Why <em>Maurice</em> is Still a Resonant Text for the Queer Audience

Why Maurice is Still a Resonant Text for the Queer Audience

David Greven Defends a Merchant Ivory Adaptation

By David Greven | November 15, 2023

<em>Dream Scenario</em> is a Worthwhile Head Trip

Dream Scenario is a Worthwhile Head Trip

The new film starring Nicolas Cage is a thoughtful and engaging, if slightly overambitious, meditation on fame, attention, and parasocial connection.

By Olivia Rutigliano | November 10, 2023

Sweet Nothings: On the Emptiness of Sofia Coppola’s <em>Priscilla</em>

Sweet Nothings: On the Emptiness of Sofia Coppola’s Priscilla

Hannah Bonner on the Director’s Latest “Waiting Woman”

By Hannah Bonner | November 10, 2023

The Most Unlikable Woman: On Sofia Coppola’s Stymied Quest to Bring Undine Spragg to Screen

The Most Unlikable Woman: On Sofia Coppola’s Stymied Quest to Bring Undine Spragg to Screen

Apple TV+ Isn’t Moving Forward with a Series Adaptation of The Custom of the Country. It’s Their Loss.

By Emily J. Orlando | November 8, 2023

Laughing At Evil: When Charlie Chaplin Brought Hitler to the Big Screen

Laughing At Evil: When Charlie Chaplin Brought Hitler to the Big Screen

Scott Eyman on the Making and Legacy of The Great Dictator

By Scott Eyman | November 3, 2023

How 1950s Hollywood Tried (and Failed) to Make Literary Adaptations Big

How 1950s Hollywood Tried (and Failed) to Make Literary Adaptations Big

The Problem with the Classics

By Foster Hirsch | November 3, 2023

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We Almost Got a Superhero Movie from The Exorcist Director William Friedkin

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Love and Looking: On What We (Don't) See Together

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Kristen Roupenian and Susanna Fogel on Adapting “Cat Person” for Film

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What to Read Before and After Seeing <em>Orlando, My Political Biography</em>

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On Virginia Woolf, Orlando, and Trans Lives

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Silvia Garcia-Moreno on <em>Dracula</em>’s Depictions and Descendants

Silvia Garcia-Moreno on Dracula’s Depictions and Descendants

Vampires! Vampires! Vampires!

By Silvia Moreno-Garcia | October 31, 2023

Something Is Rotten in Horror’s Use of Pedagogy

Something Is Rotten in Horror’s Use of Pedagogy

Tyler Malone on the Canker in the Classroom

By Tyler Malone | October 31, 2023

“Leisure, Labor, Reticence, Violence”: What Horror Films Can Teach Us About Poetry

“Leisure, Labor, Reticence, Violence”: What Horror Films Can Teach Us About Poetry

Justin Phillip Reed Considers Craft and Alienation on the Screen and on the Page

By Justin Phillip Reed | October 31, 2023

<em>The Holdovers</em> is a Revelation

The Holdovers is a Revelation

Alexander Payne's new film is perfect, full stop.

By Olivia Rutigliano | October 27, 2023

50 Years Later, Terrence Malick’s <em>Badlands</em> Remains a Pure Encapsulation of American Violence

50 Years Later, Terrence Malick’s Badlands Remains a Pure Encapsulation of American Violence

Gus Mitchell on the Singular Director’s Debut Film

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Evan Hughes on Writing the Book Behind <em>Pain Hustlers</em>

Evan Hughes on Writing the Book Behind Pain Hustlers

“The saga I’m obsessed with is getting another life.”

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