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On the Valuable Writing Lessons I Learned as a Television Reporter

On the Valuable Writing Lessons I Learned as a Television Reporter

“I’m conscious of the economy of words, never saying more than what’s necessary.”

By Nancy Johnson | April 1, 2021

Writing a Novel in Prison. In 30 Days. During a Pandemic.

Writing a Novel in Prison. In 30 Days. During a Pandemic.

Marya Brennan on Community and Creative Connection

By Marya Brennan | March 31, 2021

Hala Alyan: Which Comes First—the Characters or the Politics?

Hala Alyan: Which Comes First—the Characters or the Politics?

This Week on the Reading Women Podcast

By Reading Women | March 31, 2021

On the Narrative Thrills of Detective Fiction

On the Narrative Thrills of Detective Fiction

Amanda Dennis Unpacks the Inspiration for Her Debut Novel

By Amanda Dennis | March 31, 2021

Gabriela Garcia on the Interplay Between Literature and Class Consciousness

Gabriela Garcia on the Interplay Between Literature and Class Consciousness

The Author of Of Women and Salt Talks to Jane Ciabattari

By Jane Ciabattari | March 30, 2021

A Room of One’s Own Sounds Great... But What If You're a Mom?

A Room of One’s Own Sounds Great... But What If You're a Mom?

Ilona Bannister on the Fantasy of Compartmentalization

By Ilona Bannister | March 30, 2021

Best Reviewed
Books of the Week

  • House of Day, House of Night
  • The Award
  • Daring to Be Free: Rebellion and Resistance of the Enslaved in the Atlantic World
  • Casanova 20: Or, Hot World
  • Frostlines: A Journey Through Entangled Lives and Landscapes in a Warming Arctic
  • The Six Loves of James I

Bridged: How the Art of Writing Can Close the Divide Between Worlds

By Jennifer De Leon | March 29, 2021

Dantiel W. Moniz on Imposter Syndrome and the Morbidity
of Girlhood

By First Draft: A Dialogue on Writing | March 29, 2021

The best writing advice I've ever read comes from Robert Frost.

By Emily Temple | March 26, 2021

Interview with a Journal: <em>NOON</em>

Interview with a Journal: NOON

Everything You Need to Know About the Independent,
Not-for-Profit Annual

By Vanessa Willoughby | March 26, 2021

Deborah Levy on the Retrospective Mood of the Pandemic

Deborah Levy on the Retrospective Mood of the Pandemic

In Conversation with Linn Ulmann on How to Proceed

By How to Proceed | March 26, 2021

On the Emotional Complexity of Teaching in the Age of COVID

On the Emotional Complexity of Teaching in the Age of COVID

Nick Ripatrazone Talks to English Teacher Keith Leonard

By Nick Ripatrazone | March 24, 2021

When You Take a Sailing Trip for Novel Research and It’s a Total Disaster

When You Take a Sailing Trip for Novel Research and It’s a Total Disaster

Amity Gaige Nearly Gets Lost at Sea

By Amity Gaige | March 24, 2021

Which one is correct: O.K., OK, ok, or okay?

Which one is correct: O.K., OK, ok, or okay?

By Jonny Diamond | March 23, 2021

Learning to Go With the Flow, in Rafting and in Writing

Learning to Go With the Flow, in Rafting and in Writing

Andrew J. Graff on the Hard Work of Staying Loose

By Andrew J. Graff | March 23, 2021

On Writing Flawed, Inconsistent, Forgivable, Inspiring, and Damaged Afghan Characters

On Writing Flawed, Inconsistent, Forgivable, Inspiring, and Damaged Afghan Characters

Nadia Hashimi Writes the Book She Would Have Liked to Read

By Nadia Hashimi | March 22, 2021

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Page 178 of 261
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    • The Best Speculative Mysteries and Thrillers of 2025December 23, 2025 by Molly Odintz
    • Senior Sleuths: The Art and Appeal of Mysteries Starring Older DetectivesDecember 23, 2025 by Michelle L. Cullen
    • House of Day, House of Night
    • The Best Reviewed Books of the Week
    • "Tokarczuk is an excellent storyteller She is very good at creating a 'sense of anticipation…"
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