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The Creative Power of Rage: On Fictionalizing the Lives of Righteously Violent Historical Women

The Creative Power of Rage: On Fictionalizing the Lives of Righteously Violent Historical Women

Gwen E. Kirby on Her Literary “Stabby Period”

By Gwen E. Kirby | January 11, 2022

The Disorientation and Relief of Owning My Submissiveness

The Disorientation and Relief of Owning My Submissiveness

Rachel Krantz, author of Open, on the Power of “Daddy”

By Rachel Krantz | January 10, 2022

My Hundred-Year-Old Boyfriend: On Hermann Hesse’s <em>Siddhartha</em>

My Hundred-Year-Old Boyfriend: On Hermann Hesse’s Siddhartha

Andre Bagoo Looks Back on Some Very Earthly Attachments

By Andre Bagoo | January 10, 2022

The 6 Self-Help Books That Changed My Life

The 6 Self-Help Books That Changed My Life

Radhika Sanghani Recommends Uplifting Reads

By Radhika Sanghani | January 10, 2022

Dissolving Genre: Toward Finding New Ways to Write About the World

Dissolving Genre: Toward Finding New Ways to Write About the World

Ingrid Horrocks on Reimagining the Relationship Between the Human and the Non-Human

By Ingrid Horrocks | January 6, 2022

Brooklyn Is Where the Heart Is: On Leaving Home to Write About It

Brooklyn Is Where the Heart Is: On Leaving Home to Write About It

Xochitl Gonzalez Considers the Power of Memory in Creating Literary Detail

By Xochitl Gonzalez | January 6, 2022

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My Year of Yes: On Falling in Love with Competitive Tennis at Age 41

By Scarlett Thomas | January 6, 2022

Learning, Practice, and Repetition: Why the Act of Writing Is Work

By Jessie Greengrass | January 5, 2022

Crossing the Distance Between Fact and Truth in a Story About Love and Exile

By Yara Zgheib | January 4, 2022

How Being a Stalled Novelist Led to an Unexpected Career in Data Science

How Being a Stalled Novelist Led to an Unexpected Career in Data Science

C.J. Washington on the Frustrating Struggle to Get Published

By C.J. Washington | January 3, 2022

Piercing the Veil of Silence: How the Outbreak of COVID-19 Impacted the Writing of My Book

Piercing the Veil of Silence: How the Outbreak of COVID-19 Impacted the Writing of My Book

Wallis Wilde-Menozzi on Completing Silence and Silences During a Global Pandemic

By Wallis Wilde-Menozzi | December 23, 2021

When New Journalism Was New: Gay Talese on His Legendary <em>Esquire</em> Profile of Frank Sinatra

When New Journalism Was New: Gay Talese on His Legendary Esquire Profile of Frank Sinatra

On Trying—and Failing—to Interview Ol' Blue Eyes

By Gay Talese | December 22, 2021

The Weaponization of Quiet: On the Subtle Horror of Ayşegül Savaş’s <em>White on White</em>

The Weaponization of Quiet: On the Subtle Horror of Ayşegül Savaş’s White on White

Francesca Giacco on Intimacy, Art, and the Danger of Losing Yourself in a Story

By Francesca Giacco | December 21, 2021

Sharon Gless on Her First Stage Appearance and Earning a Seven-Year Contract for Universal Studios

Sharon Gless on Her First Stage Appearance and Earning a Seven-Year Contract for Universal Studios

The Cagney & Lacey Star Considers How an Actors Life Can Change in a Matter of Hours

By Sharon Gless | December 21, 2021

Orhan Pamuk on a Lost Pool, and the World Beneath Its Surface

Orhan Pamuk on a Lost Pool, and the World Beneath Its Surface

A Childhood Memory of the Seaside

By Orhan Pamuk | December 20, 2021

Why You Shouldn’t Read Historical Fiction to Learn History

Why You Shouldn’t Read Historical Fiction to Learn History

Juhea Kim on the Role of Literature in Lessons About Humanity

By Juhea Kim | December 20, 2021

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    • The Rest of Our Lives
    • The Best Reviewed Books of the Month
    • "Poignant Tender The final line of em The Rest of Our Lives em is by…"
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