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Writing Climate Fiction Showed Me That a Different Life is Possible

Writing Climate Fiction Showed Me That a Different Life is Possible

Rebecca Scherm on Looking a Terrifying Future in the Face

By Rebecca Scherm | April 19, 2022

Emily St. John Mandel on the Narrative Possibilities of Time Travel

Emily St. John Mandel on the Narrative Possibilities of Time Travel

The Author of Sea of Tranquility Talks to Jane Ciabattari

By Jane Ciabattari | April 19, 2022

Adrienne Celt on Losing Her Creative “Rival” Too Soon

Adrienne Celt on Losing Her Creative “Rival” Too Soon

Memories of Grad School and Ambition, Death and Regret

By Adrienne Celt | April 19, 2022

How to Fictionalize New Technology Even As It’s Constantly Changing

How to Fictionalize New Technology Even As It’s Constantly Changing

Claire Stanford on a Novelist's Approach to Tech

By Claire Stanford | April 19, 2022

Rebecca Kauffman on Turning to Historical Fiction During the Chaos of 2020

Rebecca Kauffman on Turning to Historical Fiction During the Chaos of 2020

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | April 18, 2022

How Losing the Tether of Language Helped Me Process Grief

How Losing the Tether of Language Helped Me Process Grief

Amanda Bestor-Siegal on Her Year in Paris

By Amanda Bestor-Siegal | April 18, 2022

Best Reviewed
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  • Call Me Ishmaelle
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  • The Spy in the Archive: How One Man Tried to Kill the KGB
  • Watching Over Her
  • American Reich: A Murder in Orange County, Neo-Nazis, and a New Age of Hate

“Los Angeles is Covered in Gold if You’re a Writer.” Rosecrans Baldwin on Writing LA

By Big Table | April 18, 2022

When Are Men Dangerous? On Agency, Imagination, and What a Teacher Can Do

By Steve Edwards | April 15, 2022

Sihle Ntuli on Bringing Durban Poetry to the World

By Micro Podcast | April 15, 2022

WATCH: N. K. Jemisin in Conversation with the Next Generation of the Octavia Project

WATCH: N. K. Jemisin in Conversation with the Next Generation of the Octavia Project

Hosted by Greenlight Bookstore

By The Virtual Book Channel | April 14, 2022

Craft Lessons in Writing About Disability

Craft Lessons in Writing About Disability

Jarred McGinnis Breaks Down the Opening Pages of His Novel, The Coward

By Jarred McGinnis | April 14, 2022

Chinese writers combat pandemic boredom by remixing Western literary classics.

Chinese writers combat pandemic boredom by remixing Western literary classics.

By Jonny Diamond | April 13, 2022

“I think I might have gone on drawing forever.” Annie Hartnett on Giving the Gift of Art

“I think I might have gone on drawing forever.” Annie Hartnett on Giving the Gift of Art

The Author of Unlikely Animals on Creating Connection Instead of Commodity

By Annie Hartnett | April 13, 2022

Julia May Jonas on How Playwriting Informs Her Approach to Building Character

Julia May Jonas on How Playwriting Informs Her Approach to Building Character

The Author of Vladimir in Conversation with Brad Listi on Otherppl

By Otherppl with Brad Listi | April 13, 2022

Lit Hub Asks: 5 Authors, 7 Questions, No Wrong Answers

Lit Hub Asks: 5 Authors, 7 Questions, No Wrong Answers

Featuring Lisa Bird-Wilson, Negesti Kaudo, and More!

By Teddy Wayne | April 12, 2022

Sven Birkerts on Discovering the Story You Need To Write

Sven Birkerts on Discovering the Story You Need To Write

“It’s very much about baiting the hook, and then waiting.”

By Sven Birkerts | April 11, 2022

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Page 137 of 261
    • Thinking Outside the Cop: Using Game Wardens in Crime FictionJanuary 13, 2026 by Sarah Crouch
    • Make Our Villains Gayer, Please: Reclaiming the Trope of Queer-Coded AntagonistsJanuary 13, 2026 by Isha Raya
    • Ross Montgomery on Researching Profanity, Halley's Comet, and Writing Historical FictionJanuary 13, 2026 by Alex Dueben
    • The Rest of Our Lives
    • The Best Reviewed Books of the Week
    • "Poignant Tender The final line of em The Rest of Our Lives em is by…"
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