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  • Craft and Criticism
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The 6 Self-Help Books That Changed My Life

The 6 Self-Help Books That Changed My Life

Radhika Sanghani Recommends Uplifting Reads

By Radhika Sanghani | January 10, 2022

Dissolving Genre: Toward Finding New Ways to Write About the World

Dissolving Genre: Toward Finding New Ways to Write About the World

Ingrid Horrocks on Reimagining the Relationship Between the Human and the Non-Human

By Ingrid Horrocks | January 6, 2022

Brooklyn Is Where the Heart Is: On Leaving Home to Write About It

Brooklyn Is Where the Heart Is: On Leaving Home to Write About It

Xochitl Gonzalez Considers the Power of Memory in Creating Literary Detail

By Xochitl Gonzalez | January 6, 2022

My Year of Yes: On Falling in Love with Competitive Tennis at Age 41

My Year of Yes: On Falling in Love with Competitive Tennis at Age 41

Scarlett Thomas Considers Her Newfound Passion for the Sport

By Scarlett Thomas | January 6, 2022

Learning, Practice, and Repetition: Why the Act of Writing Is Work

Learning, Practice, and Repetition: Why the Act of Writing Is Work

Jessie Greengrass on the Intersection of Muse and Routine

By Jessie Greengrass | January 5, 2022

Crossing the Distance Between Fact and Truth in a Story About Love and Exile

Crossing the Distance Between Fact and Truth in a Story About Love and Exile

Yara Zgheib on Writing a Truthful Fiction About—and Amid—a Travel Ban

By Yara Zgheib | January 4, 2022

Best Reviewed
Books of the Week

  • Heart the Lover
  • What a Time to Be Alive
  • Somebody Is Walking on Your Grave: My Cemetery Journeys
  • Pick a Color
  • The Eternal Forest: A Memoir of the Cuban Diaspora
  • Scream with Me: Horror Films and the Rise of American Feminism (1968-1980)

How Being a Stalled Novelist Led to an Unexpected Career in Data Science

By C.J. Washington | January 3, 2022

Piercing the Veil of Silence: How the Outbreak of COVID-19 Impacted the Writing of My Book

By Wallis Wilde-Menozzi | December 23, 2021

When New Journalism Was New: Gay Talese on His Legendary Esquire Profile of Frank Sinatra

By Gay Talese | December 22, 2021

The Weaponization of Quiet: On the Subtle Horror of Ayşegül Savaş’s <em>White on White</em>

The Weaponization of Quiet: On the Subtle Horror of Ayşegül Savaş’s White on White

Francesca Giacco on Intimacy, Art, and the Danger of Losing Yourself in a Story

By Francesca Giacco | December 21, 2021

Sharon Gless on Her First Stage Appearance and Earning a Seven-Year Contract for Universal Studios

Sharon Gless on Her First Stage Appearance and Earning a Seven-Year Contract for Universal Studios

The Cagney & Lacey Star Considers How an Actors Life Can Change in a Matter of Hours

By Sharon Gless | December 21, 2021

Orhan Pamuk on a Lost Pool, and the World Beneath Its Surface

Orhan Pamuk on a Lost Pool, and the World Beneath Its Surface

A Childhood Memory of the Seaside

By Orhan Pamuk | December 20, 2021

Why You Shouldn’t Read Historical Fiction to Learn History

Why You Shouldn’t Read Historical Fiction to Learn History

Juhea Kim on the Role of Literature in Lessons About Humanity

By Juhea Kim | December 20, 2021

Mel Brooks on the Making of <em>Spaceballs</em>

Mel Brooks on the Making of Spaceballs

“I thought, Science fiction! Now there’s a genre I haven’t wrecked yet…”

By Mel Brooks | December 16, 2021

Afrodisiac: A Textual Meditation on Greg Tate

Afrodisiac: A Textual Meditation on Greg Tate

Michael A. Gonzales Remembers His Dear Friend and Mentor

By Michael A. Gonzales | December 14, 2021

Words with Fangs: Finding Myself in Julia Alvarez’s <em>How the García Girls Lost Their Accents</em>

Words with Fangs: Finding Myself in Julia Alvarez’s How the García Girls Lost Their Accents

Elizabeth Acevedo on the Lasting Legacy and Importance of a Transformative Novel

By Elizabeth Acevedo | December 14, 2021

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    • Sophie Hannah On How She Writes a Poirot NovelOctober 10, 2025 by Alex Dueben
    • My First thriller: Megan AbbottOctober 9, 2025 by Rick Pullen
    • Heart the Lover
    • The Best Reviewed Books of the Week
    • "King captures her guileless sense of awe with just a dusting of parody that never…"
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