Hannah Thurman on Writing a Family Drama Set in a Mental Hospital

Hannah Thurman on Writing a Family Drama Set in a Mental Hospital

Jane Ciabattari Talks to the Author of Mercy Hill

By Jane Ciabattari | May 12, 2026

What Close Reading Can Reveal About an Author’s Intentions

What Close Reading Can Reveal About an Author’s Intentions

Suzanne Berne Considers the Story As a Relationship Between Writers and Readers

By Suzanne Berne | May 11, 2026

Mysterious, Isolated and Seductive: The Map of Literary Islands That Inspired My Novel

Mysterious, Isolated and Seductive: The Map of Literary Islands That Inspired My Novel

Christiana Spens: “Even when you have left an island, it lingers on in your imagination as a half-real and half-made-up place.”

By Christiana Spens | May 11, 2026

Tom Junod on Finding the Right Trick

Tom Junod on Finding the Right Trick

A Lesson from a Long Career of Magazine Writing

By Tom Junod | May 8, 2026

Why Writing Stories For Children is So Much Harder Than Writing Stories For Adults

Why Writing Stories For Children is So Much Harder Than Writing Stories For Adults

Claire Swinarski on the Fulfilling Job of Creating Stories for Kids

By Claire Swinarski | May 8, 2026

Am I the Literary Asshole For Thinking Most Writers Are Trash, Actually?

Am I the Literary Asshole For Thinking Most Writers Are Trash, Actually?

Kristen Arnett Answers Your Awkward Questions About Bad Bookish Behavior

By Kristen Arnett | May 7, 2026

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Fellow Travelers: On Reimagining Chaucer in Post-Soviet Ukraine

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In Writing About Cults (and Religion) Telling is Better than Showing

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Where I End, the Writing Begins: What Undergoing Surgery Taught Me About Transcendence

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How I Found Myself—and My Next Setting—at the Beach

How I Found Myself—and My Next Setting—at the Beach

Angela Brown on Returning to a Beloved Vacation Spot in Her Most Recent Novel

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What Objects Can—and Should—Reveal About Their Owners

What Objects Can—and Should—Reveal About Their Owners

Rachel F. Seidman on the Importance of Material Culture in Constructing Oral Histories

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On Making Time to Read <em>War and Peace</em> and Other Great Literary Works

On Making Time to Read War and Peace and Other Great Literary Works

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Charles Dickens... and Other Bad Men Who are Good Writers

Charles Dickens... and Other Bad Men Who are Good Writers

Francine Prose Explores the Disconnect of Loving Works Written By Monstrous Authors

By Francine Prose | May 5, 2026

Elizabeth Strout on Creating a Quietly Strong Protagonist

Elizabeth Strout on Creating a Quietly Strong Protagonist

Jane Ciabattari Talks to the Author of The Things We Never Say

By Jane Ciabattari | May 5, 2026

How Being a Mediocre Scientist Helped Me Become a Better Novelist

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Vincent Yu on the Creative Lessons He Learned From His Stint In Evolutionary Biology

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Maria Semple Thinks Abandoning a Novel is One of Life’s Great Feelings

Maria Semple Thinks Abandoning a Novel is One of Life’s Great Feelings

The Author of Go Gentle Takes the Lit Hub Questionnaire

By Literary Hub | May 4, 2026

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