WATCH: Emma Ramadan on Translating Marguerite Duras’s <em>Panics</em>

WATCH: Emma Ramadan on Translating Marguerite Duras’s Panics

In Conversation with Kate Zambreno at Greenlight Bookstore

By The Virtual Book Channel | September 28, 2022

How Amnesia Helped Ingrid Rojas Contreras Tell Her Family’s Stories

How Amnesia Helped Ingrid Rojas Contreras Tell Her Family’s Stories

In Conversation with Jordan Kisner on Thresholds

By Thresholds | September 28, 2022

Chelsea Martin on Accepting Her Writing Voice

Chelsea Martin on Accepting Her Writing Voice

In Conversation with Brad Listi on Otherppl

By Otherppl with Brad Listi | September 28, 2022

Kamila Shamsie on Finding the Perfect Writing Space

Kamila Shamsie on Finding the Perfect Writing Space

“Perhaps there is no such thing as my writing space except wherever I happen to find myself.”

By Kamila Shamsie | September 27, 2022

Hafizah Augustus Geter on Personhood, Race, and Origin in America Today

Hafizah Augustus Geter on Personhood, Race, and Origin in America Today

In Conversation with Andrew Keen on Keen On

By Keen On | September 27, 2022

Yiyun Li on Writing Advice (the Good, the Bad) and the Books She Always Returns To

Yiyun Li on Writing Advice (the Good, the Bad) and the Books She Always Returns To

The Author of The Book of Goose Takes the Lit Hub Questionnaire

By Literary Hub | September 26, 2022

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Neither Villain Nor Victim: Stacey D’Erasmo on Embracing Discomfort in Telling the Story of a Complicit Woman

By Stacey D'Erasmo | September 26, 2022

Qian Julie Wang on Commuting, People-Watching, and Letting the Story Marinate

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Jonathan Escoffery on Playing Out Some of His Worst Fears on the Page

By First Draft: A Dialogue on Writing | September 26, 2022

Stacey D’Erasmo on the Fun of Writing Cryptic Characters

Stacey D’Erasmo on the Fun of Writing Cryptic Characters

“The world itself is an ambiguous, complicated place.”

By Stacey D'Erasmo | September 23, 2022

Not Just Lyrics and Melodies: How Producers Conceive of Music

Not Just Lyrics and Melodies: How Producers Conceive of Music

Susan Rogers and Ogi Ogas on the Intersections of Musical Form and Functionality

By Susan Rogers and Ogi Ogas | September 22, 2022

Yiyun Li on Complicated Friendships Real and Imagined

Yiyun Li on Complicated Friendships Real and Imagined

In Conversation with Whitney Terrell and V.V. Ganeshananthan on Fiction/Non/Fiction

By Fiction Non Fiction | September 22, 2022

Why Jazz? Laura Warrell on Devotion to a “Dying” Art Form

Why Jazz? Laura Warrell on Devotion to a “Dying” Art Form

The Author of Sweet, Soft, Plenty Rhythm Considers the Mysteries of Art and Love

By Laura Warrell | September 20, 2022

How the Trapper Keeper Shaped a Generation of Writers

How the Trapper Keeper Shaped a Generation of Writers

Jess deCourcy Hinds on the Most Popular School Supply of All Time

By Jess deCourcy Hinds | September 19, 2022

Break Everything and Begin Again: On Fragmentation as a Form

Break Everything and Begin Again: On Fragmentation as a Form

Sarah Haas Considers the Ways We Give Shape to Ideas

By Sarah Haas | September 19, 2022

A.M. Homes on How to Write Characters that Stick with Your Readers

A.M. Homes on How to Write Characters that Stick with Your Readers

In Conversation with Brooke Warner and Grant Faulkner on the Write-minded Podcast

By Memoir Nation | September 19, 2022

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