Michael R. Jackson on Sam Greenlee's THE SPOOK WHO SAT BY THE DOOR

Michael R. Jackson on Sam Greenlee's THE SPOOK WHO SAT BY THE DOOR

In Conversation with Michael Kelleher for the Windham-Campbell Prizes Podcast

By Windham-Campbell Prizes Podcast | February 18, 2026

Suffering Under the Speaker: On Louise Glück, Garth Greenwell, and Vocal Duality

Suffering Under the Speaker: On Louise Glück, Garth Greenwell, and Vocal Duality

D.S. Waldman Considers His Own Poetic Voice Alongside Those of His Mentors and Peers

By D.S. Waldman | February 17, 2026

Eight Books About the Ups and Downs of Friendship

Eight Books About the Ups and Downs of Friendship

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By Lillian Li | February 17, 2026

Sarah Aziza on Memoir as a Work of Art

Sarah Aziza on Memoir as a Work of Art

From the Memoir Nation Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | February 16, 2026

David Guterson on Changing His Style

David Guterson on Changing His Style

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | February 16, 2026

An Archive of Associations: When My Father Bought Foucault’s Old Car

An Archive of Associations: When My Father Bought Foucault’s Old Car

Anna Nygren on Writing Between Intertextuality, Obsession and Categorization

By Anna Nygren | February 13, 2026

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Katie da Cunha Lewin on the Joys of Quiet, Communal Writing

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The Annotated Nightstand: What Martin Aitken is Reading Now, and Next

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Virginia Pye on Why She Keeps Writing What Excites Her, Regardless of Genre

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How Writing My Books Helped Me Understand My Chinese Parents

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Janie Chang on Preserving Her Family History Through Historical Fiction

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Adina Hoffman on Georges Perec’s <em>An Attempt at Exhausting a Place in Paris</em>

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Why Does Contemporary Fascism Fetishize the Classics?

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Karen Russell on the Mystery and Magic of Joy Williams’s <em>The Changeling</em>

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“If you think your in-laws are difficult, these people will make your next Thanksgiving feel like a pleasure cruise.”

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