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Anika Fajardo on Connecting With Her Colombian Heritage Through Magical Realism

Anika Fajardo on Connecting With Her Colombian Heritage Through Magical Realism

“I had found a way to understand the truth—or a truth—about who I was and where I came from.”

By Anika Fajardo | October 26, 2026

Mohammed Massoud Morsi on Writing About Palestinian Lives Beyond the Headlines

Mohammed Massoud Morsi on Writing About Palestinian Lives Beyond the Headlines

“Turning to fiction allowed for stories that would otherwise have disappeared into the chest of time, to live on.”

By Mohammed Massoud Morsi | October 23, 2026

How a Love of Salem and <em>The House of Seven Gables</em> Inspired My Debut Novel

How a Love of Salem and The House of Seven Gables Inspired My Debut Novel

Ashley Woo on Otherness, the Darkness of the Past, and How History Shapes Her Writing

By Ashley Woo | October 23, 2026

How to Find the Perfect Writing Soundtrack

How to Find the Perfect Writing Soundtrack

Marissa Levien on the Sound of Creativity

By Marissa Levien | October 23, 2026

Am I the Asshole For Thinking Books Are... Over?

Am I the Asshole For Thinking Books Are... Over?

Kristen Arnett Answers Your Awkward Questions About Bad Bookish Behavior

By Kristen Arnett | October 22, 2026

Meet the Best Debut Novelists of 2026

Meet the Best Debut Novelists of 2026

The Seven Finalists for the Center for Fiction First Novel Prize on Their Reading and Writing Lives

By Emily Temple | October 20, 2026

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On Writing About Syria’s Uyghur Community As a Chinese-American

By Emily Feng | October 19, 2026

Joseph Luzzi on Finding Inspiration Through His Mother’s Storytelling

By Joseph Luzzi | October 19, 2026

How the Growing Role of Memoir in the Academy Offers a New Way to Teach Race and Gender

By Tiffany Gayle Chenault and Georgiann Davis | October 19, 2026

<em>The Wild Robot</em> Author Peter Brown on What Makes a Great Read-Aloud Book

The Wild Robot Author Peter Brown on What Makes a Great Read-Aloud Book

Plus, Children’s Literature as an Act of Hope

By Literary Hub | October 16, 2026

Will Maclean on F*cking Up a Notebook to Write a Novel

Will Maclean on F*cking Up a Notebook to Write a Novel

“The notebook is a refuge from the digital world.”

By Will Maclean | October 16, 2026

How E.L. Shen Came to Understand Her Assassinated Ancestor Through Writing About Him

How E.L. Shen Came to Understand Her Assassinated Ancestor Through Writing About Him

“My ancestor is no longer just a myth... he is simply a man.”

By E. L. Shen | October 16, 2026

My Body Is a Poem: Emily Hyland In Praise of a Poetics of Physicality

My Body Is a Poem: Emily Hyland In Praise of a Poetics of Physicality

“The embodied realm is eager for inquiry, if one is willing and interested.”

By Emily Hyland | October 15, 2026

The Annotated Nightstand: What David Naimon Is Reading Now, and Next

The Annotated Nightstand: What David Naimon Is Reading Now, and Next

The Author of Ursula K. Le Guin: Conversations on Writing with David Naimon Recommends Sabrina Orah Mark, Evelyn Araluen, and Mykaela Saunders

By Diana Arterian | October 15, 2026

Writer, Professor and Pen Pal: Josefine Kals Remembers Stephen Dixon

Writer, Professor and Pen Pal: Josefine Kals Remembers Stephen Dixon

“His work is a beautiful, and urgent, reminder of the poignancy of life’s smallest moments.”

By Josefine Kals | October 13, 2026

From Dud to Delicious: Deesha Philyaw on Raising the Stakes in Fiction

From Dud to Delicious: Deesha Philyaw on Raising the Stakes in Fiction

“If a character has already gotten everything they want, give them something else to want.”

By Deesha Philyaw | October 9, 2026

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Page 2 of 353
    • S.J. Bennett on the brilliance of 1960s British mysteries and thrillersNovember 5, 2026 by S.J. Bennett
    • Kennedy Cole on writing about race through invasion horror and parasitismNovember 5, 2026 by Kennedy Cole
    • Seeking Justice in Deep South GeorgiaNovember 5, 2026 by J. Tom Morgan
    • Sleuth-Hound: The Case of the Real Sherlock Holmes
    • The Best Reviewed Books of the Week
    • "A vivid, sometimes grisly, sometimes enraging portrait of 19th-century British society ... Probing and excellent."
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