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What Happens When You Show Your Parents Your Debut Novel?

What Happens When You Show Your Parents Your Debut Novel?

Mary Berman on Letting Herself Be Vulnerable While Conquering Her Greatest Fear

By Mary Berman | May 27, 2026

Five Things I Got Wrong in My First Novel, According to My Dad

Five Things I Got Wrong in My First Novel, According to My Dad

Joe Bond on Fact-Checking His Work Post-Publication

By Joe Bond | May 26, 2026

Villains Are Just More Interesting Than Heroes (and More F*ckable, If We’re Being Frank)

Villains Are Just More Interesting Than Heroes (and More F*ckable, If We’re Being Frank)

Natalie Zina Walschots on Why We‘re More Drawn to the Bad Guys

By Natalie Zina Walschots | May 22, 2026

“I Hope to Die Laughing.” On Tom Drury’s <em>The End of Vandalism</em>

“I Hope to Die Laughing.” On Tom Drury’s The End of Vandalism

Ross McMeekin Explores the Ways Fiction Can Help Us Cope With Emotionally Difficult Periods of Life

By Ross McMeekin | May 22, 2026

Manil Suri on Visualizing Your Book’s Narrative Structure

Manil Suri on Visualizing Your Book’s Narrative Structure

The Art of the Book X-Ray

By Manil Suri | May 22, 2026

Reconsidering Mary McCarthy’s Iconic Friendship Novel <em>The Group</em>

Reconsidering Mary McCarthy’s Iconic Friendship Novel The Group

Rebecca Chace on How McCarthy’s Book Influenced Her Own Work

By Rebecca Chace | May 22, 2026

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Why We Shouldn’t Feel Guilty For Not Being Extremely Well Read

By Ed Simon | May 21, 2026

It’s All Just Torture Porn: A Record of Failed Attempts to Explain What Trans Lit is “For”

By Katherine Packert Burke | May 21, 2026

My Writing Group Forgot My Birthday: Are They the Assholes?

By Kristen Arnett | May 21, 2026

Why, As Writers, Do We Cut the Things We Love?

Why, As Writers, Do We Cut the Things We Love?

Kayla Rae Whitaker on the “Animal Data” That Makes Up a Good Story

By Kayla Rae Whitaker | May 20, 2026

A Pawnshop of the Mind: In Praise of Object-Based Writing

A Pawnshop of the Mind: In Praise of Object-Based Writing

Emily Rapp Black Offers Some Advice to Help Craft Your Next Story or Essay

By Emily Rapp Black | May 20, 2026

Ayelet Waldman on What Quilting Taught Her About the Creative Process

Ayelet Waldman on What Quilting Taught Her About the Creative Process

Combining the Writing Life With the Pursuit of a Beloved Hobby

By Ayelet Waldman | May 19, 2026

How Just a Few Taps on a Bunch of Buttons Can Curate Meaning

How Just a Few Taps on a Bunch of Buttons Can Curate Meaning

Robert Isaacs on the Rhythm of Writing

By Robert Isaacs | May 19, 2026

What It Means to Go From School Drop Out to Writing Tutor

What It Means to Go From School Drop Out to Writing Tutor

Djamel White on Teaching Kids How to Write

By Djamel White | May 19, 2026

Navigating the Coming-of-Illness Narrative

Navigating the Coming-of-Illness Narrative

“We need these stories, because they reveal a potent truth: no one is immune to illness and death.”

By Lorraine Boissoneault | May 18, 2026

Alice and Me: How My Struggle With Cancer Mirrored My Protagonist’s

Alice and Me: How My Struggle With Cancer Mirrored My Protagonist’s

Caitlin Shetterly on Grappling With the Uncanny Parallels Between Real Life and Fiction

By Caitlin Shetterly | May 18, 2026

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    • Mommy and Me: 6 Thrillers with Troubled Parent-Child RelationshipsJune 5, 2026 by Leah Rowan
    • 6 Books on the Dark Side of Influencer Culture and Social MediaJune 5, 2026 by Lauren Wilson
    • Northern Light: Power, Land, and the Memory of Water
    • The Best Reviewed Books of the Week
    • "resonated so strongly with me that I cannot pretend to be objective about how much…"
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