Literary Hub » Film and TV

What Do Superheroes and Zombies Have to Do With the End of the World?

What Do Superheroes and Zombies Have to Do With the End of the World?

Peter Biskind on Pop Culture's Obsession with How It All Ends

By Peter Biskind | September 18, 2018

<em>Better Call Saul</em> Knows Morality is About More Than Individual Choice

Better Call Saul Knows Morality is About More Than Individual Choice

How the Breaking Bad Prequel Complicates and Improves on the Original

By Eric Thurm | September 12, 2018

Laura van den Berg on the Horror Films That Inspired Her New Novel

Laura van den Berg on the Horror Films That Inspired Her New Novel

Lurking in the Shadows of The Third Hotel

By Laura van den Berg | August 24, 2018

<em>We the Animals</em> is the Ideal Literary Adaptation

We the Animals is the Ideal Literary Adaptation

This is What Happens When Your Director is an Actual Superfan

By Emily Temple | August 14, 2018

Watch a Mansplain-y Scene from the Adaptation of Meg Wolitzer's <em>The Wife</em>

Watch a Mansplain-y Scene from the Adaptation of Meg Wolitzer's The Wife

In Which an Older Male Writer Gives Feedback to a Younger Female Writer...

By Emily Temple | August 2, 2018

13 Literary Writers Who Have Adapted Other People's Books for the Screen

13 Literary Writers Who Have Adapted Other People's Books for the Screen

Or: When Aldous Huxley Wrote Pride and Prejudice

By Emily Temple | July 26, 2018

Best Reviewed
Books of the Week

Toward a Theory of Radical Corniness

By Eric Thurm | July 20, 2018

Does The Handmaid's Tale Want Us to Empathize with Ivanka Trump?

By Rachel Vorona Cote | July 12, 2018

David Lynch on the Dark Side of Fifties Suburbia

By David Lynch | July 10, 2018

Why Was 90s TV Full of Violence Against Women?

Why Was 90s TV Full of Violence Against Women?

"Women are Being Beaten, Terrorized, Abducted and Killed at an Alarming Rate"

By Allison Yarrow | July 9, 2018

The Philosophy of Romantic Comedy

The Philosophy of Romantic Comedy

From His Girl Friday to Set it Up, Rom-Com is a Language We All Speak

By Eric Thurm | June 29, 2018

In Praise of an Afternoon at the Movies

In Praise of an Afternoon at the Movies

Alone in a Quiet Theater, I Wait to Lose Myself

By Donna Masini | June 11, 2018

How <em>Vanya on 42nd Street</em> Captured a Changing New York City

How Vanya on 42nd Street Captured a Changing New York City

On the Film Adaptation of Chekhov's Uncle Vanya

By Andy Merrifield | June 8, 2018

A Conflicted Feminist Revenge Fantasy for the #MeToo Era

A Conflicted Feminist Revenge Fantasy for the #MeToo Era

Dietland Has Teeth. So Why Is it Afraid to Use Them?

By Eric Thurm | June 5, 2018

A Clockwork Orange Can Corrupt, Why Not Shakespeare and the Bible?"">

A Clockwork Orange Can Corrupt, Why Not Shakespeare and the Bible?"">

A Clockwork Orange Can Corrupt, Why Not Shakespeare and the Bible?"">"If A Clockwork Orange Can Corrupt, Why Not Shakespeare and the Bible?"

Anthony Burgess on the Reception of Kubrick's Film Adaptation

By Anthony Burgess | May 30, 2018

The Inherent Anxiety of the

The Inherent Anxiety of the "Good Cop" Show

Brooklyn Nine-Nine is Beloved, but Its Premise Raises a Big Question

By Eric Thurm | May 21, 2018

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