Let's take a tour of Salman Rushdie's IMDb page.

Let's take a tour of Salman Rushdie's IMDb page.

By Jessie Gaynor | February 14, 2022

In the Resurgence of Folk Horror, We Are the Villains

In the Resurgence of Folk Horror, We Are the Villains

Michelle Nijhuis on Woodlands Dark and Days Bewitched:
A History of Folk Horror

By Michelle Nijhuis | February 14, 2022

Bless This Sex: On Dating Shows and the Touch We Want to Remember

Bless This Sex: On Dating Shows and the Touch We Want to Remember

K Chiucarello Finds Moments of Solace in Love is Blind

By K Chiucarello | February 14, 2022

<em>Death on the Nile</em> is Predictably Cursed by Its Troublesome Cast

Death on the Nile is Predictably Cursed by Its Troublesome Cast

Despite Branagh’s Best Efforts, the New Agatha Christie Adaptation Soured on the Shelf

By Marah Eakin | February 11, 2022

Erich Schwartzel on Hollywood, China, and the Global Battle for Cultural Supremacy

Erich Schwartzel on Hollywood, China, and the Global Battle for Cultural Supremacy

In Conversation with Andrew Keen on Keen On

By Keen On | February 11, 2022

Reality TV is Getting Boring Again—and Maybe That’s a Good Thing

Reality TV is Getting Boring Again—and Maybe That’s a Good Thing

Danielle J. Lindemann Traces the Genre’s Boomeranging Evolution

By Danielle J. Lindemann | February 10, 2022

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On the Coen Brothers’ Bitter, Brokenhearted Noir,
Miller’s Crossing

By Olivia Rutigliano | February 9, 2022

Georgia Pritchett Recounts a TV Industry #MeToo Experience in Three Acts, with No Closure

By Georgia Pritchett | February 9, 2022

Your literary guide to the 2022 Oscar nominations.

By Eliza Smith | February 8, 2022

<em>Drive My Car</em> is the first Japanese film ever to be nominated for Best Picture.

Drive My Car is the first Japanese film ever to be nominated for Best Picture.

By Walker Caplan | February 8, 2022

Why <em>Crouching Tiger, Hidden Dragon</em> Fell Flat in Chinese Theaters

Why Crouching Tiger, Hidden Dragon Fell Flat in Chinese Theaters

Erich Schwartzel on Ang Lee’s Road to Hollywood

By Erich Schwartzel | February 8, 2022

From <em>Little Miss Sunshine</em> to <em>Nanny</em>: How Genre is Transforming Our Idea of the “Sundance Film”

From Little Miss Sunshine to Nanny: How Genre is Transforming Our Idea of the “Sundance Film”

Reuben Baron Considers a Trend in This Year's Festival Standouts

By Reuben Baron | February 7, 2022

Take an early peek at Hulu's adaptation of <em>Conversations With Friends</em>.

Take an early peek at Hulu's adaptation of Conversations With Friends.

By Emily Temple | February 4, 2022

Is <em>Wonder Boys</em> the Best-Ever Onscreen Depiction of a Writer?

Is Wonder Boys the Best-Ever Onscreen Depiction of a Writer?

Ryan Chapman Revisits the Brilliance of the 2000 Adaptation of Michael Chabon’s Novel

By Ryan Chapman | February 4, 2022

The Deep Roots of Acting Philosophy Behind Frances McDormand’s Craft

The Deep Roots of Acting Philosophy Behind Frances McDormand’s Craft

Isaac Butler on Accessing Character’s Emotion

By Isaac Butler | February 4, 2022

A <em>Fake Accounts</em> TV series is on its way from Anonymous Content.

A Fake Accounts TV series is on its way from Anonymous Content.

By Walker Caplan | February 3, 2022

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