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Naima Coster on Following Narrative Threads Rather Than Chronology

Naima Coster on Following Narrative Threads Rather Than Chronology

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | March 11, 2021

Finding Creativity in the Wintertime Rhythms of a Bordeaux Vineyard

Finding Creativity in the Wintertime Rhythms of a Bordeaux Vineyard

Mari Andrew on a Restorative Trip to France

By Mari Andrew | March 11, 2021

The Fires of Digression: Gregory Brown on the Slow Burn of Writing Fiction

The Fires of Digression: Gregory Brown on the Slow Burn of Writing Fiction

"It’s okay to wander. It’s okay to be lost. It’s okay to go slow."

By Gregory Brown | March 11, 2021

Nineteen Ways of Looking at <br>Marilynne Robinson

Nineteen Ways of Looking at
Marilynne Robinson

Kevin Brockmeier on the Literary Prowess (and Workshop Advice) of an American Icon

By Kevin Brockmeier | March 10, 2021

How I (Barely) Survived the Abject Failure of My Much Hyped Debut Novel

How I (Barely) Survived the Abject Failure of My Much Hyped Debut Novel

David Hollander Tells a Cautionary Tale for Us All

By David Hollander | March 10, 2021

Reckoning with Sentiment (and Writing the Unsaid) in a Novel About Motherhood

Reckoning with Sentiment (and Writing the Unsaid) in a Novel About Motherhood

Lynn Steger Strong in Conversation with Jessica Winter

By Lynn Steger Strong | March 10, 2021

Best Reviewed
Books of the Week

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  • You Won't Get Free of It: Stories of Mothers and Daughters
  • Exit Stalin: The Soviet Union as a Civilization, 1953-1991
  • A Sudden Flicker of Light: A Revisionist History of Movies
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How Being the Opposite of an Art Monster Has Helped Lynn Steger Strong’s Work

By Thresholds | March 10, 2021

Patricia Engel on Writing the Shifting Identities of
Diaspora Life

By Jane Ciabattari | March 10, 2021

Dantiel W. Moniz on Endings as Windows Rather than Exits

By WMFA | March 10, 2021

Vesna Maric on the Freedom of Working Outside Historical Fiction’s Rules

Vesna Maric on the Freedom of Working Outside Historical Fiction’s Rules

In Conversation with Brad Listi on Otherppl

By Otherppl with Brad Listi | March 10, 2021

Ilona Andrews on Blending Romance and Monstrosity

Ilona Andrews on Blending Romance and Monstrosity

In Conversation with Gabrielle Mathieu on the New Books Network

By New Books Network | March 9, 2021

Writing Through the Microscope: Intimate Versus Epic Narration

Writing Through the Microscope: Intimate Versus Epic Narration

Gabriela Houston on Finding the Right Scale in Fiction

By Gabriela Houston | March 8, 2021

George Saunders on Thinking of Story as Ceremony

George Saunders on Thinking of Story as Ceremony

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | March 8, 2021

How Do You Keep a Novel Alive When It Keeps Trying To Die?

How Do You Keep a Novel Alive When It Keeps Trying To Die?

Kate Hope Day on Checking In With Your Work and Persistence

By Kate Hope Day | March 5, 2021

Carol Edgarian: ‘Every Book, You Have to Woo Your <br>Readers Again’

Carol Edgarian: ‘Every Book, You Have to Woo Your
Readers Again’

In Conversation with Mitchell Kaplan on The Literary Life Podcast

By The Literary Life | March 5, 2021

Being a Writer When You Literally Cannot<br> Visualize Scenes

Being a Writer When You Literally Cannot
Visualize Scenes

Alexandra Oliva on Aphantasia, the Joys of Voice, and Scenic Details

By Alexandra Oliva | March 4, 2021

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Page 245 of 346
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    • Country People
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