Literary Hub » Craft and Criticism

Jasmin Graham on Understanding Sharks

Jasmin Graham on Understanding Sharks

In Conversation with Whitney Terrell and V.V. Ganeshananthan on Fiction/Non/Fiction

By Fiction Non Fiction | August 8, 2024

Liz Rosenberg on Louisa May Alcott's Essays

Liz Rosenberg on Louisa May Alcott's Essays

From The History of Literature Podcast with Jacke Wilson

By History of Literature | August 8, 2024

Making Space for Palestinian Happiness

Making Space for Palestinian Happiness

Nabil Echchaibi on Finding Joy Amidst the Crush of Occupation

By Nabil Echchaibi | August 7, 2024

Climate Change, AI, and Technological Surveillance: Reading About the Very Near Future

Climate Change, AI, and Technological Surveillance: Reading About the Very Near Future

Helen Phillips Recommends Octavia Butler, Jessamine Chan, Arthur I. Miller, and More

By Helen Phillips | August 7, 2024

Experiencing Place in Fiction: On Allowing Your Characters to Get Lost

Experiencing Place in Fiction: On Allowing Your Characters to Get Lost

Lena Valencia on Writing Place Like a Character, Rebecca Solnit, and the American Southwest

By Lena Valencia | August 7, 2024

Lifting the Curse of Luigi da Porto: On the Life and Legacy of a 15th-Century Italian Poet

Lifting the Curse of Luigi da Porto: On the Life and Legacy of a 15th-Century Italian Poet

Kate Weinberg Finds Literary Inspiration in Romeo and Juliet’s Original Creator

By Kate Weinberg | August 7, 2024

Best Reviewed
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The Art of Giving Up (and Starting Over) as a Novelist

By Kat Tang | August 7, 2024

Sonya Kelly on Jean-Dominique Bauby's The Diving Bell and the Butterfly

By Windham-Campbell Prizes Podcast | August 7, 2024

Helen Phillips on Writing Speculative Fiction in the Age of Artificial Intelligence

By Jane Ciabattari | August 6, 2024

The Lights Don’t Just Go Out: A Lifelong Fainter on How Fiction Gets Fainting All Wrong

The Lights Don’t Just Go Out: A Lifelong Fainter on How Fiction Gets Fainting All Wrong

Sophie Brickman on “Charlotte's Web,” JD Salinger, and Capturing Fainting from the Fainter’s Perspective

By Sophie Brickman | August 6, 2024

A Monstrous Spiral: How Narrative Form Can Bring a Story to Life

A Monstrous Spiral: How Narrative Form Can Bring a Story to Life

Jane Alison on Fictionalizing the Tumultuous and Toxic Relationship Between Architects Eileen Gray and Le Corbusier

By Jane Alison | August 6, 2024

Sanity Is Relative: Melissa Broder on Elaine Kraf’s <em>The Princess of 72nd Street</em>

Sanity Is Relative: Melissa Broder on Elaine Kraf’s The Princess of 72nd Street

Considering the Blurred Boundaries Between States of Mania and States of Spiritual Grace

By Melissa Broder | August 6, 2024

Regina Porter! Kafka! True crime with eels! 26 new books out today.

Regina Porter! Kafka! True crime with eels! 26 new books out today.

By Gabrielle Bellot | August 6, 2024

Alisa Alering on Being the Mountain

Alisa Alering on Being the Mountain

In Conversation with Lindsay Hunter on I'm a Writer But

By I'm a Writer But | August 6, 2024

Boccaccio’s Modern Life: What <em>The Decameron</em> Reveals About Contemporary Anxiety

Boccaccio’s Modern Life: What The Decameron Reveals About Contemporary Anxiety

Ed Simon Considers the Act of Storytelling as a Means of Preserving Our Humor and Humanity in Tumultuous Times

By Ed Simon | August 5, 2024

How Catalyst and Iskanchi Press Are Bringing African Writers’ Work to a Wider Audience

How Catalyst and Iskanchi Press Are Bringing African Writers’ Work to a Wider Audience

Jessica Powers and Kenechi Uzor on What Diversity Means, Defining African Literature, and Taking Risks as Publishers

By Jessica Powers | August 5, 2024

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