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  • Craft and Criticism
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The Terrifying Power of a Single Book

The Terrifying Power of a Single Book

Brendan Simms on Hitler's Stay in Prison, and the Scapegoating of Modernity

By Brendan Simms | November 5, 2019

Lindy West on Breaking the Silence Around Abortion

Lindy West on Breaking the Silence Around Abortion

“When reproductive freedom becomes a class privilege, the human rights of our political body are negated.”

By Lindy West | November 5, 2019

How Did a Single Desk in the Senate Become a Focal Point for American Progressivism?

How Did a Single Desk in the Senate Become a Focal Point for American Progressivism?

Sherrod Brown on the Unlikely History of Desk 88

By Sherrod Brown | November 5, 2019

A Century Before Springsteen, Stephen Crane Chronicled Asbury Park

A Century Before Springsteen, Stephen Crane Chronicled Asbury Park

Crane Wrote in a Perfect Blend of Idealism, Cynicism, and Wariness

By Tobias Carroll | November 1, 2019

Cookbooks Are So Much More Than Recipes and Photographs

Cookbooks Are So Much More Than Recipes and Photographs

Joshua Raff on the Triple Pleasures of Memoir,
Travel, and Family History

By Joshua Raff | November 1, 2019

Elsa Hart on Writing an 18th-Century Crime-Solving Librarian

Elsa Hart on Writing an 18th-Century Crime-Solving Librarian

The Author of City of Ink In Conversation with C. P. Lesley
on the New Books Network

By New Books Network | November 1, 2019

Best Reviewed
Books of the Week

  • Big Kiss, Bye-Bye
  • Bad Bad Girl
  • The Ten Year Affair
  • Nobody's Girl: A Memoir of Surviving Abuse and Fighting for Justice
  • Motherland: A Feminist History of Modern Russia, from Revolution to Autocracy
  • Pride and Pleasure: The Schuyler Sisters in an Age of Revolution

Creepy Stories (and More) from Victor LaValle and Benjamin Percy

By Fiction Non Fiction | October 31, 2019

A Most Rare Compendium:
An 18th-Century Guide to Magical Treasure Hunting?

By Hereward Tilton | October 31, 2019

American Gothic: The Woman Who Escaped the Asylum

By Troy Rondinone | October 31, 2019

Ode to the Seine, River of Romance

Ode to the Seine, River of Romance

Elaine Sciolino on Art and Inspiration in the City of Lights

By Elaine Sciolino | October 31, 2019

The Day of the Dead: Day of Masquerade and Rebellion

The Day of the Dead: Day of Masquerade and Rebellion

"The mood is festive with a subtext of anarchy.

By Paul Theroux | October 31, 2019

In the 1960s, the US Decided My Tribe Was No Longer a Nation

In the 1960s, the US Decided My Tribe Was No Longer a Nation

Ada Deer on Her Mother's Fight for Menominee Sovereignty

By Ada Deer | October 30, 2019

Albert Camus on the Responsibility of the Artist

Albert Camus on the Responsibility of the Artist

Artists Should Not Doubt the Place of Creativity Amidst the Politics of Society

By Albert Camus | October 29, 2019

Ken Follett on the Restoration of Notre Dame After the French Revolution

Ken Follett on the Restoration of Notre Dame After the French Revolution

Architect Viollet‑le‑Duc Didn't Want to Imitate His Medieval Predecessors

By Ken Follett | October 29, 2019

How Mermaid Stories Illustrate Complex Truths About<br> Being Human

How Mermaid Stories Illustrate Complex Truths About
Being Human

The Tropes, Tricks, and Tools We Find in Tales of Merfolk

By Cristina Bacchilega | October 25, 2019

On Discovering a Multimillion-Dollar Trove of Hitler's Looted Art in a Munich Apartment

On Discovering a Multimillion-Dollar Trove of Hitler's Looted Art in a Munich Apartment

Mary Lane Investigates Germany's Attempt to Hide Art Stolen by Nazis

By Mary M. Lane | October 25, 2019

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Page 182 of 215
    • The Backlist: Reading John le Carré's 'The Little Drummer Girl' with I.S. BerryOctober 24, 2025 by Polly Stewart
    • Guillermo del Toro's New Frankenstein Adaptation is Life-GivingOctober 24, 2025 by Olivia Rutigliano
    • Bestsellers to Blockbusters: Stephen King Reflects on the Adaptations of His WorkOctober 23, 2025 by Stephen King
    • Big Kiss, Bye-Bye
    • The Best Reviewed Books of the Week
    • "Not much happens In fact there is much in the text that is not made…"
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