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  • Craft and Criticism
    • Literary Criticism
    • Craft and Advice
    • In Conversation
    • On Translation
  • Fiction and Poetry
    • Short Story
    • From the Novel
    • Poem
  • News and Culture
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    • Awakeners
    • Fiction/Non/Fiction
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    • Memoir Nation
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    • First Draft: A Dialogue on Writing
    • Thresholds
    • The Cosmic Library
    • Culture Schlock
  • Reading Lists
    • The Best of the Decade
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    • Best Reviewed Books
  • CrimeReads
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  • Log In
David Vann:

David Vann: "If I Miss a Single Morning of Writing, It Changes My Novel"

On Creative Routine and Writing Eight Books in Eight Years

By David Vann | April 13, 2017

The Lives of the Poets Aren't All That Cinematic

The Lives of the Poets Aren't All That Cinematic

Routine and Domesticity in Terence Davies’s A Quiet Passion and
Jim Jarmusch’s Paterson

By Lucy Scholes | April 13, 2017

Lidia Yuknavitch: I Will Always Inhabit the Water

Lidia Yuknavitch: I Will Always Inhabit the Water

On Living a Swimmer's Life

By Lidia Yuknavitch | April 12, 2017

Louise Erdrich: Among the Living and the Dead in the Turtle Mountains

Louise Erdrich: Among the Living and the Dead in the Turtle Mountains

Finding Spirits in the Night and Palimpsests of Probability

By Louise Erdrich | April 12, 2017

Thomas McGuane Remembers His Friend, Jim Harrison

Thomas McGuane Remembers His Friend, Jim Harrison

"In the end, Jim Harrison was a country boy who’d been touched."

By Thomas McGuane | April 12, 2017

Kurt Vonnegut's Greatest Writing Advice

Kurt Vonnegut's Greatest Writing Advice

"Literature should not disappear up its own asshole," and other craft imperatives

By Emily Temple | April 11, 2017

Best Reviewed
Books of the Week

  • Big Kiss, Bye-Bye
  • Bad Bad Girl
  • The Ten Year Affair
  • Nobody's Girl: A Memoir of Surviving Abuse and Fighting for Justice
  • Motherland: A Feminist History of Modern Russia, from Revolution to Autocracy
  • Pride and Pleasure: The Schuyler Sisters in an Age of Revolution

10 Essential Terms for Poets (and Everyone Else)

By Edward Hirsch | April 7, 2017

Reading Across America: A Scene Grows in Queens

By Catherine LaSota | April 7, 2017

The Longest Winter: Or Why It Took Me 15 Years to Finish My Novel

By Max Winter | April 5, 2017

How Many Shakespeares Were There?

How Many Shakespeares Were There?

On Authorship, Erasure, and the Myth of the Great Solitary Writer

By Gabrielle Bellot | April 5, 2017

Alexander McCall Smith: In Praise of W.H. Auden

Alexander McCall Smith: In Praise of W.H. Auden

And from Moby Dick to Patrick O'Brian...

By Literary Hub | April 5, 2017

Don't Be a Dick: Colum McCann's Advice to Young Writers

Don't Be a Dick: Colum McCann's Advice to Young Writers

On the Importance of Kindness and Reading Widely

By Colum McCann | April 3, 2017

On the Philosophical Implications of Shelving Books

On the Philosophical Implications of Shelving Books

Or, the Time I Reorganized the Cook Books at BookCourt

By John Sherman | March 31, 2017

What Does it Mean to Set Your Novel at Harvard?

What Does it Mean to Set Your Novel at Harvard?

On The Idiot and the Evolution of the Campus Novel

By Amelia Ayrelan Iuvino | March 31, 2017

We Are All Detectives Now: When Literary Plots Get Mysterious

We Are All Detectives Now: When Literary Plots Get Mysterious

On Recent Novels by Katie Kitamura, Patty Yumi Cottrell, and More

By Tobias Carroll | March 30, 2017

The Unglamorous Ordeal of Recording Your Own Audiobook

The Unglamorous Ordeal of Recording Your Own Audiobook

"The cell-like booth was about the size of a European train commode"

By John Freeman Gill | March 29, 2017

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Page 238 of 258
    • Eli Frankel: I Was the Last Person to Interview the Black Dahlia Murder Witness.November 11, 2025 by Eli Frankel
    • David Baldacci on Pushing Your Characters Into the UnknownNovember 11, 2025 by David Baldacci
    • Eric Heisserer on Filmmaking, Reincarnation, and Writing His First NovelNovember 11, 2025 by Alex Dueben
    • Big Kiss, Bye-Bye
    • The Best Reviewed Books of the Week
    • "Not much happens In fact there is much in the text that is not made…"
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