A murderess, a black mass, a scandalous literary salon: Welcome to Paris in 1920.

A murderess, a black mass, a scandalous literary salon: Welcome to Paris in 1920.

By Corinne Segal | May 21, 2020

On the Revisionist Histories at the Heart of Fascism and Populism

On the Revisionist Histories at the Heart of Fascism and Populism

From Perón to Trump, the Political Art of Spinning Lies Into Myth

By Federico Finchelstein | May 21, 2020

Travels with Barbie, From Tehran to Paris to New York

Travels with Barbie, From Tehran to Paris to New York

Porochista Khakpour on Loving—and Destroying—a Beloved Doll

By Porochista Khakpour | May 21, 2020

The Case of Oscar Wilde's Mistaken Identity in Naples

The Case of Oscar Wilde's Mistaken Identity in Naples

Renato Miracco on a Scandalized Italian Public

By Renato Miracco | May 21, 2020

Great Plagues Always Hit Workers the Hardest

Great Plagues Always Hit Workers the Hardest

Michael Robinson on Daniel Defoe's Fictional Account
of the London Plague

By Michael Robinson | May 20, 2020

Reading the Eccentric Italian Writer Who Tried to Cover Up His Fascism

Reading the Eccentric Italian Writer Who Tried to Cover Up His Fascism

Edmund White on Curzio Malaparte's Oblong Visions of the World

By Edmund White | May 20, 2020

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Maggie Doherty on the Writerly Life, From Concord to Asheville

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How E.M. Forster's Only Foray Into Sci-Fi Predicted Social Distancing

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Gabrielle Bellot on the Prescient Parallels of "The Machine Stops"

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On the City of Florence's Struggle to Get Back Dante's Body

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How Energy, Chaos, and a Flair for Entertainment Created Nightly News

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Why Do Some Writers Burn Their Work?

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Alex George on the Satisfying Spectacle of Torching It All

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Why <em>Sesame Street</em> Was a Revolutionary Force for Children's Television

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David Kamp on the Radical Creators of an Iconic Show

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