Vanessa Hua on Writing About the Forgotten Women in Mao’s Inner Circle
The Author of Forbidden City Talks to Jane Ciabattari
On the Politics of Caste and Feminine Joy in Satyajit Ray’s Classic Charulata
TANAÏS on How the Narratives of Muslim Women and Femmes Are Not Merely About Representation
The Annotated Nightstand: What Elamin Abdelmahmoud is Reading Now and Next
A New (at Lit Hub) Series by Diana Arterian
Seema Reza on the Joy of Being (Completely) Alone
“Uncontrollable. They meant the word as a criticism; I wore it as a badge.”
How to Make Sense of Profound Arbitrariness in a World That Is Suppose to Make Sense
Jon Mooallem in Conversation with Andrew Keen
Finally a History of Art That Includes Female and Non-White Artists
Charlotte Mullins in Conversation with Andrew Keen
Lise Vesterlund on The No Club and How to Put a Stop to Women’s Dead End Work
In Conversation with Andrew Keen
An Ode to Memory and Place: Readings by Brian Alan Ellis, Grant Faulkner, and Erin Calabria
From Micro, a Podcast for Short But Powerful Writing
On the Gnostic Ironies of Poets Nathaniel Mackey and Fanny Howe
Steven Toussaint Considers the Melding of Ambivalence and Political Commitment
Ada Limón on Why Being Witnessed Is Essential For an Artist
In Conversation with Mitzi Rapkin on the First Draft Podcast
Emily Bingham on the Material Culture of White America’s Song to Itself: “My Old Kentucky Home”
“It was from the outset a blackface minstrel tune, entertainment built on slavery and the trade in human beings.”
On the Power and Purpose of Historical Fiction
A Conversation Between Eva Stachniak and Christina Baker Kline
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