November 27, 2024
- Daniel Felsenthal on the letters of Joe Brainard
- Are readers and publishers are turning away from memoir?
- On the controversy of 1974’s shared Booker Prize
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"Here is my impression of a play: Okay, so first you gotta imagine it’s a hotel room, right? Just a normal, boring-looking hotel room, on the nice end of things, as far as hotel rooms go. And the audience is coming in, and they’re taking their seats in this dinky little theater in lower Manhattan, barely bigger than a Winnebago, this theater, with seats that feel like someone just glued down some thin fabric over a block of hard metal. The main thing of a theater—like the whole point of it—is that there’s going to be a lot of sitting in it, so you’d think they would at least consider investing in some comfortable chairs. Word to the wise: if they can’t even get that part right, which absolutely most of the time they cannot, then buckle the fuck up, because I can tell you right now you are in for an ordeal of an evening."
"I was born in this city. Amsterdam, of course, is not a real city, except in the eyes of people from outside. We, the ones who were born here, immediately recognize the provincial from the way he moves, the way he walks, the way he holds his head. The man from the provinces who thinks he’s ended up in a real city. He walks as though he were in Paris or Rome. He admires his reflection in the store windows and congratulates himself on his decision to exchange his provincial life for a stay in this city, which is not a real city at all."