Literary Hub » Film and TV

<em>Happening</em> Captures the Horrifying Everydayness of Illegal Abortion

Happening Captures the Horrifying Everydayness of Illegal Abortion

Caroline Godard on the Film Adaptation of Annie Ernaux’s 2000 Memoir

By Caroline Godard | May 4, 2022

A Shakespearean Study Guide for <em>The Northman</em>

A Shakespearean Study Guide for The Northman

Saxo and Shakespeare, Masculine Fantasies, and Racist Fictions in Robert Eggers’s New Blockbuster

By The Why Shakespeare? Course | May 3, 2022

The Untold and Very True Story of <em>The Devil Wears Prada</em>

The Untold and Very True Story of The Devil Wears Prada

On Anna Wintour, a Former Assistant, and the Role That Made an Editor a Celebrity

By Amy Odell | May 3, 2022

The Literary Film and TV You Need to Stream in May

The Literary Film and TV You Need to Stream in May

From True Crime to Giant Snakes, Something for Everyone

By Eliza Smith | May 2, 2022

Andy Serkis is bringing this 1996 Elizabeth McCracken novel to the big screen.

Andy Serkis is bringing this 1996 Elizabeth McCracken novel to the big screen.

By Dan Sheehan | April 28, 2022

Food and Drink Pairings For Patrick Swayze’s Filmography? Yes Please.

Food and Drink Pairings For Patrick Swayze’s Filmography? Yes Please.

Red Dawn Obviously Calls for Bloody Marys and Beef Stroganoff

By Neal E. Fischer | April 28, 2022

Best Reviewed
Books of the Week

Maybe Don’t Try to Play the Withnail & I Drinking Game

By Open Form | April 28, 2022

What Julia—HBO’s New Julia Child Series—Gets Terribly Wrong About Legendary Editor Judith Jones

By Sara B. Franklin | April 27, 2022

Did Thomas Edison “Disappear” His Most Significant Rival in Inventing the Kinetograph?

By Paul Fischer | April 22, 2022

On the Absolute Pleasure of British Historical Reality TV Shows

On the Absolute Pleasure of British Historical Reality TV Shows

Colleen Hubbard Couldn’t Have Written Her Novel Without the BBC’s Historic Farm Series

By Colleen Hubbard | April 21, 2022

John Keats on Film: Considering Jane Campion’s Exquisitely Rendered <em>Bright Star</em>

John Keats on Film: Considering Jane Campion’s Exquisitely Rendered Bright Star

Lucasta Miller Investigates the Limits and Possibilities of Literary Biopics

By Lucasta Miller | April 21, 2022

What Does It Mean to Cook Dinner Under Occupation? Rewatching <em>The Time That Remains</em>

What Does It Mean to Cook Dinner Under Occupation? Rewatching The Time That Remains

Randa Jarrar in Conversation with Mychal Denzel Smith on the Open Form Podcast

By Open Form | April 21, 2022

Andy Serkis will direct an animated adaptation of <em>Animal Farm.</em>

Andy Serkis will direct an animated adaptation of Animal Farm.

By Corinne Segal | April 20, 2022

The Stumbles and Obsessions on Jeff Bezos’ Awkward Journey to Hollywood

The Stumbles and Obsessions on Jeff Bezos’ Awkward Journey to Hollywood

Dade Hayes and Dawn Chmielewski on the “Data-Driven” Approach to Film and TV

By Dawn Chmielewski and Dade Hayes | April 18, 2022

Where to stream Emma Thompson’s best literary roles.

Where to stream Emma Thompson’s best literary roles.

By Eliza Smith | April 15, 2022

On the High-Flying Self-Actualization of <em>The Flight Attendant</em>’s Second Season

On the High-Flying Self-Actualization of The Flight Attendant’s Second Season

Olivia Rutigliano on the Continuation of HBO Max's Espionage Comedy

By Olivia Rutigliano | April 15, 2022

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