The Freedom of Tossing The Scarlet Letter From a High School Curriculum
Noah Cho on Finding and Teaching Literature that Reflects His Classroom
How the Word ‘Ghetto’ Traveled from Europe to America
Daniel B. Schwartz Explores the Westward Exodus of European Jews
How Rainbow Rowell Weaponized Fandom for Good
Dana Schwartz on Fictional Books Within Fictional Books
Bruce Springsteen’s “The River” Spoke to My Working-Class Dublin
Dermot Bolger on Finding the Universal in an American Icon
Since When Did Animals Become Synonymous With
Our Grief?
“In life, as in literature, a horse is never just a horse.”
Grown Ups Were Getting on Her Nerves, so Rivka Galchen Wrote a Kids’ Book
When Writing for Adults Loses Its Joy
Sarah M. Broom on Building Her Book Like a House
The Author of The Yellow House Talks to Brad Listi on Otherppl
Elif Shafak on the Cairo of Naguib Mahfouz
A Writer Torn Between Longing for Freedom and Loyalty to Country
Why You Shouldn’t Cross Meryl Streep on a Film Set
When Dustin Hoffman Crossed a Line Making Kramer vs. Kramer
On the Difficulty of Explaining Why a Piece of Music is Good
How John Mauceri Finds Beauty in Structure
Writing As Therapy: My Year of Teaching in the Locked Ward
Ayelet Gundar-Goshen on Balancing Authorship and Psychotherapy
Friedrich Hayek: Not Exactly the Libertarian Darling He’s Claimed As
Meet the Economist Ayn Rand Described as
"Our Most Pernicious Enemy."
Courtney Maum: Can You Learn to Have a Distinctive Voice?
The Author of Costalegre Sits Down with
So Many Damn Books
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