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Birder to Birder: Imagining the Correspondence of Henry David Thoreau and John James Audubon
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March 14, 2022
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Finding the Kinship Between Manifestations of Creativity and Depression
Gia de Cadenet on Making Sense of the Raw Material
March 14, 2022
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Lan Samantha Chang on Teaching, Tone, and Literary Generations
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Why Liberalism and Progressivism Are at Odds in Joe Biden’s Democratic Party
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Stephen M.R. Covey on the Crisis in Trust With Vladimir Putin
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Why Ukraine Might the First Global War About Globalization Itself
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Why Everything You Think About Money Is Wrong
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The Final Revival of Opal & Nev
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Lit Hub Weekly: March 7 – 11, 2022
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The Huntington has acquired Eve Babitz’s archive.
March 11, 2022
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A new story collection is coming from George Saunders.
March 11, 2022
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What should you call your book club? The Business Name Generator has some ideas.
March 11, 2022
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The Last Days of Ptolemy Grey,
Samuel L. Jackson Plays the Role of a Lifetime
Olivia Rutigliano on the New Adaptation of Walter Mosley’s Novel
March 11, 2022
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Maybe beloved journal
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March 11, 2022
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“Every hut in our beloved country is on the edge.” Contemporary Ukrainian Poetry by Boris Khersonsky
Translated by Amelia Glaser and Yuliya Ilchuk
March 11, 2022
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The Batman
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Matt Reeves’s New Film is First and Foremost a Detective Story
March 11, 2022
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John Clellon Holmes on the Funeral of His Longtime Friend Jack Kerouac
“I hoped that no one would ever mourn me so self-centeredly.”
March 11, 2022
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Who Really Runs the World? On Power and How
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Edith Wharton on How to Write a Vivid First Line
"[It] should be something more than a trick."
March 11, 2022
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Lithub
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May 22, 2025
On Trump, fascism, and Hannah Arendt’s essay, “Lying in Politics”
Essex Hemphill’s (profane, transgressive, sexy, bold) poetic legacy
Maggie Nelson on Michelle Tea’s
Valencia
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