The Impossibility of Writing About Motherhood

The Impossibility of Writing About Motherhood

Sarah Blake on Motherhood's Many Faces

By Sarah Blake | March 14, 2022

Finding the Kinship Between Manifestations of Creativity and Depression

Finding the Kinship Between Manifestations of Creativity and Depression

Gia de Cadenet on Making Sense of the Raw Material

By Gia de Cadenet | March 14, 2022

Lan Samantha Chang on Teaching, Tone, and Literary Generations

Lan Samantha Chang on Teaching, Tone, and Literary Generations

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | March 14, 2022

Edith Wharton on How to Write a Vivid First Line

Edith Wharton on How to Write a Vivid First Line

"[It] should be something more than a trick."

By Edith Wharton | March 11, 2022

Austin Kleon Looks Back on the Creation of <em>Steal Like an Artist</em>, Ten Years Later

Austin Kleon Looks Back on the Creation of Steal Like an Artist, Ten Years Later

When the What-Ifs Become Real

By Austin Kleon | March 11, 2022

Ten Percent Space Opera, Ninety Percent Family Drama: Mike Chen on Using Sci-Fi to its Fullest Capacity

Ten Percent Space Opera, Ninety Percent Family Drama: Mike Chen on Using Sci-Fi to its Fullest Capacity

In Conversation with Rob Wolf on the New Books Network

By New Books Network | March 11, 2022

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Tom Sleigh on Translating War Zone Experiences into Poetry

By The Common | March 11, 2022

Alejandro Zambra on Writing Two Books in One

By The Maris Review | March 10, 2022

How an Argument Over The Hobbit Inspired Marlon James’s Dark Star Trilogy

By Book Dreams | March 10, 2022

John Keene on Punks, Elegies, and the Heroics of Survival

John Keene on Punks, Elegies, and the Heroics of Survival

In Conversation with Brad Listi on Otherppl

By Otherppl with Brad Listi | March 10, 2022

Transformation and Precision: On Writing Dreams

Transformation and Precision: On Writing Dreams

Corinne Hoex Considers the Power of the Unconscious

By Corinne Hoex | March 10, 2022

What Does it Look Like to Decenter Whiteness in Fiction?

What Does it Look Like to Decenter Whiteness in Fiction?

Kasim Ali on Writing for One’s Characters

By Kasim Ali | March 10, 2022

WATCH: Rebecca Mead and Jia Tolentino on Identity, Nationality, and Inheritance

WATCH: Rebecca Mead and Jia Tolentino on Identity, Nationality, and Inheritance

Hosted by Greenlight Bookstore

By The Virtual Book Channel | March 10, 2022

What Makes a Great Opening Line?

What Makes a Great Opening Line?

Allegra Hyde Considers Love at First Sentence

By Allegra Hyde | March 9, 2022

How Trees Helped Ben Okri To Write His New Children’s Book

How Trees Helped Ben Okri To Write His New Children’s Book

“As the story grew, I felt the need for nature.”

By Ben Okri | March 9, 2022

Stop, Collaborate, and Listen: Amanda Pellegrino on Writing for TV Versus Writing a Novel

Stop, Collaborate, and Listen: Amanda Pellegrino on Writing for TV Versus Writing a Novel

"Writing a TV show is a team sport from day one."

By Amanda Pellegrino | March 8, 2022

Page 186 of 337

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