The Radical Moralist: On Lionel Trilling’s Literary Criticism
Writing in the Cusp of the Victorian and Modern
Meet National Book Award Finalist Leslie Connor
The Author of The Truth as Told by Mason Buttle on Short Sentences
and Dedicated Daydreaming
Meet National Book Award Finalist Christopher Paul Curtis
The Author of The Journey of Little Charlie on Writer's Block and Coaching in the Minor Leagues
Searching for Graham Greene’s Havana
Sarah Rainsford Follows Our Man in Havana to the Floridita and Other Haunts
Why Contemporary Art (and Literature) Needs More Sarcastic Critics
César Aira Thinks We Could Use a Bit More "Whatever" in Art
The Thin Line Between Liberalism and Totalitarianism
Helena Rosenblatt on the 20th-Century Reinvention of a Political Idea
“Dreamt In Stone”
Jon Fosse, Trans. Damion Searls
"No one saw the avalanche because it all fell apart so slowly, not day by day, not even hour by hour, not minute by minute, but it fell apart, it was falling apart the whole time and you could see, if you wanted to see it, if you didn’t refuse to see it, you could see it falling apart because it was an avalanche, it had to be an avalanche because what else could it be?"
Meet National Book Award Finalists M. T. Anderson and Eugene Yelchin
The Authors of The Assassination of Brangwain Spurge on Twin Peaks, Boris Pasternak, and Vladimir Lenin
Meet National Book Award Finalist Elizabeth Acevedo
The Author of The Poet X on Night Noises and Lucille Clifton
A Century of Reading: The 10 Books That Defined the 1990s
It's What You Want, What You Really Really Want
The Waiter
Matias Faldbakken, trans. Alice Menzies
"Every morning regularity and service act as a bulwark against inner noise. I work as much as I can. My days might seem endless, but that’s how I want them. "
Nathaniel Kahn: “People Use Art Like the Stock Market.”
The Director of The Price Of Everything in Conversation With Paul Holdengraber
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