Literary Hub
Craft and Criticism
Literary Criticism
Craft and Advice
In Conversation
On Translation
Fiction and Poetry
Short Story
From the Novel
Poem
News and Culture
History
Science
Politics
Biography
Memoir
Food
Technology
Bookstores and Libraries
Film and TV
Travel
Music
Art and Photography
The Hub
Style
Design
Sports
Lit Hub Radio
The Lit Hub Podcast
Awakeners
Fiction/Non/Fiction
The Critic and Her Publics
Windham-Campbell Prizes Podcast
Memoir Nation
Beyond the Page
First Draft: A Dialogue on Writing
Thresholds
The Cosmic Library
Culture Schlock
Reading Lists
The Best of the Decade
Book Marks
Best Reviewed Books
CrimeReads
True Crime
The Daily Thrill
Log In
Craft and Criticism
Literary Criticism
Craft and Advice
In Conversation
On Translation
Fiction and Poetry
Short Story
From the Novel
Poem
News and Culture
History
Science
Politics
Biography
Memoir
Food
Technology
Bookstores and Libraries
Film and TV
Travel
Music
Art and Photography
The Hub
Style
Design
Sports
Lit Hub Radio
The Lit Hub Podcast
Awakeners
Fiction/Non/Fiction
The Critic and Her Publics
Windham-Campbell Prizes Podcast
Memoir Nation
Beyond the Page
First Draft: A Dialogue on Writing
Thresholds
The Cosmic Library
Culture Schlock
Reading Lists
The Best of the Decade
Book Marks
Best Reviewed Books
CrimeReads
True Crime
The Daily Thrill
Log In
Craft and Advice
How to Write an Obituary For Your Mother
Jenny Qi on the Limits of Language in the Face of Tragedy
By
Jenny Qi
| October 26, 2021
Lauren Groff on Maintaining the “Electric Jolt” of an Idea While Writing
In Conversation with Mitzi Rapkin on the
First Draft Podcast
By
First Draft: A Dialogue on Writing
| October 25, 2021
The Pleasure(s) of Pen(s) on Paper
Danielle Taschereau Mamers on the Intimate Act of Mark-Making
By
Danielle Taschereau Mamers
| October 25, 2021
Unlearning the Sunk Cost Fallacy, in Writing and in Love
Hazel Hayes on the Power of Walking Away
By
Hazel Hayes
| October 25, 2021
Notes on Queerness and Camp in Crime Fiction
Tice Cin Examines the Coexistence of Adventure and the Domestic
By
Tice Cin
| October 25, 2021
Mary Gaitskill on Borrowing From Real Life in Writing (and the Dreams That Guided Her)
How the Author of
Veronica
Tries to Honor the World
By
Mary Gaitskill
| October 22, 2021
Best Reviewed
Books of the Week
Finding My Voice Through the Rage of Punk Music
By
Amy Lee Lillard
| October 22, 2021
Craig Davidson on the Secrets Best Left Out of Memoir
By
Craig Davidson
| October 22, 2021
Nariman Youssef on Migration, Translation, and the Complexities of the “Mother Tongue”
By
The Common
| October 22, 2021
Jennifer Estep on Her Favorite Character of All Time to Write
In Conversation with Gabrielle Mathieu on the
New Books Network
By
New Books Network
| October 22, 2021
Julia Elliott and DaMaris B. Hill on Writing Rural America
In Conversation with Whitney Terrell and V.V. Ganeshananthan on
Fiction/Non/Fiction
By
Fiction Non Fiction
| October 21, 2021
TaraShea Nesbit on Reckoning With Ghosts, and Returning to the Same Story, Again and Again
“There is a backward-looking thing in all good stories and essays: a haunting.”
By
TaraShea Nesbit
| October 21, 2021
Chris Hedges on Teaching Playwriting in Prison
Writing Exercises, Sincerity, and Amiri Baraka’s
Dutchman
By
Chris Hedges
| October 21, 2021
This 1998 advice from Ursula K. Le Guin about gender-neutral language is still relevant.
By
Vanessa Willoughby
| October 20, 2021
Reading Women
on the Emotional Complexities in Women’s Crime Fiction
This Week from the
Reading Women
Podcast
By
Reading Women
| October 20, 2021
Writing Through Trauma, Past and Present: On the Legacies of Catholic Ireland
Elaine Feeney Considers the Emotional Journey to Her Novel,
As You Were
By
Elaine Feeney
| October 20, 2021
« First
‹ Previous
147
148
149
150
151
152
153
154
155
Next ›
Last »
Page 151 of 257
The 9 Best French Jewel Theft Films
November 6, 2025
by
Julia Sirmons
11 Mystery Novels That Explore the Power of Rumors and Gossip
November 6, 2025
by
Lauren Oliver
P.J. Tracy on Writing about Serial Killers and Secular Horror
November 6, 2025
by
P.J. Tracy
The Best Reviewed Books of the Week
"Not much happens In fact there is much in the text that is not made…"