Literary Hub » Craft and Criticism

Generation Franchise: <br>Why Writers Are Forced to Become Brands (and Why That’s Bad)

Generation Franchise:
Why Writers Are Forced to Become Brands (and Why That’s Bad)

Jess Row on the Ubiquity of the Digital Persona, From Child Stars to Disney Adults

By Jess Row | June 26, 2024

Helen Fielding on <em>Bridget Jones</em> and the Subtle Art of Diary Keeping

Helen Fielding on Bridget Jones and the Subtle Art of Diary Keeping

Considering the Place of the Confessional Narrative in the Literary Landscape on the Book's 25th Anniversary

By Helen Fielding | June 26, 2024

Intertwined in Madness: On Turning Yourself into a Character in a Novel

Intertwined in Madness: On Turning Yourself into a Character in a Novel

Alana Saab on Sharing a Mental Breakdown With Your Protagonist

By Alana Saab | June 26, 2024

Christopher Chen on Jorge Luis Borges’s “Tlön, Uqbar, Orbis Tertius”

Christopher Chen on Jorge Luis Borges’s “Tlön, Uqbar, Orbis Tertius”

In Conversation for the Windham-Campbell Prizes Podcast

By Windham-Campbell Prizes Podcast | June 26, 2024

What to Read Before and After Seeing <em>How to Come Alive With Norman Mailer</em>

What to Read Before and After Seeing How to Come Alive With Norman Mailer

Readings on the Life, Works, and Conflicts of Norman Mailer

By Literary Hub | June 25, 2024

In Search of the Rarest Book in American Literature: Edgar Allan Poe’s <em>Tamerlane</em>

In Search of the Rarest Book in American Literature: Edgar Allan Poe’s Tamerlane

Bradford Morrow on the Bibliophile’s Holy Grail, Otherwise Known as the “Black Tulip”

By Bradford Morrow | June 25, 2024

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How Reading Grief Memoirs Helped Cody Delistraty Understand His Loss in New Ways

By Cody Delistraty | June 25, 2024

Playing With Time: On the Art of Imagining in Alan Lightman’s Einstein’s Dreams

By Alizah Holstein | June 25, 2024

Carina del Valle Schorske on Putting Rhythms into Prose

By The Critic and Her Publics | June 25, 2024

Why We All Should Have a “Good Art Friend”

Why We All Should Have a “Good Art Friend”

Rachel Zimmerman on an Invaluable Literary Friendship Cut Short By Cancer

By Rachel Zimmerman | June 25, 2024

Shze-Hui Tjoa on Her Debut Memoir

Shze-Hui Tjoa on Her Debut Memoir

In Conversation with Lindsay Hunter on I'm a Writer But — Live! At Exile in Bookville in Chicago!

By I'm a Writer But | June 25, 2024

75 Years of <em>1984</em>: Why George Orwell’s Classic Remains More Relevant Than Ever

75 Years of 1984: Why George Orwell’s Classic Remains More Relevant Than Ever

Elif Shafak on the Relentless Real-World Spread of Orwellian Dystopia

By Elif Shafak | June 24, 2024

The Literary Power of Hobbits: How JRR Tolkien Shaped Modern Fantasy

The Literary Power of Hobbits: How JRR Tolkien Shaped Modern Fantasy

Verlyn Flieger on the Late Addition of Tolkien's Most Iconic Characters

By Verlyn Flieger | June 24, 2024

Brief Encounters: On Claire Messud’s Melodramas

Brief Encounters: On Claire Messud’s Melodramas

Rafaela Bassili Considers “This Strange Eventful History” and the Author's Novels of Family Life

By Rafaela Bassili | June 24, 2024

Coffee, Booze, Undressing, Deprivation: How Writers Get in the Mood to Write

Coffee, Booze, Undressing, Deprivation: How Writers Get in the Mood to Write

Caitlin Shetterly on Some Famous Attempts to Beat Writers' Block and What Finally Worked for Her

By Caitlin Shetterly | June 24, 2024

Reading Jill Ciment’s <em>Consent</em> As a Former Teenage Bride

Reading Jill Ciment’s Consent As a Former Teenage Bride

Rafia Zakaria Considers Context, Choices and Consequences Across Eras and Cultures

By Rafia Zakaria | June 24, 2024

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