Literary Hub » Craft and Advice

On What It Really Means to Live the Writing Life: The Good AND the Bad

On What It Really Means to Live the Writing Life: The Good AND the Bad

Nick Ripatrazone Tracks Down His First Literary Correspondent, Jack Garrett

By Nick Ripatrazone | February 19, 2026

On the Unlikely Origin of <em>The Curious Incident of the Dog in the Night-Time</em>

On the Unlikely Origin of The Curious Incident of the Dog in the Night-Time

Mark Haddon Recalls the Creative Process Behind His Stylistically Innovative Novel

By Mark Haddon | February 19, 2026

The Annotated Nightstand: What Anne Fadiman is Reading Now, and Next

The Annotated Nightstand: What Anne Fadiman is Reading Now, and Next

Featuring Tony Tulathimutte, George Eliot, C Pam Zhang, and More

By Diana Arterian | February 19, 2026

Imagination is Not Enough: Why Fiction Needs Fieldwork

Imagination is Not Enough: Why Fiction Needs Fieldwork

Amara Lakhous on the Necessity of Combining Personal Experience With Research to Create Compelling Stories

By Amara Lakhous | February 18, 2026

Why I Wrote a Middle Grade Book About Religion

Why I Wrote a Middle Grade Book About Religion

Huda Al-Marashi on Going to Catholic School and the Value of Having Conversations About Religion Early in Life

By Huda Al-Marashi | February 18, 2026

On Dancing As Rebellion and The Problem of Embodiment

On Dancing As Rebellion and The Problem of Embodiment

Sarah Domet: “I wanted to learn to be free on land. Dance seemed to be an answer.”

By Sarah Domet | February 18, 2026

Best Reviewed
Books of the Week

Michael R. Jackson on Sam Greenlee's THE SPOOK WHO SAT BY THE DOOR

By Windham-Campbell Prizes Podcast | February 18, 2026

Suffering Under the Speaker: On Louise Glück, Garth Greenwell, and Vocal Duality

By D.S. Waldman | February 17, 2026

Eight Books About the Ups and Downs of Friendship

By Lillian Li | February 17, 2026

Sarah Aziza on Memoir as a Work of Art

Sarah Aziza on Memoir as a Work of Art

From the Memoir Nation Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | February 16, 2026

David Guterson on Changing His Style

David Guterson on Changing His Style

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | February 16, 2026

An Archive of Associations: When My Father Bought Foucault’s Old Car

An Archive of Associations: When My Father Bought Foucault’s Old Car

Anna Nygren on Writing Between Intertextuality, Obsession and Categorization

By Anna Nygren | February 13, 2026

Katie da Cunha Lewin on the Joys of Quiet, Communal Writing

Katie da Cunha Lewin on the Joys of Quiet, Communal Writing

Or: A Room of (Every)one’s Own

By Katie da Cunha Lewin | February 13, 2026

Am I the Literary Asshole For Being Tired of My Self-Congratulatory Liberal Book Group?

Am I the Literary Asshole For Being Tired of My Self-Congratulatory Liberal Book Group?

Kristen Arnett Answers Your Awkward Questions About Bad Bookish Behavior

By Kristen Arnett | February 12, 2026

The Limits of Pain: On Writing Against Chronic Illness

The Limits of Pain: On Writing Against Chronic Illness

Ysabelle Cheung Considers How Her Experience With Endometriosis Has Shaped Her Short Fiction

By Ysabelle Cheung | February 12, 2026

The Annotated Nightstand: What Martin Aitken is Reading Now, and Next

The Annotated Nightstand: What Martin Aitken is Reading Now, and Next

Featuring Claire-Louise Bennet, David Szalay, Helle Helle, and More

By Diana Arterian | February 12, 2026

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