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Craft and Advice
How Art Can Transport Us to the Past
Stephanie Sy-Quia on Writing About Her Grandparents
By
Stephanie Sy-Quia
| April 15, 2026
Andrew Martin (with Mary Gaitskill)
This Week on
The Writers Institute
Podcast, From the Archives of the New York State Writers Institute
By
The Writers Institute
| April 15, 2026
Writing in the Interim Language: Jhumpa Lahiri and Chiara Barzini in Conversation
On Seeking a Literature’s Third Spaces
By
Chiara Barzini
| April 14, 2026
What Knitting Has Taught Me About Writing
Miranda Shulman on the Similarities Between Her Writing and Knitting Practices
By
Miranda Shulman
| April 14, 2026
On Writing the Hard Truths of Rural American Life
For Jennifer Acker, Money Troubles Are As Much a Part of Farming As the Weather
By
Jennifer Acker
| April 13, 2026
Aja Gabel on Love and Grief
“There we are, in the blinding brightness of loss, together.”
By
Aja Gabel
| April 13, 2026
Best Reviewed
Books of the Week
Rich Benjamin on Writing From Before You Were Born
By
Drew Broussard
| April 13, 2026
Molly Crabapple on History as a Necromantic Art
By
Molly Crabapple
| April 10, 2026
How
Amazing Stories
Served as the Blueprint for American Science Fiction
By
Ed Simon
| April 10, 2026
Am I the Asshole For Not Wanting to Do an Author Photo For My Debut Novel?
Kristen Arnett Answers Your Awkward Questions About Bad Bookish Behavior
By
Kristen Arnett
| April 9, 2026
The Annotated Nightstand: What Anne Enright is Reading Now, And Next
Featuring Niamh Campbell, Sally Hayden, Louise Kennedy, and More
By
Diana Arterian
| April 9, 2026
The Power of Narrative: How Stories Help Us Process Our Most Difficult Realities
Jiyoung Han on the Power of Fiction to Bring Historical Atrocities to Life
By
Jiyoung Han
| April 8, 2026
How
The Great Gatsby
Inspired My Debut Literary Thriller
Amin Ahmad on Putting His Own Immigrant Twist on an American Literary Classic
By
Amin Ahmad
| April 8, 2026
Sonya Walger on Writing a Multifaceted Novel of Marriage and Adultery
“Marriage is, to my mind, the ability to contain two conflicting narratives and hold them in tension.”
By
Sonya Walger
| April 8, 2026
Catherine Lacey (with Lorrie Moore and Nana Kwame Adjei-Brenyah)
This Week on
The Writers Institute
Podcast, From the Archives of the New York State Writers Institute
By
The Writers Institute
| April 8, 2026
Caro Claire Burke on Tradwives, the Performance of Selfhood, and “The Good Old Days”
The Author of
Yesteryear
in Conversation with Sara Petersen
By
Sara Petersen
| April 7, 2026
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“Profit is the Only Principle”: How 'Point Blank' Presaged Our Current Moment
April 23, 2026
by
Greg Wands
What to Watch Now, International Edition: The Two Prosecutors (2025)
April 23, 2026
by
Radha Vatsal
6 Thrillers That Sit with Discomfort and Ethical Ambiguities
April 23, 2026
by
Michael Cowan
The Best Reviewed Books of the Week
"A social satire full of dopamine-releasing one-liners and sparkling writing But it can be frustratingly…"