writers of Film and Television

Li Patron and Forsyth Harmon Explore Thirty Years of Representation on the Big and Small Screen

By Li Patron and Forsyth Harmon | February 12, 2024

<em>Lisa Frankenstein</em> is a Charming Comedy, Even If It’s Missing Some Parts

Lisa Frankenstein is a Charming Comedy, Even If It’s Missing Some Parts

Olivia Rutigliano on Diablo Cody and Zelda Williams's 80s-throwback, Mary-Shelley-indebted, high-school zom-com

By Olivia Rutigliano | February 9, 2024

How Stanley Kubrick Brought Stephen King’s <em>The Shining</em> to the Big Screen

How Stanley Kubrick Brought Stephen King’s The Shining to the Big Screen

Robert P. Kolker and Nathan Abrams on the Director's Pivotal Role in the Horror Boom of the 1970s

By Robert P. Kolker and Nathan Abrams | February 8, 2024

Jacinda Townsend and James Bernard Short on <em>American Fiction</em>

Jacinda Townsend and James Bernard Short on American Fiction

In Conversation with Whitney Terrell and V.V. Ganeshananthan on Fiction/Non/Fiction

By Fiction Non Fiction | February 8, 2024

Paul Giamatti, <br>This One’s For You: In Praise of the King of Pathos

Paul Giamatti,
This One’s For You: In Praise of the King of Pathos

Olivia Rutigliano on the Actor Who Has Never Once Phoned in a Performance

By Olivia Rutigliano | February 2, 2024

The Literary Film & TV You Need to Stream in February

The Literary Film & TV You Need to Stream in February

Because It’s Still Winter

By Emily Temple | February 1, 2024

Will Hot Shakespeare be the new Hot Priest?

Will Hot Shakespeare be the new Hot Priest?

By Emily Temple | January 30, 2024

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