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Film and TV
Is
The Rings of Power
for
Lord of the Rings
Diehards or Casual Fans?
Tolkien Devotee Jenna Kass and Fantasy Philistine Dylan Roth Recap the First Two Episodes of the New Series
By
Jenna Kass and Dylan Roth
| September 1, 2022
On Hal Ashby’s Progressive Portrayal of Disability in
Coming Home
Chloe Cooper Jones in Conversation with Mychal Denzel Smith on the
Open Form
Podcast
By
Open Form
| September 1, 2022
What is the Future of Film in Gaza?
Mosab Abu Toha on Cinema, Expression, and Politics
By
Mosab Abu Toha
| August 31, 2022
Three Thousand Years of Longing
Grants Few Wishes
George Miller’s New Adaptation Makes the Same Mistake as A.S. Byatt's Story
By
Jonathan Russell Clark
| August 30, 2022
The first trailer for Noah Baumbach’s
White Noise
has arrived.
By
Dan Sheehan
| August 26, 2022
Anne Hathaway is going to star in a Harry Styles fan fiction adaptation. (Yes, you read that right.)
By
Katie Yee
| August 26, 2022
Best Reviewed
Books of the Week
The 50 Best Fictional Dragons, Ranked
By
Olivia Rutigliano
| August 26, 2022
What to Read Before and After Seeing
Loving Highsmith
By
Literary Hub
| August 26, 2022
What Can Bruce Lee Tell Us About Our Contemporary World?
By
Daryl Joji Maeda
| August 26, 2022
Jerome Charyn on Finding Literary Inspiration at the Movie Theater
“I didn’t have to stumble with words on a page. Images on the screen became my vocabulary.”
By
Jerome Charyn
| August 25, 2022
Flashdance">
Flashdance">
Flashdance">"This Is What Making Art Should Feel Like." Ada Limón on
Flashdance
The Author of
The Hurting Kind
in Conversation with Mychal Denzel Smith on the
Open Form
Podcast
By
Open Form
| August 25, 2022
Stuck in a Spaceship: On
The Expanse
and Redrawing the Lines of a Body
Allison Wyss Considers Bodies in Space and Our Communal Body on Earth
By
Allison Wyss
| August 23, 2022
Reading Proust in a Black and White World
On María Alvarez’s New Documentary,
Le Temps Perdu
By
Catherine Nichols
| August 23, 2022
Timothée Chalamet and Luca Guadagnino snub Armie Hammer for their new film about cannibalism.
By
Emily Temple
| August 22, 2022
Marguerite Duras on Writing the Screenplay for Alain Resnais’s
Hiroshima Mon Amour
“We’re afraid. But ultimately, isn’t that necessary from time to time? Especially in film?”
By
Marguerite Duras
| August 22, 2022
Art Doesn’t Care If You Like It: Gabrielle Bellot on
The Sandman
Adaptation
“Why should art need to appease and excite everyone at once?”
By
Gabrielle Bellot
| August 19, 2022
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Page 49 of 117
Meet the (Woman) Stunt Performer Who Doubled Matt Damon in
The Odyssey
July 30, 2026
by
Olivia Rutigliano
The Best International Crime Fiction of July 2026
July 30, 2026
by
Molly Odintz
H.Y. Hanna on Craving Slow, Atmospheric Suspense in the Era of Short Attention
July 30, 2026
by
H.Y. Hanna