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Imbolo Mbue on the Post-Colonial Greed of the<br> Oil Industry

Imbolo Mbue on the Post-Colonial Greed of the
Oil Industry

The Author of How Beautiful We Were Talks to Jane Ciabattari

By Jane Ciabattari | March 16, 2021

How One of My Favorite Songwriters Came Along and Saved My Novel

How One of My Favorite Songwriters Came Along and Saved My Novel

When Don Lee Sent a Longshot Email to Will Johnson

By Don Lee | March 15, 2021

Writing the What-If: The Aftermath of a Daughter’s Grief

Writing the What-If: The Aftermath of a Daughter’s Grief

Rebecca Handler on Exploring Alternate Narrative Paths

By Rebecca Handler | March 11, 2021

Naima Coster on Following Narrative Threads Rather Than Chronology

Naima Coster on Following Narrative Threads Rather Than Chronology

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | March 11, 2021

Finding Creativity in the Wintertime Rhythms of a Bordeaux Vineyard

Finding Creativity in the Wintertime Rhythms of a Bordeaux Vineyard

Mari Andrew on a Restorative Trip to France

By Mari Andrew | March 11, 2021

The Fires of Digression: Gregory Brown on the Slow Burn of Writing Fiction

The Fires of Digression: Gregory Brown on the Slow Burn of Writing Fiction

"It’s okay to wander. It’s okay to be lost. It’s okay to go slow."

By Gregory Brown | March 11, 2021

Best Reviewed
Books of the Week

  • They
  • This Is Not About Us
  • Eradication: A Fable
  • The Boundless Deep: Young Tennyson, Science and the Crisis of Belief
  • The Last Kings of Hollywood: Coppola, Lucas, Spielberg—And the Battle for the Soul of American Cinema
  • End of Days: Ruby Ridge, the Apocalypse, and the Unmaking of America

Nineteen Ways of Looking at
Marilynne Robinson

By Kevin Brockmeier | March 10, 2021

How I (Barely) Survived the Abject Failure of My Much Hyped Debut Novel

By David Hollander | March 10, 2021

Reckoning with Sentiment (and Writing the Unsaid) in a Novel About Motherhood

By Lynn Steger Strong | March 10, 2021

How Being the Opposite of an Art Monster Has Helped Lynn Steger Strong’s Work

How Being the Opposite of an Art Monster Has Helped Lynn Steger Strong’s Work

From the Thresholds Podcast, Hosted by Jordan Kisner

By Thresholds | March 10, 2021

Patricia Engel on Writing the Shifting Identities of<br> Diaspora Life

Patricia Engel on Writing the Shifting Identities of
Diaspora Life

Jane Ciabattari Talks to the Author of Infinite Country

By Jane Ciabattari | March 10, 2021

Dantiel W. Moniz on Endings as Windows Rather than Exits

Dantiel W. Moniz on Endings as Windows Rather than Exits

In Conversation with Courtney Balestier on the WMFA Podcast

By WMFA | March 10, 2021

Vesna Maric on the Freedom of Working Outside Historical Fiction’s Rules

Vesna Maric on the Freedom of Working Outside Historical Fiction’s Rules

In Conversation with Brad Listi on Otherppl

By Otherppl with Brad Listi | March 10, 2021

Ilona Andrews on Blending Romance and Monstrosity

Ilona Andrews on Blending Romance and Monstrosity

In Conversation with Gabrielle Mathieu on the New Books Network

By New Books Network | March 9, 2021

Writing Through the Microscope: Intimate Versus Epic Narration

Writing Through the Microscope: Intimate Versus Epic Narration

Gabriela Houston on Finding the Right Scale in Fiction

By Gabriela Houston | March 8, 2021

George Saunders on Thinking of Story as Ceremony

George Saunders on Thinking of Story as Ceremony

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | March 8, 2021

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Page 183 of 264
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    • They
    • The Best Reviewed Books of the Week
    • "a succession of nine quietly horrifying stories from a dystopian pastorally radiant England The novella…"
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