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<em>For Us All</em> Act I: On Fred Korematsu’s Conviction—and the Fight to Overturn it 40 Years Later

For Us All Act I: On Fred Korematsu’s Conviction—and the Fight to Overturn it 40 Years Later

Featuring the Japanese American Civil Liberties Collection from LA Theatre Works

By Audiobook Break | October 4, 2022

Luke Geddes on Writing with a Sense of Humor

Luke Geddes on Writing with a Sense of Humor

In Conversation with Alex Higley and Lindsay Hunter on I'm a Writer But  

By I'm a Writer But | October 4, 2022

<em>Mr. Perfect on Paper</em> by Jean Meltzer, Read by Dara Rosenberg

Mr. Perfect on Paper by Jean Meltzer, Read by Dara Rosenberg

A Matchmaker Meets Her Match

By Behind the Mic | October 4, 2022

Jonathan Lethem on Discovering

Jonathan Lethem on Discovering "Worlds Within the World"

This Week on The Writers Institute Podcast, From the Archives of the New York State Writers Institute

By The Writers Institute | October 4, 2022

Amitav Ghosh on the Importance of Re-Centering Stories of the Land

Amitav Ghosh on the Importance of Re-Centering Stories of the Land

This Week from the Emergence Magazine Podcast

By Emergence Magazine | October 3, 2022

Jeff Vandermeer on Writing Imaginative Fiction

Jeff Vandermeer on Writing Imaginative Fiction

From the Write-minded Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | October 3, 2022

Best Reviewed
Books of the Week

  • The Disappearers
  • The Castle: Adventures in a World of Unraveling Men
  • Agrippa
  • Under Story
  • American Scoundrel: Roy Cohn's Dark Journey from Joe McCarthy to Donald Trump
  • The Bed Trick: Sex and Deception on Trial
  • I Liked Rex
  • Asmodeus
  • 53 Days: How Hitler Dismantled a Democracy

Introducing Future Fables, Bedtime Stories for Adults

By Future Fables | October 3, 2022

Katie Runde on Trusting the Reader Will Extrapolate

By First Draft: A Dialogue on Writing | October 3, 2022

The Cultural Influence of Lady Chatterley’s Lover on Indian Novelist Saikat Majumdar

By History of Literature | October 3, 2022

<em>Less is Lost</em> by Andrew Sean Greer, Read by Robert Petkoff

Less is Lost by Andrew Sean Greer, Read by Robert Petkoff

Back on the Road with Arthur Less

By Behind the Mic | October 3, 2022

Ibram X. Kendi on Why Our Children Need to Be Told the Stories of Slavery and Colonialism

Ibram X. Kendi on Why Our Children Need to Be Told the Stories of Slavery and Colonialism

This Week on The Literary Life with Mitchell Kaplan

By The Literary Life | September 30, 2022

George Takei, Philip Kan Gotanda, and Others Discuss <em>Sisters Matsumoto</em>

George Takei, Philip Kan Gotanda, and Others Discuss Sisters Matsumoto

Hear a Moving Post-Play Panel Discussion

By Audiobook Break | September 30, 2022

<em>The Weight of Blood</em> by Tiffany D. Jackson, Read by a Full Cast

The Weight of Blood by Tiffany D. Jackson, Read by a Full Cast

Captivating YA Horror

By Behind the Mic | September 30, 2022

Maddi Baird Explores the Sounds of Los Angeles and the West Coast

Maddi Baird Explores the Sounds of Los Angeles and the West Coast

From a New Series by New Music USA and dublab

By New Music USA | September 29, 2022

Jasmine Guillory on Why Rom-Coms Are Exactly What We Need Right Now

Jasmine Guillory on Why Rom-Coms Are Exactly What We Need Right Now

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | September 29, 2022

Jonathan Escoffery Talks About How Belonging Shifts Across Generations

Jonathan Escoffery Talks About How Belonging Shifts Across Generations

In Conversation with Whitney Terrell and V.V. Ganeshananthan on Fiction/Non/Fiction

By Fiction Non Fiction | September 29, 2022

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    • How Harry Kurnitz Conquered Hollywood, Broadway, and the Biblio-MysterySeptember 4, 2026 by Nicholas A. Basbanes
    • How the New T.J. English Reader Mines the Dark Soul of AmericaSeptember 4, 2026 by David Masciotra
    • The Disappearers
    • The Best Reviewed Books of the Week
    • "A maximalist s banquet It is humane blood-flecked disturbing and sustaining James has written a…"
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