An Ode to Harriet the Spy, the Art Monster of East End Avenue

An Ode to Harriet the Spy, the Art Monster of East End Avenue

Caroline Hagood on Louise Fitzhugh’s Ferocious and Wonderful Girl Flâneuse

By Caroline Hagood | November 2, 2022

Chloé Cooper Jones on the Exchange of Authenticity Between Memoirist and Reader

Chloé Cooper Jones on the Exchange of Authenticity Between Memoirist and Reader

In Conversation with Jordan Kisner on Thresholds

By Thresholds | November 2, 2022

Steve Almond on Figuring Out How to Master a Big Plot

Steve Almond on Figuring Out How to Master a Big Plot

In Conversation with Alex Higley and Lindsay Hunter on I'm a Writer But  

By I'm a Writer But | November 2, 2022

David Treuer on Revisiting and Republishing His Debut Novel

David Treuer on Revisiting and Republishing His Debut Novel

Jane Ciabattari Talks to the Author of Little

By Jane Ciabattari | November 1, 2022

Charles Yu: Our Relationship With Time is Changed Forever

Charles Yu: Our Relationship With Time is Changed Forever

This Week on Twitterverse, a Show About Tweets and the Writers Who Send Them

By Twitterverse | November 1, 2022

Kate Beaton on the Grueling Task of Writing a Picture Book and Her New Memoir

Kate Beaton on the Grueling Task of Writing a Picture Book and Her New Memoir

In Conversation with Christopher Hermelin on So Many Damn Books

By So Many Damn Books | November 1, 2022

Best Reviewed
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Antoine Wilson on the Time He Saved Someone’s Life (and Didn’t Get a Steak Dinner)

By Micro Podcast | November 1, 2022

A Shed of One’s Own: Louise Kennedy on the Blissful Semi-Solitude of Her Backyard Writing Space

By Louise Kennedy | November 1, 2022

How Bearing Witness to Nature Helped Me Delve Into History

By Teow Lim Goh | November 1, 2022

Manuel Muñoz on Trying and Failing to Tell The Story of His Biological Father

Manuel Muñoz on Trying and Failing to Tell The Story of His Biological Father

“Everyone asked me how I felt, but the mystery was how he had felt.”

By Manuel Muñoz | November 1, 2022

“How Do They Explain Themselves to Themselves?” Stacey D’Erasmo on Writing a Financial Crime Novel

“How Do They Explain Themselves to Themselves?” Stacey D’Erasmo on Writing a Financial Crime Novel

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | October 31, 2022

Andrea Bartz on Trusting the Craft You Already Know

Andrea Bartz on Trusting the Craft You Already Know

From the Write-minded Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | October 31, 2022

Carl Phillips on the Value of Silence for Writers

Carl Phillips on the Value of Silence for Writers

“Sometimes the problem is that we’re trying too hard.”

By Carl Phillips | October 28, 2022

What I Write in My Journal is Just for Me (It is Not My Memoir)

What I Write in My Journal is Just for Me (It is Not My Memoir)

Jeanna Kadlec on Writing, Memory, and Trusting Yourself

By Jeanna Kadlec | October 28, 2022

When Awe Meets Narrative: On Chasing Local Folklore at the Edge of the Ocean

When Awe Meets Narrative: On Chasing Local Folklore at the Edge of the Ocean

In Which Emily Urquhart Explores Villain/Helper Tropes in a Small Maritime Town

By Emily Urquhart | October 28, 2022

Lydia Millet on the Lack of Empathetic Characters in Fiction

Lydia Millet on the Lack of Empathetic Characters in Fiction

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | October 27, 2022

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