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Namwali Serpell on Toni Morrison and the Power of Ambiguity

Namwali Serpell on Toni Morrison and the Power of Ambiguity

Beloved reflects a deep ambivalence about revelation, specifically about the use of language to reveal."">"Beloved reflects a deep ambivalence about revelation, specifically about the use of language to reveal."

By Namwali Serpell | February 20, 2026

How Finding My Narrator Brought My Entire Book Together

How Finding My Narrator Brought My Entire Book Together

Burnside Soleil on Living With His Characters

By Burnside Soleil | February 20, 2026

On What It Really Means to Live the Writing Life: The Good AND the Bad

On What It Really Means to Live the Writing Life: The Good AND the Bad

Nick Ripatrazone Tracks Down His First Literary Correspondent, Jack Garrett

By Nick Ripatrazone | February 19, 2026

On the Unlikely Origin of <em>The Curious Incident of the Dog in the Night-Time</em>

On the Unlikely Origin of The Curious Incident of the Dog in the Night-Time

Mark Haddon Recalls the Creative Process Behind His Stylistically Innovative Novel

By Mark Haddon | February 19, 2026

The Annotated Nightstand: What Anne Fadiman is Reading Now, and Next

The Annotated Nightstand: What Anne Fadiman is Reading Now, and Next

Featuring Tony Tulathimutte, George Eliot, C Pam Zhang, and More

By Diana Arterian | February 19, 2026

Imagination is Not Enough: Why Fiction Needs Fieldwork

Imagination is Not Enough: Why Fiction Needs Fieldwork

Amara Lakhous on the Necessity of Combining Personal Experience With Research to Create Compelling Stories

By Amara Lakhous | February 18, 2026

Best Reviewed
Books of the Week

  • On Morrison
  • Leaving Home: A Memoir in Full Colour
  • So Old, So Young
  • Rebel English Academy
  • A Hymn to Life: Shame Has to Change Sides
  • Evil Genius

Why I Wrote a Middle Grade Book About Religion

By Huda Al-Marashi | February 18, 2026

On Dancing As Rebellion and The Problem of Embodiment

By Sarah Domet | February 18, 2026

Michael R. Jackson on Sam Greenlee's THE SPOOK WHO SAT BY THE DOOR

By Windham-Campbell Prizes Podcast | February 18, 2026

Suffering Under the Speaker: On Louise Glück, Garth Greenwell, and Vocal Duality

Suffering Under the Speaker: On Louise Glück, Garth Greenwell, and Vocal Duality

D.S. Waldman Considers His Own Poetic Voice Alongside Those of His Mentors and Peers

By D.S. Waldman | February 17, 2026

Eight Books About the Ups and Downs of Friendship

Eight Books About the Ups and Downs of Friendship

Lillian Li Recommends Ann Patchett, Elizabeth Ames, Kim Fu, and More

By Lillian Li | February 17, 2026

Sarah Aziza on Memoir as a Work of Art

Sarah Aziza on Memoir as a Work of Art

From the Memoir Nation Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | February 16, 2026

David Guterson on Changing His Style

David Guterson on Changing His Style

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | February 16, 2026

An Archive of Associations: When My Father Bought Foucault’s Old Car

An Archive of Associations: When My Father Bought Foucault’s Old Car

Anna Nygren on Writing Between Intertextuality, Obsession and Categorization

By Anna Nygren | February 13, 2026

Katie da Cunha Lewin on the Joys of Quiet, Communal Writing

Katie da Cunha Lewin on the Joys of Quiet, Communal Writing

Or: A Room of (Every)one’s Own

By Katie da Cunha Lewin | February 13, 2026

Am I the Literary Asshole For Being Tired of My Self-Congratulatory Liberal Book Group?

Am I the Literary Asshole For Being Tired of My Self-Congratulatory Liberal Book Group?

Kristen Arnett Answers Your Awkward Questions About Bad Bookish Behavior

By Kristen Arnett | February 12, 2026

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    • 2026: The Year of CorvidaeFebruary 27, 2026 by Molly Odintz
    • Jennifer Sklias-Gahan On Gothic Literature and the Magic of StorytellingFebruary 27, 2026 by Jennifer Sklias-Gahan
    • What to Watch This Weekend: February 28, 2026February 27, 2026 by Dwyer Murphy
    • On Morrison
    • The Best Reviewed Books of the Week
    • "This is informed accessible literary analysis that demonstrates that Morrison s true genius was as…"
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