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How Art Can Transport Us to the Past

How Art Can Transport Us to the Past

Stephanie Sy-Quia on Writing About Her Grandparents

By Stephanie Sy-Quia | April 15, 2026

Andrew Martin (with Mary Gaitskill)

Andrew Martin (with Mary Gaitskill)

This Week on The Writers Institute Podcast, From the Archives of the New York State Writers Institute

By The Writers Institute | April 15, 2026

Writing in the Interim Language: Jhumpa Lahiri and Chiara Barzini in Conversation

Writing in the Interim Language: Jhumpa Lahiri and Chiara Barzini in Conversation

On Seeking a Literature’s Third Spaces

By Chiara Barzini | April 14, 2026

What Knitting Has Taught Me About Writing

What Knitting Has Taught Me About Writing

Miranda Shulman on the Similarities Between Her Writing and Knitting Practices

By Miranda Shulman | April 14, 2026

On Writing the Hard Truths of Rural American Life

On Writing the Hard Truths of Rural American Life

For Jennifer Acker, Money Troubles Are As Much a Part of Farming As the Weather

By Jennifer Acker | April 13, 2026

Aja Gabel on Love and Grief

Aja Gabel on Love and Grief

“There we are, in the blinding brightness of loss, together.”

By Aja Gabel | April 13, 2026

Best Reviewed
Books of the Week

  • Go Gentle
  • The Palm House
  • Lázár
  • Rasputin: The Downfall of the Romanovs
  • Famesick: A Memoir
  • Where the Music Had to Go: How Bob Dylan and the Beatles Changed Each Other--And the World

Rich Benjamin on Writing From Before You Were Born

By Drew Broussard | April 13, 2026

Molly Crabapple on History as a Necromantic Art

By Molly Crabapple | April 10, 2026

How Amazing Stories Served as the Blueprint for American Science Fiction

By Ed Simon | April 10, 2026

Am I the Asshole For Not Wanting to Do an Author Photo For My Debut Novel?

Am I the Asshole For Not Wanting to Do an Author Photo For My Debut Novel?

Kristen Arnett Answers Your Awkward Questions About Bad Bookish Behavior

By Kristen Arnett | April 9, 2026

The Annotated Nightstand: What Anne Enright is Reading Now, And Next

The Annotated Nightstand: What Anne Enright is Reading Now, And Next

Featuring Niamh Campbell, Sally Hayden, Louise Kennedy, and More

By Diana Arterian | April 9, 2026

The Power of Narrative: How Stories Help Us Process Our Most Difficult Realities

The Power of Narrative: How Stories Help Us Process Our Most Difficult Realities

Jiyoung Han on the Power of Fiction to Bring Historical Atrocities to Life

By Jiyoung Han | April 8, 2026

How <em>The Great Gatsby</em> Inspired My Debut Literary Thriller

How The Great Gatsby Inspired My Debut Literary Thriller

Amin Ahmad on Putting His Own Immigrant Twist on an American Literary Classic

By Amin Ahmad | April 8, 2026

Sonya Walger on Writing a Multifaceted Novel of Marriage and Adultery

Sonya Walger on Writing a Multifaceted Novel of Marriage and Adultery

“Marriage is, to my mind, the ability to contain two conflicting narratives and hold them in tension.”

By Sonya Walger | April 8, 2026

Catherine Lacey (with Lorrie Moore and Nana Kwame Adjei-Brenyah)

Catherine Lacey (with Lorrie Moore and Nana Kwame Adjei-Brenyah)

This Week on The Writers Institute Podcast, From the Archives of the New York State Writers Institute

By The Writers Institute | April 8, 2026

Caro Claire Burke on Tradwives, the Performance of Selfhood, and “The Good Old Days”

Caro Claire Burke on Tradwives, the Performance of Selfhood, and “The Good Old Days”

The Author of Yesteryear in Conversation with Sara Petersen

By Sara Petersen | April 7, 2026

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Page 2 of 338
    • “Profit is the Only Principle”: How 'Point Blank' Presaged Our Current MomentApril 23, 2026 by Greg Wands
    • What to Watch Now, International Edition: The Two Prosecutors (2025)April 23, 2026 by Radha Vatsal
    • 6 Thrillers That Sit with Discomfort and Ethical AmbiguitiesApril 23, 2026 by Michael Cowan
    • Go Gentle
    • The Best Reviewed Books of the Week
    • "A social satire full of dopamine-releasing one-liners and sparkling writing But it can be frustratingly…"
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