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Writing Underwater: What Diving Taught Me About Trauma and Creativity

Writing Underwater: What Diving Taught Me About Trauma and Creativity

Emeline Atwood on Fear, Recovery and Writing Fiction Based on Lived Experience

By Emeline Atwood | July 8, 2026

An Imaginary Throuple Saved My Writing Career

An Imaginary Throuple Saved My Writing Career

Kendra Allen on Writing—and Surviving—Her First Novel

By Kendra Allen | July 7, 2026

A Poet’s Account of the Power of the Yodel

A Poet’s Account of the Power of the Yodel

“One has to be willing to humiliate oneself in order to yodel, there is no spiritual bypass.”

By Valerie Hsiung | July 6, 2026

Plato’s <em>Symposium</em> Is Actually About Love

Plato’s Symposium Is Actually About Love

Cat Fitzpatrick Finds Inspiration in Philosophy’s Most Famous Dinner Party

By Cat Fitzpatrick | July 6, 2026

The Unexpected Joys of a Geriatric Debut

The Unexpected Joys of a Geriatric Debut

Donovan McAbee on the Gift of Sharing Your Work (at Any Age)

By Donovan McAbee | July 6, 2026

Am I the Asshole For Refusing an Invitation to Submit Work?

Am I the Asshole For Refusing an Invitation to Submit Work?

Kristen Arnett Answers Your Awkward Questions About Bad Bookish Behavior

By Kristen Arnett | July 2, 2026

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Break to Sing: Seven New Poetry Collections to Read in July

By Rebecca Morgan Frank | July 2, 2026

Jenny Jackson on the Literary Potential of Gossip

By Jenny Jackson | July 2, 2026

Why Soledad Acosta de Samper’s Dolores is a Unicorn in the Practice of Translation

By Sara Abadía Alvarado | July 1, 2026

Christina Anderson on Wallace Shawn’s <em>The Fever</em>

Christina Anderson on Wallace Shawn’s The Fever

In Conversation with Michael Kelleher for the Windham-Campbell Prizes Podcast

By Windham-Campbell Prizes Podcast | July 1, 2026

The Reluctant Researcher: How I Ended Up Writing a Historical Novel

The Reluctant Researcher: How I Ended Up Writing a Historical Novel

Ethan Joella: “Writing what you know is only limited by what you take the time to know.”

By Ethan Joella | June 30, 2026

Walter Mosley: “A Novel is Not a Machine”

Walter Mosley: “A Novel is Not a Machine”

On the Pleasure of Encountering Something New

By Walter Mosley | June 26, 2026

Ye Hui on the Innovations of Translation, His Writing Process, and the Relief of Finishing a Poem

Ye Hui on the Innovations of Translation, His Writing Process, and the Relief of Finishing a Poem

In Conversation with Peter Mishler

By Peter Mishler | June 26, 2026

Save It for Your Novel: The Difference in Writing for the Screen Versus the Page

Save It for Your Novel: The Difference in Writing for the Screen Versus the Page

Spiro Skentzos in Conversation with Rasheed Newson

By Spiro Skentzos | June 25, 2026

Jessica M. Goldstein on the Inherent Optimism of Time Travel

Jessica M. Goldstein on the Inherent Optimism of Time Travel

“Time travel contends that we matter to each other whether we want to or not, whether we believe it or not.”

By Jessica M. Goldstein | June 24, 2026

How F. Scott Fitzgerald’s Overlooked Story Collection Helped Me Write My LA Novel

How F. Scott Fitzgerald’s Overlooked Story Collection Helped Me Write My LA Novel

Krista Diamond on What She Learned From the East Coast Writer’s California Sojourn

By Krista Diamond | June 23, 2026

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