Literary Hub » First Draft: A Dialogue on Writing

Imbolo Mbue on the Thin Line Between the Physical and Supernatural

Imbolo Mbue on the Thin Line Between the Physical and Supernatural

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | June 1, 2021

Anna North on Finding a Narrative Space Between Dystopia and Utopia

Anna North on Finding a Narrative Space Between Dystopia and Utopia

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | May 24, 2021

Layla AlAmmar: Who Gets to Dictate How a Story Is Told?

Layla AlAmmar: Who Gets to Dictate How a Story Is Told?

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | May 17, 2021

Why Elizabeth McCracken Loves Ventriloquism and Other Weird Show Business

Why Elizabeth McCracken Loves Ventriloquism and Other Weird Show Business

In Conversation with Mitzi Rapkin on First Draft

By First Draft: A Dialogue on Writing | May 10, 2021

Wrestling with Derrida’s Concept of Forgiving the Unforgivable

Wrestling with Derrida’s Concept of Forgiving the Unforgivable

Viet Thanh Nguyen in Conversation with Mitzi Rapkin on First Draft

By First Draft: A Dialogue on Writing | May 3, 2021

Nalini Singh on the Unnecessary Divide Between Literary and Genre Fiction

Nalini Singh on the Unnecessary Divide Between Literary and Genre Fiction

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | April 26, 2021

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Chang-rae Lee on Writing as a Bodily Experience

By First Draft: A Dialogue on Writing | April 19, 2021

Lidia Yuknavitch Wants You to Write a Triptych

By First Draft: A Dialogue on Writing | April 12, 2021

Carol Edgarian: We Write from Our Own Urgency, Our Own Questions

By First Draft: A Dialogue on Writing | April 5, 2021

Dantiel W. Moniz on Imposter Syndrome and the Morbidity<br> of Girlhood

Dantiel W. Moniz on Imposter Syndrome and the Morbidity
of Girlhood

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | March 29, 2021

Priyanka Champaneri on Setting as the Genesis of Her Novel

Priyanka Champaneri on Setting as the Genesis of Her Novel

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | March 22, 2021

Alan Lightman on Our Obligation to Record the Majesty of the Cosmos

Alan Lightman on Our Obligation to Record the Majesty of the Cosmos

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | March 15, 2021

George Saunders on Thinking of Story as Ceremony

George Saunders on Thinking of Story as Ceremony

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | March 8, 2021

Natalie West on the False Binary of Sex Work Narratives

Natalie West on the False Binary of Sex Work Narratives

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | March 1, 2021

Why Eley Williams Recommends Reading Dictionaries Cover to Cover

Why Eley Williams Recommends Reading Dictionaries Cover to Cover

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | February 22, 2021

Te-Ping Chen: The Lived of Experience of China is More <em>Brave New World</em> Than <em>1984</em>

Te-Ping Chen: The Lived of Experience of China is More Brave New World Than 1984

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | February 16, 2021

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