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What Banning <em>Maus</em> Means for the Generation of Artists It Inspired

What Banning Maus Means for the Generation of Artists It Inspired

Amy Kurzweil Considers the Benefits of Chorus Over Canon

By Amy Kurzweil | February 18, 2022

The Creation of Yourself: On the Flow and Fugue of Dance

The Creation of Yourself: On the Flow and Fugue of Dance

Olivia Campbell Considers the Legendary Absorption of the Dancer

By Olivia Campbell | February 17, 2022

Surviving the Abuses of Life in America

Surviving the Abuses of Life in America

Tiffanie Drayton on Lessons in Self-Preservation and Growth

By Tiffanie Drayton | February 17, 2022

“We Get to Be Young Only Once.” On My Life-Changing Discovery of Laurie Colwin

“We Get to Be Young Only Once.” On My Life-Changing Discovery of Laurie Colwin

How Kim Fay Read—and Ate—Her Way Through Home Cooking During Her Formative Years

By Kim Fay | February 15, 2022

On the Feminine Urge to Murder

On the Feminine Urge to Murder

Heather O'Neill Considers Rage and Femininity

By Heather O'Neill | February 15, 2022

In Search of the Perfect Sound: Confessions of an Accidental Audiophile

In Search of the Perfect Sound: Confessions of an Accidental Audiophile

Garrett Hongo on the Pastime That Took on a Life of Its Own

By Garrett Hongo | February 15, 2022

Best Reviewed
Books of the Week

  • They
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  • Eradication: A Fable
  • The Boundless Deep: Young Tennyson, Science and the Crisis of Belief
  • The Last Kings of Hollywood: Coppola, Lucas, Spielberg—And the Battle for the Soul of American Cinema
  • End of Days: Ruby Ridge, the Apocalypse, and the Unmaking of America

The Loyal, the Requited, the Tender: Kathryn Schulz on the Pleasures of Love’s Middle

By Kathryn Schulz | February 14, 2022

How Narrative Therapy Can Help Us Take Ownership of Our Stories

By Veronica Esposito | February 11, 2022

Illustrating the Impact of “Perfect Art”

By Lynda Barry | February 10, 2022

“Aw, Partners, It’s Been a Bitch.” A Letter from Ken Kesey After His Son’s Death

“Aw, Partners, It’s Been a Bitch.” A Letter from Ken Kesey After His Son’s Death

The Author of One Flew Over the Cuckoo's Nest Recounts the Last Days of His Son’s Life

By Shaun Usher | February 10, 2022

On “Broken-Heart Syndrome” and the Possibility of Resilience

On “Broken-Heart Syndrome” and the Possibility of Resilience

After a Divorce, Florence Williams Considers the Connection Between Heart Health and Love

By Florence Williams | February 10, 2022

“A Tricky, Electric Topic.” Tessa Hadley on Writing Ambivalent Motherhood

“A Tricky, Electric Topic.” Tessa Hadley on Writing Ambivalent Motherhood

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | February 10, 2022

Confronting the Old Boys’ Club at Everest Base Camp

Confronting the Old Boys’ Club at Everest Base Camp

Silvia Vasquez-Lavado Considers the Strength of Surrender Up the Mountain

By Silvia Vasquez-Lavado | February 10, 2022

Georgia Pritchett Recounts a TV Industry #MeToo Experience in Three Acts, with No Closure

Georgia Pritchett Recounts a TV Industry #MeToo Experience in Three Acts, with No Closure

“It was almost funny, except it wasn’t.”

By Georgia Pritchett | February 9, 2022

Colette Brooks on the Dangers of Misremembering Our Past

Colette Brooks on the Dangers of Misremembering Our Past

In Conversation with Andrew Keen on Keen On

By Keen On | February 9, 2022

What Has COVID Done to Our Romantic Relationships?

What Has COVID Done to Our Romantic Relationships?

Laura Kipnis on Isolation, Intimacy, and Knowing One’s Partner

By Laura Kipnis | February 8, 2022

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    • Valerie Wilson Wesley on the Harlem Renaissance and Writing Historical MysteriesFebruary 19, 2026 by Alex Dueben
    • The Best International Crime Fiction of February 2026February 19, 2026 by Molly Odintz
    • Baltimore, 1979: N Luv Wit a StripperFebruary 19, 2026 by Michael Gonzales
    • They
    • The Best Reviewed Books of the Week
    • "a succession of nine quietly horrifying stories from a dystopian pastorally radiant England The novella…"
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