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Film and TV
Ingmar Bergman Made a Movie For Each One of His Fears
Failure, Illness, and Other Terrors That Haunt His Films
By
Masha Tupitsyn
| November 22, 2019
The teaser for
Emma
(written by Eleanor Catton!) is full of snark.
By
Corinne Segal
| November 21, 2019
How the Vietnam War Changed
Political Poetry
Daniel H. Weiss on Michael O'Donnell,
Deer Hunter
, and the Arts That Disillusioned Soldiers Turned to
By
Daniel H. Weiss
| November 20, 2019
The Debutante Ball in the Global
Age of Instagram
On High Society Rites of Passage and Dreams of Fame
By
Kristen Richardson
| November 20, 2019
Hollywood's Black Musicals: A Tale of Obscurity, Innovation, and...
The Wiz
Musicals Never Died, They Only Evolved
By
Jeanine Basinger
| November 20, 2019
Alan Moore on Marvel vs. Scorsese: the influence of superheroes is "embarrassing" and "worrying."
By
Emily Firetog
| November 18, 2019
Best Reviewed
Books of the Week
On Dennis Cooper's Elegant Jump to Film
By
Jeff Jackson
| November 18, 2019
Gary Oldman loves acting in literary adaptations.
By
Dan Sheehan
| November 15, 2019
Will Self: Claire Foy Will Always Be My Queen
By
Will Self
| November 14, 2019
High School Crush: On Literary Longing and Misdirected Lust
From
Little Women
to
Fleabag
, Janet Manley
Considers Action at a Distance
By
Janet Manley
| November 13, 2019
Attention: Kevin Wilson's novel about twins that spontaneously combust is going to be a movie.
By
Katie Yee
| November 12, 2019
Have you seen the horrifying trailer for
The Invisible Man
?
By
Dan Sheehan
| November 8, 2019
Inside the Early Struggles of the Women Who Built Disney
Nathalia Holt on What It Took to Break Into Animation in the 1930s
By
Nathalia Holt
| November 8, 2019
Did This Iconic 1962 Short Film Show Us Our Dark Future?
David Ulin Reflects on Death, Science Fi and Scenes From
La Jetée
By
David L. Ulin
| November 7, 2019
Andy Serkis's Gollum Was the Best Thing About
The Lord of the Rings
On the Invisible Movie Star at the Heart of Peter Jackson's Adaptation
By
Michael Newton
| November 7, 2019
On the Radically Compassionate Films of Ai Weiwei and Agnès Varda
Curtis White Makes a Call for Counterculture
By
Curtis White
| November 7, 2019
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Page 77 of 89
Why to Watch This January: 'The Secret Agent'
January 15, 2026
by
Radha Vatsal
A Brief, Disturbing History of Universal Monsters
January 15, 2026
by
Keith Roysdon
Big Pimpin: Pimps in Black Pop Culture from the 1970s to the Early 2000s
January 15, 2026
by
Michael Gonzales
The Best Reviewed Books of the Week
"Poignant Tender The final line of em The Rest of Our Lives em is by…"