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This 1998 advice from Ursula K. Le Guin about gender-neutral language is still relevant.

This 1998 advice from Ursula K. Le Guin about gender-neutral language is still relevant.

By Vanessa Willoughby | October 20, 2021

<em>Reading Women</em> on the Emotional Complexities in Women’s Crime Fiction

Reading Women on the Emotional Complexities in Women’s Crime Fiction

This Week from the Reading Women Podcast

By Reading Women | October 20, 2021

Writing Through Trauma, Past and Present: On the Legacies of Catholic Ireland

Writing Through Trauma, Past and Present: On the Legacies of Catholic Ireland

Elaine Feeney Considers the Emotional Journey to Her Novel, As You Were

By Elaine Feeney | October 20, 2021

Tiphanie Yanique on Moving Beyond Traditional Hero Narratives

Tiphanie Yanique on Moving Beyond Traditional Hero Narratives

Jane Ciabattari Talks to the Author of Monster in the Middle

By Jane Ciabattari | October 19, 2021

“Cut, Cut, Cut, Until the Spirit Shines Through.” Sarah Ruhl on Craft and Catharsis

“Cut, Cut, Cut, Until the Spirit Shines Through.” Sarah Ruhl on Craft and Catharsis

The Author of Smile in Conversation With Playwright, Beth Henley

By Beth Henley | October 19, 2021

Forrest Gander on Grief, Translation, and Sharing Joy in Times of Suffering

Forrest Gander on Grief, Translation, and Sharing Joy in Times of Suffering

In Conversation with Paul Holdengräber on The Quarantine Tapes

By The Quarantine Tapes | October 19, 2021

Best Reviewed
Books of the Week

  • The Rest of Our Lives
  • Call Me Ishmaelle
  • Homeschooled: A Memoir
  • The Spy in the Archive: How One Man Tried to Kill the KGB
  • Watching Over Her
  • American Reich: A Murder in Orange County, Neo-Nazis, and a New Age of Hate

Writing from Home: Lessons from a Novelist-Slash-Small-Town Newspaper Columnist

By Nickolas Butler | October 18, 2021

How Do You Write About People Who Don’t Want To Be Written About?

By Ethan Lou | October 18, 2021

Richard Powers on the Duplicity of Bewilderment

By First Draft: A Dialogue on Writing | October 18, 2021

Read Ezra Pound’s extensive revisions to T. S. Eliot’s <em>The Waste Land</em>.

Read Ezra Pound’s extensive revisions to T. S. Eliot’s The Waste Land.

By Vanessa Willoughby | October 15, 2021

Jonathan Franzen on Reckoning with the Limits and Purposes of Writing Novels

Jonathan Franzen on Reckoning with the Limits and Purposes of Writing Novels

This Week on the Radio Open Source Podcast

By Open Source | October 15, 2021

Marguerite Duras on Finding Stories Everywhere

Marguerite Duras on Finding Stories Everywhere

“Around us, everything is writing.”

By Marguerite Duras | October 15, 2021

Alfred Molina on His Genre- and Character-Spanning Career

Alfred Molina on His Genre- and Character-Spanning Career

In Conversation with Josephine Reed for AudioFile Magazine

By Behind the Mic | October 15, 2021

Mondiant Dogon on Writing as an Important and Difficult Healing Process

Mondiant Dogon on Writing as an Important and Difficult Healing Process

Jenna Krajeski Talks to Her Co-Writer and Author of Those We Throw Away Are Diamonds

By Jenna Krajeski | October 15, 2021

Steph Cha on Choosing the Best of Mystery and Suspense During an Unprecedented and Harrowing Year

Steph Cha on Choosing the Best of Mystery and Suspense During an Unprecedented and Harrowing Year

“If mystery writers are paying attention, it should have a transformative effect on the genre.”

By Steph Cha | October 14, 2021

WATCH: Azareen Van Der Vliet Oloomi and Eileen Myles on Writing Against Linearity

WATCH: Azareen Van Der Vliet Oloomi and Eileen Myles on Writing Against Linearity

Hosted by Greenlight Bookstore

By The Virtual Book Channel | October 14, 2021

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    • The Rest of Our Lives
    • The Best Reviewed Books of the Week
    • "Poignant Tender The final line of em The Rest of Our Lives em is by…"
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