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Ibram X. Kendi on Why Our Children Need to Be Told the Stories of Slavery and Colonialism

Ibram X. Kendi on Why Our Children Need to Be Told the Stories of Slavery and Colonialism

This Week on The Literary Life with Mitchell Kaplan

By The Literary Life | September 30, 2022

George Takei, Philip Kan Gotanda, and Others Discuss <em>Sisters Matsumoto</em>

George Takei, Philip Kan Gotanda, and Others Discuss Sisters Matsumoto

Hear a Moving Post-Play Panel Discussion

By Audiobook Break | September 30, 2022

<em>The Weight of Blood</em> by Tiffany D. Jackson, Read by a Full Cast

The Weight of Blood by Tiffany D. Jackson, Read by a Full Cast

Captivating YA Horror

By Behind the Mic | September 30, 2022

Maddi Baird Explores the Sounds of Los Angeles and the West Coast

Maddi Baird Explores the Sounds of Los Angeles and the West Coast

From a New Series by New Music USA and dublab

By New Music USA | September 29, 2022

Jasmine Guillory on Why Rom-Coms Are Exactly What We Need Right Now

Jasmine Guillory on Why Rom-Coms Are Exactly What We Need Right Now

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | September 29, 2022

Jonathan Escoffery Talks About How Belonging Shifts Across Generations

Jonathan Escoffery Talks About How Belonging Shifts Across Generations

In Conversation with Whitney Terrell and V.V. Ganeshananthan on Fiction/Non/Fiction

By Fiction Non Fiction | September 29, 2022

Best Reviewed
Books of the Week

  • Exit Party
  • Fallow
  • Our Noble Selves
  • Redwood: The Untold Story of the Cold War's Most Extraordinary Spy
  • The Newer World
  • End Times Fascism: And the Fight for the Living World
  • Anti-Zionism: A Jewish History
  • Call It Evil: Understanding the Trump Era
  • Live Laugh Love: The Secret History of White Christian Women and the World They Made
  • The Rouse

Celebrating One-Note Men in Legally Blonde

By Open Form | September 29, 2022

How Ross McCall Prepared for His Role in Band of Brothers

By We Have Ways of Making You Talk | September 29, 2022

Saeed Jones on the Poetic Economy of Language

By The Writers Institute | September 29, 2022

<em>The Pallbearers Club </em>by Paul Tremblay, Read by a Full Cast

The Pallbearers Club by Paul Tremblay, Read by a Full Cast

A crescendo of horror, humor, and decadence

By Behind the Mic | September 29, 2022

The Impact of <em>The Secret Lives of Church Ladies</em>, Two Years Later

The Impact of The Secret Lives of Church Ladies, Two Years Later

From the Ursa Short Fiction Podcast with Deesha Philyaw and Dawnie Walton

By Ursa | September 29, 2022

<em>Sisters Matsumoto</em> Act I and II: Hope and Heartache After a Japanese Internment Camp

Sisters Matsumoto Act I and II: Hope and Heartache After a Japanese Internment Camp

Featuring the Japanese American Civil Liberties Collection from LA Theatre Works

By Audiobook Break | September 29, 2022

How Trust, Power, and Credit Have Shaped America Over the Last Two Hundred Years

How Trust, Power, and Credit Have Shaped America Over the Last Two Hundred Years

Bruce Carruthers In Conversation with Andrew Keen on Keen On

By Keen On | September 28, 2022

How Amnesia Helped Ingrid Rojas Contreras Tell Her Family’s Stories

How Amnesia Helped Ingrid Rojas Contreras Tell Her Family’s Stories

In Conversation with Jordan Kisner on Thresholds

By Thresholds | September 28, 2022

Tracking Character Growth in Ellen Raskin’s Beloved Children’s Novel <em>The Westing Game</em>

Tracking Character Growth in Ellen Raskin’s Beloved Children’s Novel The Westing Game

This Week on the NewberyTart Podcast

By NewberyTart | September 28, 2022

Chelsea Martin on Accepting Her Writing Voice

Chelsea Martin on Accepting Her Writing Voice

In Conversation with Brad Listi on Otherppl

By Otherppl with Brad Listi | September 28, 2022

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    • The Best Paperback Releases of the Month: October 2026October 7, 2026 by CrimeReads
    • Neil Kleid on Learning to Write Horror as Someone Afraid of JumpscaresOctober 7, 2026 by Neil Kleid
    • Exit Party
    • The Best Reviewed Books of the Week
    • "The plot here like the plots in the previous three Mandel novels I've read is…"
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