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Michael Wheaton on Fatherhood and Writing to Regain a Sense of Control

Michael Wheaton on Fatherhood and Writing to Regain a Sense of Control

In Conversation with Kirsten Reneau for the Micro Podcast

By Micro Podcast | April 29, 2022

What is it Like to Be a Blind Writer Writing for Sighted Readers?

What is it Like to Be a Blind Writer Writing for Sighted Readers?

George Mendoza and Kristen Witucki Talk Craft, Community, and Ableism in the Publishing Industry

By Jessica Powers | April 28, 2022

Susan Straight on Louise Erdrich and the Characters Who Haven’t Left Our Dreams

Susan Straight on Louise Erdrich and the Characters Who Haven’t Left Our Dreams

How a Novel in Stories Creates History Through a Chorus of Voices

By Susan Straight | April 28, 2022

Nana Kwame Adjei-Brenyah and Sequoia Nagamatsu on Affirming and Subverting Pop Culture in Fiction

Nana Kwame Adjei-Brenyah and Sequoia Nagamatsu on Affirming and Subverting Pop Culture in Fiction

In Conversation with Whitney Terrell and V.V. Ganeshananthan on Fiction/Non/Fiction

By Fiction Non Fiction | April 28, 2022

Translating the Magical Imperfection of Oral Tradition to the Page

Translating the Magical Imperfection of Oral Tradition to the Page

Vaishnavi Patel on Finding Inspiration from the Ramayana

By Vaishnavi Patel | April 28, 2022

Sara Baume on the Uncanny Feeling of Discovering a Book with the Same Title as Her Own

Sara Baume on the Uncanny Feeling of Discovering a Book with the Same Title as Her Own

“When I set about the task of reading Henrichsen’s Seven Steeples I did not expect to find any kinship.”

By Sara Baume | April 27, 2022

Best Reviewed
Books of the Week

  • On Morrison
  • Leaving Home: A Memoir in Full Colour
  • So Old, So Young
  • Rebel English Academy
  • A Hymn to Life: Shame Has to Change Sides
  • Evil Genius

Kyle Lukoff on Book Bans and Letting Queer Books Just Be Books

By NewberyTart | April 27, 2022

“I Know You Understand.” A Letter Across Time from Celia Paul to Fellow Artist Gwen John

By Celia Paul | April 26, 2022

Just How Depressing is Good Morning, Midnight?

By Lit Century | April 26, 2022

Writing a Novel About a Half-Remembered Place, with the Help of Google Street View

Writing a Novel About a Half-Remembered Place, with the Help of Google Street View

Soon Wiley on Virtually Strolling the Streets of Seoul

By Soon Wiley | April 26, 2022

“Eat, Then Write!” Notes From Over a Decade of Restaurant Criticism

“Eat, Then Write!” Notes From Over a Decade of Restaurant Criticism

Michelle Huneven on Bringing Lessons in Food Writing to Fiction

By Michelle Huneven | April 26, 2022

Rachel Krantz on Using the Tools of Immersion Journalism in Her Own Life

Rachel Krantz on Using the Tools of Immersion Journalism in Her Own Life

In Conversation with Alex Higley and Lindsay Hunter on I'm a Writer But  

By I'm a Writer But | April 26, 2022

Anna Quindlen on the Power of Writing by Hand

Anna Quindlen on the Power of Writing by Hand

“Handwriting tells a story.”

By Anna Quindlen | April 22, 2022

Ryan Skaryd on Teaching, POV, and Following Your Instincts

Ryan Skaryd on Teaching, POV, and Following Your Instincts

In Conversation with Kirsten Reneau for the Micro Podcast

By Micro Podcast | April 22, 2022

On the Absolute Pleasure of British Historical Reality TV Shows

On the Absolute Pleasure of British Historical Reality TV Shows

Colleen Hubbard Couldn’t Have Written Her Novel Without the BBC’s Historic Farm Series

By Colleen Hubbard | April 21, 2022

Edward Hirsch on Locating the Roots of the American Poetry Tradition

Edward Hirsch on Locating the Roots of the American Poetry Tradition

Poetry as Protest, Lament, and Call to Hope

By Edward Hirsch | April 21, 2022

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Page 174 of 331
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    • Lindy Ryan on Slashers, Pink Horror, and the Rise of Violent Fiction by WomenFebruary 25, 2026 by Lindy Ryan
    • FBI Informant "Tipper X" on the Wild, Opulent World of Insider TradingFebruary 25, 2026 by Tom Hardin
    • On Morrison
    • The Best Reviewed Books of the Week
    • "This is informed accessible literary analysis that demonstrates that Morrison s true genius was as…"
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