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  • Craft and Criticism
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Walter Mosley: 'Everyone Can Write a Book.'

Walter Mosley: 'Everyone Can Write a Book.'

The Elements of Fiction Author
on First Draft: A Dialogue of Writing

By First Draft: A Dialogue on Writing | January 13, 2020

Jeannie Vanasco on Confronting Her Rapist, 14 Years Later

Jeannie Vanasco on Confronting Her Rapist, 14 Years Later

The Things We Didn't Talk about When I Was a Girl Memoirist
on First Draft

By First Draft: A Dialogue on Writing | January 6, 2020

Adrienne Brodeur on the Damage of Keeping a Secret

Adrienne Brodeur on the Damage of Keeping a Secret

The Wild Game Memoirist
on First Draft: A Dialogue of Writing

By First Draft: A Dialogue on Writing | December 30, 2019

Etgar Keret on the Power Struggle Between a Father and Child

Etgar Keret on the Power Struggle Between a Father and Child

The Fly Already Author
on First Draft: A Dialogue of Writing

By First Draft: A Dialogue on Writing | December 23, 2019

David Quammen on Why Darwin Was Wrong About Evolution

David Quammen on Why Darwin Was Wrong About Evolution

The Author of the The Tangled Tree
on First Draft

By First Draft: A Dialogue on Writing | December 16, 2019

Deborah Levy on Playing With Dimensions of Time

Deborah Levy on Playing With Dimensions of Time

The Author of the The Man Who Saw Everything
on First Draft

By First Draft: A Dialogue on Writing | December 9, 2019

Best Reviewed
Books of the Week

  • The Pelican Child: Stories
  • Languages of Home: Essays on Writing, Hoop, and American Lives 1975-2025
  • On the Calculation of Volume (Book III)
  • The Ferryman and His Wife
  • Empire of Orgasm: Sex, Power, and the Downfall of a Wellness Cult
  • Mexico: A 500-Year History

Leslie Jamison on How Her 12-Step Experience Influences All Her Writing

By First Draft: A Dialogue on Writing | December 2, 2019

Amitav Ghosh on How Fiction Can Teach Us How Not to Suffer

By First Draft: A Dialogue on Writing | November 25, 2019

Nick Flynn on Avoiding Narrative Affect Disorder

By First Draft: A Dialogue on Writing | November 18, 2019

Kimi Eisele on Using Reality to Build a Post-Apocalyptic World

Kimi Eisele on Using Reality to Build a Post-Apocalyptic World

The The Lightest Object in the Universe Author
on First Draft

By First Draft: A Dialogue on Writing | November 11, 2019

Alexandra Fuller on What Home Means to Her

Alexandra Fuller on What Home Means to Her

The Travel Light, Move Fast Memoirist
on First Draft

By First Draft: A Dialogue on Writing | November 4, 2019

Terry Tempest Williams: <br>'We Are in a Moment of Such Lawlessness'

Terry Tempest Williams:
'We Are in a Moment of Such Lawlessness'

The Conservationist and Erosion
Essayist on First Draft

By First Draft: A Dialogue on Writing | October 28, 2019

Petina Gappah on Human Nature, Good and Evil

Petina Gappah on Human Nature, Good and Evil

The Author of Dual Citizens on First Draft

By First Draft: A Dialogue on Writing | October 21, 2019

Alix Ohlin on the Question That Inspired Her New Novel

Alix Ohlin on the Question That Inspired Her New Novel

The Author of Dual Citizens on First Draft

By First Draft: A Dialogue on Writing | October 15, 2019

Nathaniel Popkin on the Trepidation of Writing His Latest Novel

Nathaniel Popkin on the Trepidation of Writing His Latest Novel

The Author of The Year of the Return on First Draft

By First Draft: A Dialogue on Writing | October 7, 2019

Téa Obreht on Abandoning a 600-Page Novel

Téa Obreht on Abandoning a 600-Page Novel

The Author of Inland on First Draft

By First Draft: A Dialogue on Writing | September 30, 2019

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Page 16 of 16
    • Why Washington DC is the Perfect City to Set a Psychological ThrillerDecember 4, 2025 by Christina Kovac
    • Why So Many Former Intelligence Officers Write Espionage FictionDecember 4, 2025 by Charles Beaumont
    • Why Margot Harrison Staged a Murder Mystery in Her Former WorkplaceDecember 4, 2025 by Margot Harrison
    • The Pelican Child: Stories
    • The Best Reviewed Books of the Week
    • "The stories in her hypnotic collection em The Pelican Child em are painterly and provocative…"
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