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The Art of Giving Up (and Starting Over) as a Novelist

The Art of Giving Up (and Starting Over) as a Novelist

Kat Tang on Moral Failings, Becoming a Lawyer, and Acknowledging When to Shelve Your Work

By Kat Tang | August 7, 2024

Sonya Kelly on Jean-Dominique Bauby's <em>The Diving Bell and the Butterfly</em>

Sonya Kelly on Jean-Dominique Bauby's The Diving Bell and the Butterfly

In Conversation for the Windham-Campbell Prizes Podcast

By Windham-Campbell Prizes Podcast | August 7, 2024

Helen Phillips on Writing Speculative Fiction in the Age of Artificial Intelligence

Helen Phillips on Writing Speculative Fiction in the Age of Artificial Intelligence

Jane Ciabattari Talks to the Author of “Hum”

By Jane Ciabattari | August 6, 2024

The Lights Don’t Just Go Out: A Lifelong Fainter on How Fiction Gets Fainting All Wrong

The Lights Don’t Just Go Out: A Lifelong Fainter on How Fiction Gets Fainting All Wrong

Sophie Brickman on “Charlotte's Web,” JD Salinger, and Capturing Fainting from the Fainter’s Perspective

By Sophie Brickman | August 6, 2024

A Monstrous Spiral: How Narrative Form Can Bring a Story to Life

A Monstrous Spiral: How Narrative Form Can Bring a Story to Life

Jane Alison on Fictionalizing the Tumultuous and Toxic Relationship Between Architects Eileen Gray and Le Corbusier

By Jane Alison | August 6, 2024

Sanity Is Relative: Melissa Broder on Elaine Kraf’s <em>The Princess of 72nd Street</em>

Sanity Is Relative: Melissa Broder on Elaine Kraf’s The Princess of 72nd Street

Considering the Blurred Boundaries Between States of Mania and States of Spiritual Grace

By Melissa Broder | August 6, 2024

Best Reviewed
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  • Villa Coco
  • Something We Said: Richard Pryor, a Notorious Word, and Me
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  • Flyboy in the Buttermilk: Essays on Contemporary America

Regina Porter! Kafka! True crime with eels! 26 new books out today.

By Gabrielle Bellot | August 6, 2024

Alisa Alering on Being the Mountain

By I'm a Writer But | August 6, 2024

Boccaccio’s Modern Life: What The Decameron Reveals About Contemporary Anxiety

By Ed Simon | August 5, 2024

How Catalyst and Iskanchi Press Are Bringing African Writers’ Work to a Wider Audience

How Catalyst and Iskanchi Press Are Bringing African Writers’ Work to a Wider Audience

Jessica Powers and Kenechi Uzor on What Diversity Means, Defining African Literature, and Taking Risks as Publishers

By Jessica Powers | August 5, 2024

Jill Ciment on Struggling With Certainty

Jill Ciment on Struggling With Certainty

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | August 5, 2024

Lisa Leshne and Kathleen Schmidt Offer Publishing Advice From the Trenches

Lisa Leshne and Kathleen Schmidt Offer Publishing Advice From the Trenches

From the Write-minded Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | August 5, 2024

We Are All Nobody: Mary Jo Salter on Finding Beauty and Community in Poetry

We Are All Nobody: Mary Jo Salter on Finding Beauty and Community in Poetry

“Let’s try to put our own vanities aside when we write poems, and let’s read the poems by other people that make us feel most alive.”

By Mary Jo Salter | August 3, 2024

A Century of James Baldwin

A Century of James Baldwin

Celebrating 100 Years of a Great American Mind

By Literary Hub | August 2, 2024

Towards Universality: On Reading—and Rereading—James Baldwin’s “Sonny’s Blues”

Towards Universality: On Reading—and Rereading—James Baldwin’s “Sonny’s Blues”

Tom Jenks Considers the Eternal Power of a Masterpiece of American Short Fiction

By Tom Jenks | August 2, 2024

Colm Tóibín on James Baldwin’s Enduring, International Influence

Colm Tóibín on James Baldwin’s Enduring, International Influence

Caoilinn Hughes in Conversation with the Author of “On James Baldwin”

By Caoilinn Hughes | August 2, 2024

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    • 5 Propulsive Thrillers Featuring Trauma, Reunions, and Lingering PastsJune 17, 2026 by Jaclyn Goldis
    • Beau L’Amour and Ryan Pote Discuss a Long Legacy of ThrillersJune 17, 2026 by Beau L'Amour
    • Villa Coco
    • The Best Reviewed Books of the Week
    • "None of this is particularly suspenseful the novel s chief revelation is telegraphed about halfway…"
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