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Craft and Criticism
Literary Criticism
Craft and Advice
In Conversation
On Translation
Fiction and Poetry
Short Story
From the Novel
Poem
News and Culture
History
Science
Politics
Biography
Memoir
Food
Technology
Bookstores and Libraries
Film and TV
Travel
Music
Art and Photography
The Hub
Style
Design
Sports
Lit Hub Radio
The Lit Hub Podcast
Awakeners
Fiction/Non/Fiction
The Critic and Her Publics
Windham-Campbell Prizes Podcast
Memoir Nation
Beyond the Page
First Draft: A Dialogue on Writing
Thresholds
The Cosmic Library
Culture Schlock
Reading Lists
The Best of the Decade
Book Marks
Best Reviewed Books
CrimeReads
True Crime
The Daily Thrill
Log In
Literary Criticism
On the Iconic First Line of
One Hundred Years of Solitude
Time Passes Differently in the Tropics
By
Claire Adam
| February 19, 2019
A Love Letter to Lovers of
Outlander
You Inhabit a Wild and Curious Planet
By
Amanda Feinman
| February 14, 2019
High Lonesome: A Dispatch from the National Cowboy Poetry Gathering
Does the History of Western Poetry Begin with Sheep?
By
Michael Ursell
| February 13, 2019
On Kate Bush's Radical Interpretation of
Wuthering Heights
Or, How to Teach English with a Music Video
By
Brendan Mathews
| February 13, 2019
The Death of a Symbol: How Western Writers Exploit the Tiger
A Brief History of Gross Fascination
By
Aditi Natasha Kini
| February 11, 2019
Sense
or
Sensibility... What if Jane Austen Had to Choose?
Devoney Looser Considers the Mind vs. the Heart
By
Devoney Looser
| February 11, 2019
Best Reviewed
Books of the Week
Marriage Isn't the Only Plot for Love
By
Kristen Martin
| February 11, 2019
What Barry Jenkins Missed in His Adaptation of
If Beale Street Could Talk
By
Gabrielle Bellot
| February 8, 2019
The 50 Best One-Star Amazon Reviews of Faulkner's
The Sound and the Fury
By
Emily Temple
| February 8, 2019
On the Anxiety and Vanity of Marcel Proust, Debut Novelist
World Wars Aren't Necessarily Bad for Groundbreaking Novel Cycles
By
William C. Carter
| February 7, 2019
In Praise of the Difficult: On Marianne Moore, Defiant Poet of Complexity
Gabrielle Bellot: "I’m accustomed to difficulty."
By
Gabrielle Bellot
| February 5, 2019
Empathy Exams: On Fictionalizing Extremists
One Writer’s Activism is Another Writer’s Terrorism
By
Tobias Carroll
| February 1, 2019
On Danticat, Camus, and the Art of Exile
Gabrielle Bellot Reminds Us That Immigrant Art is American Art
By
Gabrielle Bellot
| January 30, 2019
When Even the Greatest of Writers Grapples with Self-Doubt
Gabrielle Bellot on W.B. Yeats and the Fine Line Between Arrogance and Humility
By
Gabrielle Bellot
| January 28, 2019
Deconstructing Old Stories to Tell Them in New Ways
Daisy Johnson on the Limits of the Wholly New
By
Daisy Johnson
| January 25, 2019
How Virginia Woolf Taught Me to Mourn
Two Writers Grieving for a Parent, a Century Apart
By
Katharine Smyth
| January 25, 2019
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"Not much happens In fact there is much in the text that is not made…"