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Making Space for Palestinian Happiness

Making Space for Palestinian Happiness

Nabil Echchaibi on Finding Joy Amidst the Crush of Occupation

By Nabil Echchaibi | August 7, 2024

Climate Change, AI, and Technological Surveillance: Reading About the Very Near Future

Climate Change, AI, and Technological Surveillance: Reading About the Very Near Future

Helen Phillips Recommends Octavia Butler, Jessamine Chan, Arthur I. Miller, and More

By Helen Phillips | August 7, 2024

Experiencing Place in Fiction: On Allowing Your Characters to Get Lost

Experiencing Place in Fiction: On Allowing Your Characters to Get Lost

Lena Valencia on Writing Place Like a Character, Rebecca Solnit, and the American Southwest

By Lena Valencia | August 7, 2024

Lifting the Curse of Luigi da Porto: On the Life and Legacy of a 15th-Century Italian Poet

Lifting the Curse of Luigi da Porto: On the Life and Legacy of a 15th-Century Italian Poet

Kate Weinberg Finds Literary Inspiration in Romeo and Juliet’s Original Creator

By Kate Weinberg | August 7, 2024

The Art of Giving Up (and Starting Over) as a Novelist

The Art of Giving Up (and Starting Over) as a Novelist

Kat Tang on Moral Failings, Becoming a Lawyer, and Acknowledging When to Shelve Your Work

By Kat Tang | August 7, 2024

Sonya Kelly on Jean-Dominique Bauby's <em>The Diving Bell and the Butterfly</em>

Sonya Kelly on Jean-Dominique Bauby's The Diving Bell and the Butterfly

In Conversation for the Windham-Campbell Prizes Podcast

By Windham-Campbell Prizes Podcast | August 7, 2024

Best Reviewed
Books of the Week

  • The Things We Never Say
  • John of John
  • Ghost Stories: A Memoir
  • The Hill
  • Look What You Made Me Do
  • Backtalker: An American Memoir
  • Mighty Real: A History of LGBTQ Music, 1969-2000
  • Glyph
  • The Village on the Edge of the World: Writing and Surviving in Ceausescu's Romania
  • Dog Days

Helen Phillips on Writing Speculative Fiction in the Age of Artificial Intelligence

By Jane Ciabattari | August 6, 2024

The Lights Don’t Just Go Out: A Lifelong Fainter on How Fiction Gets Fainting All Wrong

By Sophie Brickman | August 6, 2024

A Monstrous Spiral: How Narrative Form Can Bring a Story to Life

By Jane Alison | August 6, 2024

Sanity Is Relative: Melissa Broder on Elaine Kraf’s <em>The Princess of 72nd Street</em>

Sanity Is Relative: Melissa Broder on Elaine Kraf’s The Princess of 72nd Street

Considering the Blurred Boundaries Between States of Mania and States of Spiritual Grace

By Melissa Broder | August 6, 2024

Regina Porter! Kafka! True crime with eels! 26 new books out today.

Regina Porter! Kafka! True crime with eels! 26 new books out today.

By Gabrielle Bellot | August 6, 2024

Alisa Alering on Being the Mountain

Alisa Alering on Being the Mountain

In Conversation with Lindsay Hunter on I'm a Writer But  

By I'm a Writer But | August 6, 2024

Boccaccio’s Modern Life: What <em>The Decameron</em> Reveals About Contemporary Anxiety

Boccaccio’s Modern Life: What The Decameron Reveals About Contemporary Anxiety

Ed Simon Considers the Act of Storytelling as a Means of Preserving Our Humor and Humanity in Tumultuous Times

By Ed Simon | August 5, 2024

How Catalyst and Iskanchi Press Are Bringing African Writers’ Work to a Wider Audience

How Catalyst and Iskanchi Press Are Bringing African Writers’ Work to a Wider Audience

Jessica Powers and Kenechi Uzor on What Diversity Means, Defining African Literature, and Taking Risks as Publishers

By Jessica Powers | August 5, 2024

Jill Ciment on Struggling With Certainty

Jill Ciment on Struggling With Certainty

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | August 5, 2024

Lisa Leshne and Kathleen Schmidt Offer Publishing Advice From the Trenches

Lisa Leshne and Kathleen Schmidt Offer Publishing Advice From the Trenches

From the Write-minded Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | August 5, 2024

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    • The Things We Never Say
    • The Best Reviewed Books of the Month
    • "As usual Strout manages to create scenes of intense intimacy in prose that feels as…"
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