Salt Houses
Hala Alyan
“When Salma peers into her daughter’s coffee cup, she knows instantly she must lie.”
Dani Shapiro on First Books, Found Lists, Marriage, and More
The Author of Hourglass in Conversation with Paul Holdengraber
How the Federal Government Saved Literature in Tennessee
On the Vital Importance of the NEH and the NEA
Librarians in the 21st Century: It Is Becoming Impossible to Remain Neutral
Stacie Williams on How to Confront Microaggressions in the Library
Ben Lerner on the Porous Boundaries of Literature, Truth, and Plagiarism
Highlights from BAM's Eat, Drink & Be Literary
State Censorship: How the Library of Congress Came to Define Obscenity
On the Virtually Unknown History of the Delta Collection
On the Dark(er) Side of the Perpetually Dark Edward Gorey
From Wittgenstein to The Golden Girls, a Man of Varied Interests
Not Finishing My Novel Would Have Ruined My Life
Lisa Ko with Notes on the Long Game That is Writing
Bookselling in the 21st Century: “Please Don’t Touch Me.”
Emily Ballaine on the Exhausting False Intimacies of Life in Retail
Maaza Mengiste, Carrie Brownstein, and Jill Filipovic on Gender and Power
"History is malleable, it reshapes itself so easily, too easily"
In the End, Everyone Will Have a Mugshot: On the Birth of the Police
The Police Came Into Being to Answer a Single Question:
Who Owns What?
Muslim-American Kids Need to See More of Themselves in Pop Culture
Hena Khan on the Daily Need to Combat Rising Islamophobia
What I’d Die for You Tells Us About Fitzgerald’s Troubled Final Years
And How he Turned Personal Tragedy into His Best Work
The Lights
Brian McGreevy
“The spring of the dead birds, the one after the death of my mother, I knew a broken angel was going to come into my life.”
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