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Sarah Ruhl Tries to Look at Grief Through the Lens of Form

Sarah Ruhl Tries to Look at Grief Through the Lens of Form

A Conversation with the Author of Love Poems in Quarantine

By Literary Hub | May 25, 2022

Jon Mooallem Writes in the Morning (Before the World Snuffs Out His Brief Glimmer of Positivity)

Jon Mooallem Writes in the Morning (Before the World Snuffs Out His Brief Glimmer of Positivity)

The Author of Serious Face Takes the Lit Hub Questionnaire

By Literary Hub | May 25, 2022

Andrea Marcolongo on How Running Fuels Her Creative Process

Andrea Marcolongo on How Running Fuels Her Creative Process

“I go out to run so that I can write, and I write so that I can run.”

By Andrea Marcolongo | May 25, 2022

Kathryn Miles on the Emotional Toll of Investigating Tragedies—and Why She Carries on

Kathryn Miles on the Emotional Toll of Investigating Tragedies—and Why She Carries on

In Conversation with Brad Listi on Otherppl

By Otherppl with Brad Listi | May 25, 2022

Elif Batuman on the Need For Novels (And When Male Writers Describe Oral Sex)

Elif Batuman on the Need For Novels (And When Male Writers Describe Oral Sex)

Kristin Iversen Talks to the author of Either/Or

By Kristin Iversen | May 24, 2022

Looking for Answers After the Murder of a Dear Friend and Little Brother

Looking for Answers After the Murder of a Dear Friend and Little Brother

Ben Westhoff on Frustration, Grief, and Questions in the Wake of a Young Black Man's Death

By Ben Westhoff | May 24, 2022

Best Reviewed
Books of the Week

  • The Things We Never Say
  • John of John
  • Ghost Stories: A Memoir
  • The Hill
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  • Mighty Real: A History of LGBTQ Music, 1969-2000
  • Glyph
  • The Village on the Edge of the World: Writing and Surviving in Ceausescu's Romania
  • Dog Days

Jen Silverman on Re-reading, Making a Tarot Deck, and Other Kinds of Escape

By Literary Hub | May 24, 2022

Omer Friedlander and Joshua Henkin on Writing with a Sense of Place

By Literary Hub | May 24, 2022

Christian J. Collier on Chasing Obsessions and Crafting Poetry as Film Directing

By I'm a Writer But | May 24, 2022

How Virginia Woolf and J.A. Baker Helped Me Write a Trans Memoir

How Virginia Woolf and J.A. Baker Helped Me Write a Trans Memoir

Diana Goetsch: “These books became my teachers.”

By Diana Goetsch | May 24, 2022

Remembering the Kindness and Master Storytelling of Editor and Author George Hodgman

Remembering the Kindness and Master Storytelling of Editor and Author George Hodgman

Gabe Montesanti on Her Friend and Mentor

By Gabe Montesanti | May 24, 2022

How Contemporary Chinese Literature Made Western Modernism Its Own

How Contemporary Chinese Literature Made Western Modernism Its Own

Yan Lianke on the Concept of “Mythorealism”

By Yan Lianke and Carlos Rojas | May 23, 2022

In Praise of the Unhappy Happy Ending

In Praise of the Unhappy Happy Ending

Natalie Jenner Breaks Down an Alluring Authorial Move

By Natalie Jenner | May 23, 2022

My Queer Life Is Not Inappropriate, and Neither Are the Books That Reflect It

My Queer Life Is Not Inappropriate, and Neither Are the Books That Reflect It

Nicole Melleby on Writing Books that Help Queer Kids and the Kids of Queer Parents Feel Seen

By Nicole Melleby | May 23, 2022

Marie Myung-Ok Lee on the Inevitable Slowness of Writing

Marie Myung-Ok Lee on the Inevitable Slowness of Writing

The Author of The Evening Hero Talks to Jimin Han

By Jimin Han | May 23, 2022

Jonathan Lee on Hooking a Reader with the First Line

Jonathan Lee on Hooking a Reader with the First Line

“No one wants to feel the writer trying too hard.”

By Jonathan Lee | May 20, 2022

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Page 180 of 342
    • How to Recreate the Techniques of Horror Films in a NovelJune 2, 2026 by Claire Fuller
    • The Men Who Sold the Long-Lost Treasures of Cambodia's Khmer EmpireJune 2, 2026 by Matthew Campbell
    • Co-Writing a Cold War Thriller With My Father – Forty Years After His DeathJune 2, 2026 by Beau L'Amour
    • The Things We Never Say
    • The Best Reviewed Books of the Month
    • "As usual Strout manages to create scenes of intense intimacy in prose that feels as…"
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