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Dear Sally Albright: 40 is Only the Beginning

Dear Sally Albright: 40 is Only the Beginning

Miriam Parker on Late Blooming and When Harry Met Sally

By Miriam Parker | August 17, 2022

Watch the trailer for the sexy, creepy, totally inaccurate new Emily Brontë biopic.

Watch the trailer for the sexy, creepy, totally inaccurate new Emily Brontë biopic.

By Emily Temple | August 12, 2022

Juvenile Delinquency and the “Sinister Adolescents” of <em>Moonrise Kingdom</em>

Juvenile Delinquency and the “Sinister Adolescents” of Moonrise Kingdom

Wes Anderson’s Film About Two Misunderstood Preteens Has More in Common with Terrence Malick’s Badlands Than it Might Seem

By Ethan Warren | August 12, 2022

A Show of One’s Own: On the Women Who Made the Leap from <em>Saturday Night Live</em> to Sitcoms

A Show of One’s Own: On the Women Who Made the Leap from Saturday Night Live to Sitcoms

Annie Berke Watches the SNL Spinoff Vehicles Loot and I Love That for You

By Annie Berke | August 12, 2022

Impossible Decisions at a Hurricane-Ravaged Hospital in New Orleans

Impossible Decisions at a Hurricane-Ravaged Hospital in New Orleans

Read a Scene from Five Days at Memorial, Newly Adapted by Apple TV+

By Sheri Fink | August 12, 2022

Fire up your loins because the Nabokovs are coming to TV.

Fire up your loins because the Nabokovs are coming to TV.

By Dan Sheehan | August 11, 2022

Best Reviewed
Books of the Week

  • The Beginning Comes After the End: Notes on a World of Change
  • Repetition
  • Night Night Fawn
  • El Paso: Five Families and One Hundred Years of Blood, Migration, Race, and Memory
  • Gunk
  • The Glorians: Visitations from the Holy Ordinary

Elif Batuman on the Cult of Family in Get Out

By Open Form | August 11, 2022

A Beautiful, Sacred Thing: Megan Giddings on Going to the Movies To Invoke Anger

By Megan Giddings | August 11, 2022

Watch the earliest known detective film, featuring a very confused Sherlock Holmes.

By Emily Temple | August 10, 2022

How Novelists Create More “Realistic” Characters Than Those You See on the Screen

How Novelists Create More “Realistic” Characters Than Those You See on the Screen

Anthony Marra in Conversation with Andrew Keen on Keen On

By Keen On | August 9, 2022

<em>Bodies Bodies Bodies</em> is a Vicious Parody of Online Culture and a Tight Little Murder Mystery

Bodies Bodies Bodies is a Vicious Parody of Online Culture and a Tight Little Murder Mystery

Olivia Rutigliano on the New Film Based on a Story by Kristen Roupenian

By Olivia Rutigliano | August 5, 2022

We’re getting a Keanu Reeves prestige TV series: Erik Larson’s <em>Devil in the White City</em>

We’re getting a Keanu Reeves prestige TV series: Erik Larson’s Devil in the White City

By Jonny Diamond | August 4, 2022

The spiritual sequel to <em>In Bruges</em> has arrived.

The spiritual sequel to In Bruges has arrived.

By Dan Sheehan | August 4, 2022

How to Adapt Edith Wharton: In Praise of Terence Davies’s <em>The House of Mirth</em>

How to Adapt Edith Wharton: In Praise of Terence Davies’s The House of Mirth

With Two Wharton Projects in the Works, What Can Be Learned from the Masterful 2000 Adaptation?

By Robert Stinner | August 4, 2022

Noah Baumbach's <em>White Noise</em> will open the 60th New York Film Festival.

Noah Baumbach's White Noise will open the 60th New York Film Festival.

By Dan Sheehan | August 2, 2022

The Exorcist.">The Exorcist.">

The Exorcist.">"It has absolutely nothing going for it, except Satan." Read James Baldwin on The Exorcist.

By Emily Temple | August 2, 2022

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    • Cowboy Capos: Linda Stasi on Writing About the "Mountain Mafia" of ColoradoMarch 10, 2026 by Linda Stasi
    • Murder Mysteries Are the Best Way to Understand the Slow Death of Abortion RightsMarch 10, 2026 by Amy Littlefield
    • Partners in Crime: Tips for Cowriting with Your SpouseMarch 10, 2026 by J.D. Brinkworth
    • The Beginning Comes After the End: Notes on a World of Change
    • The Best Reviewed Books of the Week
    • "Slim but powerful Solnit writes with moral clarity and philosophical vigor in a voice that…"
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