Literary Hub » Film and TV

Why Do We Have to Feel Good? On Michael Schur’s Cloying Moral Universe

Why Do We Have to Feel Good? On Michael Schur’s Cloying Moral Universe

Ariella Garmaise Considers the Instagram Infographic Approach to Ethics

By Ariella Garmaise | April 1, 2022

Language is the True Protagonist of <em>My Brilliant Friend</em>’s Third Season

Language is the True Protagonist of My Brilliant Friend’s Third Season

Maria Albano on the “Poetry of Plain Language” in Luchetti's Adaptation

By Maria Albano | April 1, 2022

How Baldwin and Jenkins Capture Communal Black Love in <em>If Beale Street Could Talk</em>

How Baldwin and Jenkins Capture Communal Black Love in If Beale Street Could Talk

Farah Jasmine Griffin in Conversation with Mychal Denzel Smith on the Open Form Podcast

By Open Form | March 31, 2022

On the “Secret” Wedding of Vivien Leigh and Laurence Olivier

On the “Secret” Wedding of Vivien Leigh and Laurence Olivier

Or, When the Prude, the Filmmaker, and the Lovers Roadtripped to Santa Barbara

By Stephen Galloway | March 31, 2022

My Friend Roger: Taking a Master Class in Film During the Pandemic

My Friend Roger: Taking a Master Class in Film During the Pandemic

Beth Parker on a 14-Month-Long Communion with a Critic for the People

By Beth Parker | March 30, 2022

Why Margaret Thatcher Waged War on the BBC

Why Margaret Thatcher Waged War on the BBC

David Hendy on the Neoliberal Transformation of British Media in the 1980s

By David Hendy | March 30, 2022

Best Reviewed
Books of the Week

What Shark Tank Tells Us About the Unreality of Life in America

By Keen On | March 29, 2022

Your Literary Guide to the 94th Academy Awards

By Literary Hub | March 25, 2022

Steven Spielberg’s West Side Story is a Technical Masterpiece, Despite its Sprawling Script

By Olivia Rutigliano | March 25, 2022

The Great Jessie Buckley is One to Watch

The Great Jessie Buckley is One to Watch

The Lost Daughter ">Annie Berke in Praise of the "Supporting" Star of The Lost Daughter

By Annie Berke | March 25, 2022

Oscars Best Picture Spotlight: What to Read (and Watch) If You Liked <em>West Side Story</em>

Oscars Best Picture Spotlight: What to Read (and Watch) If You Liked West Side Story

Lit Hub’s Literary Countdown to the 94th Academy Awards

By Literary Hub | March 25, 2022

Oscars Best Picture Spotlight: What to Read (and Watch) If You Liked <em>Licorice Pizza</em>

Oscars Best Picture Spotlight: What to Read (and Watch) If You Liked Licorice Pizza

Lit Hub’s Literary Countdown to the 94th Academy Awards

By Literary Hub | March 25, 2022

<em>Good Place</em> Creator Michael Schur Wonders: What Makes Someone Good or Bad?

Good Place Creator Michael Schur Wonders: What Makes Someone Good or Bad?

On T.M. Scanlon's “Quick-Start Guide” to Ethical Living

By Michael Schur | March 24, 2022

Oscars Best Picture Spotlight: What to Read (and Watch) If You Liked <em>CODA</em>

Oscars Best Picture Spotlight: What to Read (and Watch) If You Liked CODA

Lit Hub’s Literary Countdown to the 94th Academy Awards

By Literary Hub | March 24, 2022

Oscars Best Picture Spotlight: What to Read (and Watch) If You Liked <em>Don't Look Up</em>

Oscars Best Picture Spotlight: What to Read (and Watch) If You Liked Don't Look Up

Lit Hub’s Literary Countdown to the 94th Academy Awards

By Literary Hub | March 24, 2022

Applying the Wisdom of Indigenous Scientist Robin Wall Kimmerer to <em>Don't Look Up</em>

Applying the Wisdom of Indigenous Scientist Robin Wall Kimmerer to Don't Look Up

Karl Palmquist on Accountability, Gratitude, and the "Great Delusion"

By Karl Palmquist | March 24, 2022

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