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  • Craft and Criticism
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Why Are There So Few Books About Mothers and Sons?

Why Are There So Few Books About Mothers and Sons?

Sam Sussman on Writing a Book About His Mother

By Sam Sussman | September 16, 2025

Angela Flournoy on Writing a Polyphonic Novel of Black Female Friendship

Angela Flournoy on Writing a Polyphonic Novel of Black Female Friendship

Jane Ciabattari Talks to the Author of “The Wilderness”

By Jane Ciabattari | September 16, 2025

Finding Inspiration (and Joy) While Drafting Among the Fjords

Finding Inspiration (and Joy) While Drafting Among the Fjords

David Greig on His Creative Process Aboard a Nordic Cruise

By David Greig | September 15, 2025

Pain as Progress: On Bodybuilding, Poetry and Transformation

Pain as Progress: On Bodybuilding, Poetry and Transformation

“Rupture is a prerequisite for reparation. Hurting couldn’t be avoided. Hurting was the point.”

By Isabella DeSendi | September 15, 2025

Roxane Gay on Memoir as Manifesto

Roxane Gay on Memoir as Manifesto

From the Memoir Nation Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | September 15, 2025

Nini Berendt and Evanthia Bromiley on Debut Discovery

Nini Berendt and Evanthia Bromiley on Debut Discovery

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | September 15, 2025

Best Reviewed
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  • Languages of Home: Essays on Writing, Hoop, and American Lives 1975-2025
  • On the Calculation of Volume (Book III)
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  • Mexico: A 500-Year History

Travel Writing, Well-Designed Classics, and Setting to Sea on the Lit Hub Podcast

By The Lit Hub Podcast | September 12, 2025

In Praise of Writing in Cemeteries

By Darcie Dennigan | September 12, 2025

Sally Mann on the Crushing, Lifelong Reality of Artistic Rejection

By Sally Mann | September 11, 2025

Natalie Diaz: Seeing is Feeling in Mary Oliver’s Poetry

Natalie Diaz: Seeing is Feeling in Mary Oliver’s Poetry

On the Connection Between the Land and the Body in Oliver’s Work

By Natalie Diaz | September 11, 2025

Why Everyone—Yes, Everyone—Should Join a Book Club

Why Everyone—Yes, Everyone—Should Join a Book Club

Linda-Marie Barrett on the Pleasures of Reading in Community

By Linda-Marie Barrett | September 10, 2025

Spells, Skepticism, and Surrender: What Happens When the Agent Becomes the Author

Spells, Skepticism, and Surrender: What Happens When the Agent Becomes the Author

Samantha Browning Shea on Breaking Her Own Rules

By Samantha Browning Shea | September 10, 2025

Connecting the Dots: On Creating Fiction from Facts

Connecting the Dots: On Creating Fiction from Facts

Beth Kephart Considers the Craft of Bringing a Fiction Writer’s Eye to Real Lives

By Beth Kephart | September 10, 2025

Anne Enright on J.G. Farrell's <em>Troubles</em>

Anne Enright on J.G. Farrell's Troubles

In Conversation with Michael Kelleher for the Windham-Campbell Prizes Podcast

By Windham-Campbell Prizes Podcast | September 10, 2025

The Case for Polyamory: Alejandro Varela on Writing a Novel That Questions Everything

The Case for Polyamory: Alejandro Varela on Writing a Novel That Questions Everything

“Once society’s fallibility becomes apparent, everything else comes into question.”

By Alejandro Varela | September 9, 2025

Returning to the World of <em>Chocolat</em>, 25 Years Later

Returning to the World of Chocolat, 25 Years Later

Joanne Harris on Writing a Sequel to Her Most Celebrated Novel

By Joanne Harris | September 8, 2025

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    • Tracy Clark on Writing a Black Female DetectiveDecember 3, 2025 by Tracy Clark
    • The Pelican Child: Stories
    • The Best Reviewed Books of the Week
    • "The stories in her hypnotic collection em The Pelican Child em are painterly and provocative…"
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