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Austin Kleon on Asking the Right Questions

Austin Kleon on Asking the Right Questions

This Week on the Book Dreams Podcast

By Book Dreams | April 21, 2022

Alan Lee on Illustrating J.R.R. Tolkien’s <em>The Lord of the Rings</em>

Alan Lee on Illustrating J.R.R. Tolkien’s The Lord of the Rings

On Creating the Feeling of a Gateway into Another World

By Alan Lee | April 20, 2022

Jesymn Ward on Discovering <em>for colored girls who have considered suicide/when the rainbow is enuf</em>

Jesymn Ward on Discovering for colored girls who have considered suicide/when the rainbow is enuf

“I am so thankful to Ntozake Shange for seeing us, reflecting us.”

By Jesmyn Ward | April 20, 2022

Talking to Myself: How Dictation Software Helped Me Navigate Pandemic Pain

Talking to Myself: How Dictation Software Helped Me Navigate Pandemic Pain

From Leonardo da Vinci to Zadie Smith, Kim Beil on the Many Ways to Get Words on the Page

By Kim Beil | April 20, 2022

What Does Gentrification Have to Do With Writing Place?

What Does Gentrification Have to Do With Writing Place?

Jendella Benson on Personal Monuments and Their Memories

By Jendella Benson | April 20, 2022

On Writing a Social Novel, Giving Clear Feedback, and Outlasting Doubt

On Writing a Social Novel, Giving Clear Feedback, and Outlasting Doubt

A Conversation Between Steve Almond and Melissa Chadburn

By Literary Hub | April 20, 2022

Best Reviewed
Books of the Week

  • This Is Where the Serpent Lives
  • Lost Lambs
  • Winter: The Story of a Season
  • The Score: How to Stop Playing Somebody Else's Game
  • The Hitch
  • Fly, Wild Swans: My Mother, Myself and China

Writing Climate Fiction Showed Me That a Different Life is Possible

By Rebecca Scherm | April 19, 2022

Emily St. John Mandel on the Narrative Possibilities of Time Travel

By Jane Ciabattari | April 19, 2022

Adrienne Celt on Losing Her Creative “Rival” Too Soon

By Adrienne Celt | April 19, 2022

How to Fictionalize New Technology Even As It’s Constantly Changing

How to Fictionalize New Technology Even As It’s Constantly Changing

Claire Stanford on a Novelist's Approach to Tech

By Claire Stanford | April 19, 2022

Rebecca Kauffman on Turning to Historical Fiction During the Chaos of 2020

Rebecca Kauffman on Turning to Historical Fiction During the Chaos of 2020

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | April 18, 2022

How Losing the Tether of Language Helped Me Process Grief

How Losing the Tether of Language Helped Me Process Grief

Amanda Bestor-Siegal on Her Year in Paris

By Amanda Bestor-Siegal | April 18, 2022

“Los Angeles is Covered in Gold if You’re a Writer.” Rosecrans Baldwin on Writing LA

“Los Angeles is Covered in Gold if You’re a Writer.” Rosecrans Baldwin on Writing LA

This Week From the Big Table Podcast with JC Gabel

By Big Table | April 18, 2022

When Are Men Dangerous? On Agency, Imagination, and What a Teacher Can Do

When Are Men Dangerous? On Agency, Imagination, and What a Teacher Can Do

Steve Edwards: “A story is a negotiation between what might have been, what is, and what still could be.”

By Steve Edwards | April 15, 2022

Sihle Ntuli on Bringing Durban Poetry to the World

Sihle Ntuli on Bringing Durban Poetry to the World

In Conversation with Kirsten Reneau for the Micro Podcast

By Micro Podcast | April 15, 2022

WATCH: N. K. Jemisin in Conversation with the Next Generation of the Octavia Project

WATCH: N. K. Jemisin in Conversation with the Next Generation of the Octavia Project

Hosted by Greenlight Bookstore

By The Virtual Book Channel | April 14, 2022

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Page 137 of 262
    • New Series to Watch this WeekendJanuary 16, 2026 by Olivia Rutigliano
    • Novelist Van Jensen Talks with His Mother, Acclaimed Painter Jean Jensen, About Art, Literature, and FamilyJanuary 16, 2026 by Van Jensen
    • The Historical Implications and Fictional Possibilities of the Hindenberg DisasterJanuary 16, 2026 by L. A. Chandlar
    • This Is Where the Serpent Lives
    • The Best Reviewed Books of the Week
    • "Sensitive and powerful The women in em This Is Where the Serpent Lives em are…"
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