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On the Particular Joys of Etymology and Polyglot Prose

On the Particular Joys of Etymology and Polyglot Prose

Geoffrey D. Morrison on Learning and Teaching Languages As a Fiction Writer

By Geoffrey D. Morrison | May 12, 2026

Lit Hub Asks: 5 Authors, 7 Questions, No Wrong Answers

Lit Hub Asks: 5 Authors, 7 Questions, No Wrong Answers

Featuring Anna Konkle, Hafeez Lakhani, Harriet Clark and More

By Teddy Wayne | May 12, 2026

Hannah Thurman on Writing a Family Drama Set in a Mental Hospital

Hannah Thurman on Writing a Family Drama Set in a Mental Hospital

Jane Ciabattari Talks to the Author of Mercy Hill

By Jane Ciabattari | May 12, 2026

What Close Reading Can Reveal About an Author’s Intentions

What Close Reading Can Reveal About an Author’s Intentions

Suzanne Berne Considers the Story As a Relationship Between Writers and Readers

By Suzanne Berne | May 11, 2026

Mysterious, Isolated and Seductive: The Map of Literary Islands That Inspired My Novel

Mysterious, Isolated and Seductive: The Map of Literary Islands That Inspired My Novel

Christiana Spens: “Even when you have left an island, it lingers on in your imagination as a half-real and half-made-up place.”

By Christiana Spens | May 11, 2026

Tom Junod on Finding the Right Trick

Tom Junod on Finding the Right Trick

A Lesson from a Long Career of Magazine Writing

By Tom Junod | May 8, 2026

Best Reviewed
Books of the Week

Why Writing Stories For Children is So Much Harder Than Writing Stories For Adults

By Claire Swinarski | May 8, 2026

Am I the Literary Asshole For Thinking Most Writers Are Trash, Actually?

By Kristen Arnett | May 7, 2026

Fellow Travelers: On Reimagining Chaucer in Post-Soviet Ukraine

By Irene Zabytko | May 7, 2026

In Writing About Cults (and Religion) Telling is Better than Showing

In Writing About Cults (and Religion) Telling is Better than Showing

Harrison Hill in Conversation with Benjamin Hale

By Literary Hub | May 7, 2026

Where I End, the Writing Begins: What Undergoing Surgery Taught Me About Transcendence

Where I End, the Writing Begins: What Undergoing Surgery Taught Me About Transcendence

Diane Les Becquets: “And I watched those moments unfold before me, as if in real time, and I felt everything.”

By Diane Les Becquets | May 7, 2026

How I Found Myself—and My Next Setting—at the Beach

How I Found Myself—and My Next Setting—at the Beach

Angela Brown on Returning to a Beloved Vacation Spot in Her Most Recent Novel

By Angela Brown | May 7, 2026

What Objects Can—and Should—Reveal About Their Owners

What Objects Can—and Should—Reveal About Their Owners

Rachel F. Seidman on the Importance of Material Culture in Constructing Oral Histories

By Rachel F. Seidman | May 6, 2026

On Making Time to Read <em>War and Peace</em> and Other Great Literary Works

On Making Time to Read War and Peace and Other Great Literary Works

Laura Vanderkam Offers Some Suggestions to Help Meet Your Reading Goals

By Laura Vanderkam | May 5, 2026

Charles Dickens... and Other Bad Men Who are Good Writers

Charles Dickens... and Other Bad Men Who are Good Writers

Francine Prose Explores the Disconnect of Loving Works Written By Monstrous Authors

By Francine Prose | May 5, 2026

Elizabeth Strout on Creating a Quietly Strong Protagonist

Elizabeth Strout on Creating a Quietly Strong Protagonist

Jane Ciabattari Talks to the Author of The Things We Never Say

By Jane Ciabattari | May 5, 2026

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