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  • Craft and Criticism
    • Literary Criticism
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  • News and Culture
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Joshua Ferris Urges Writers Not to Cower on the Page

Joshua Ferris Urges Writers Not to Cower on the Page

The Author of A Calling for Charlie Barnes Takes the Lit Hub Questionnaire

By Literary Hub | October 7, 2021

How to Write a Good Fight Scene

How to Write a Good Fight Scene

Jeff Bens Unpacks the Literary Mechanics of a Believable Scrap

By Jeff Bens | October 7, 2021

WATCH: Jen Winston and Adam J. Kurtz on Queer Existential Dread

WATCH: Jen Winston and Adam J. Kurtz on Queer Existential Dread

Hosted by Greenlight Bookstore

By The Virtual Book Channel | October 7, 2021

José Vadi on Mapping a Changing California

José Vadi on Mapping a Changing California

This Week on Otherppl with Brad Listi

By Otherppl with Brad Listi | October 7, 2021

Miriam Toews on the “Incredible Empathy” of Steinbeck and Writing Honestly

Miriam Toews on the “Incredible Empathy” of Steinbeck and Writing Honestly

The Author of Fight Night Takes the Lit Hub Questionnaire

By Literary Hub | October 6, 2021

In Defense of Poetic Plagiarism

In Defense of Poetic Plagiarism

Sam Riviere on the Foundational Practices of Collaboration and Copying

By Sam Riviere | October 6, 2021

Best Reviewed
Books of the Week

  • Palaver
  • Helm
  • Book of Lives: A Memoir of Sorts
  • Cursed Daughters
  • Indignity: A Life Reimagined
  • We Did OK, Kid: A Memoir

Dave Eggers on Escaping Corporate Tech and the Irreplaceable Role of Indie Bookstores

By Corinne Segal | October 6, 2021

Sanaë Lemoine on the Reveal That Changed Her Life... and Inspired Her Novel

By Thresholds | October 6, 2021

So What Is It About Writers and Emotional Masochism?

By Bonnie Friedman | October 6, 2021

<em>Reading Women</em> on the Social and Psychological Dynamics in Women’s Crime Fiction

Reading Women on the Social and Psychological Dynamics in Women’s Crime Fiction

This Week from the Reading Women Podcast

By Reading Women | October 6, 2021

Amitava Kumar: How Can You Write Fiction That Fights Fake News?

Amitava Kumar: How Can You Write Fiction That Fights Fake News?

“A novel often serves as a site of contention for different viewpoints.”

By Amitava Kumar | October 5, 2021

Hanging Out With Joan Didion: What I Learned About Writing From an American Master

Hanging Out With Joan Didion: What I Learned About Writing From an American Master

Sara Davidson on the Ten Lessons She Learned

By Sara Davidson | October 5, 2021

How Writing “Vengeful Fiction” Can Make You a Better Person

How Writing “Vengeful Fiction” Can Make You a Better Person

Jocelyn Nicole Johnson on Finding Empathy in Writing and Putting Anger to Good Use

By Jocelyn Nicole Johnson | October 5, 2021

Myriam J.A. Chancy on Writing Haiti and Honoring Its Local Realities

Myriam J.A. Chancy on Writing Haiti and Honoring Its Local Realities

Jane Ciabattari Talks to the Author of What Storm, What Thunder

By Jane Ciabattari | October 5, 2021

Peter Orner on the Pressure of Fiction’s Infinite Possibilities

Peter Orner on the Pressure of Fiction’s Infinite Possibilities

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | October 4, 2021

The Theory of (Artistic) Relativity, Illustrated

The Theory of (Artistic) Relativity, Illustrated

Michelle Rial on Letting Go of Being the Best

By Michelle Rial | October 1, 2021

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Page 154 of 258
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    • How Southern Crime Fiction Became a Publishing PowerhouseNovember 13, 2025 by Leigh Dunlap
    • Silence That Screams: On Hysteria, Hauntings, and Why Every Story Is a Ghost StoryNovember 13, 2025 by Meagan Church
    • Palaver
    • The Best Reviewed Books of the Week
    • "Permeated by a deep affection for the city of Tokyo its cuisine its mass transit…"
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