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Craft and Advice
Looking for God During the Vietnam War: A Conversation with Elan Barnehama
In Conversation with G.P. Gottlieb on the
New Books Network
By
New Books Network
| June 24, 2022
Repetition Ruins a Narrative: On Trying to Create Amid the Sameness of Pandemic Parenting
Rosalie Knecht Considers the Narrative Machines That Power Fiction and Therapy
By
Rosalie Knecht
| June 23, 2022
If They Want to Be Published, Literary Writers Can’t Be Honest About Money
Naomi Kanakia on the Class Contradictions at the Heart of Publishing
By
Naomi Kanakia
| June 23, 2022
Sloane Crosley in Defense of New York City’s Single Women
In Conversation with Maris Kreizman on
The Maris Review
Podcast
By
The Maris Review
| June 23, 2022
Alex Kiester on Obsessing Over Her Mother’s (Eventual) Death
“Maybe the only thing death will ever be able to teach us about is life.”
By
Alex Kiester
| June 23, 2022
Making History: Six Books That Embrace the 1970s
Yes, Novels Set in the 70s Are Historical Fiction Now
By
Donna Gordon
| June 23, 2022
Best Reviewed
Books of the Week
“Growing Up As a Girl in the Church, I Felt My Position on Earth Was to Serve Men.” A Conversation With Graphic Novelist Jessica Campbell
By
Literary Hub
| June 23, 2022
Endnotes on Inheritance: Marie-Helene Bertino, Ocean Vuong, and More Voices from
Thresholds
By
Thresholds
| June 23, 2022
They Say It Only Takes One: My Year of Trying to Get an Agent, and Get Pregnant
By
Emily Lackey
| June 22, 2022
“Your Character Has to Fail in Telling Their Story.” A Conversation with William Pei Shih
From the
Ursa Short Fiction
Podcast with Deesha Philyaw and Dawnie Walton
By
Ursa
| June 22, 2022
To the Stranger Who Returned My Lost Notebook
Leigh N. Gallagher on Losing—and Recovering—an Archive of Feelings
By
Leigh N. Gallagher
| June 21, 2022
The Coordination of 100 Muscles: On Reclaiming Speech as a Stutterer
Why John Whittier Treat Wrote a Character Who Shares His Struggle
By
John Whittier Treat
| June 21, 2022
Sera Gamble on Rejection, Writing, and the Surreality of Having 50 Million People Hear Her College Poetry
Jessie Gaynor Talks to the Showrunner of
The Magicians
and
You
By
Jessie Gaynor
| June 21, 2022
Why Failure is Necessary for Creative Growth
Brandon Stosuy on Making Space for Mistakes and Setbacks
By
Brandon Stosuy
| June 21, 2022
Lawrence Jackson on the Distinction Between Home and Shelter
In Conversation with Mitzi Rapkin on the
First Draft Podcast
By
First Draft: A Dialogue on Writing
| June 21, 2022
After Two Pregnancy Losses, I Wrote the Book I Needed to Read
Anna Hogeland on Searching for Narratives to Meet Her in Her Grief
By
Anna Hogeland
| June 21, 2022
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Page 130 of 263
Why Horror Is the Perfect Genre for Processing Trauma
February 4, 2026
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Christina Ferko
The Most Unhinged Women in Fiction (That Marisa Walz Would Still Invite to Brunch)
February 4, 2026
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Marisa Walz
Sherlock Holmes and Me—Together Again
February 4, 2026
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Jeffrey Siger
The Best Reviewed Books of the Month
"Poignant Tender The final line of em The Rest of Our Lives em is by…"