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Jo Ann Beard: What We're Writing When We Write Personal Essays

Jo Ann Beard: What We're Writing When We Write Personal Essays

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | April 1, 2021

Inside the Long Friendship of James Merrill and<br> Elizabeth Bishop

Inside the Long Friendship of James Merrill and
Elizabeth Bishop

“Your long wonderful letter is here today.”

By James Merrill | April 1, 2021

This Must Be the Place: On the Transcendent Refuge of the Musical Past

This Must Be the Place: On the Transcendent Refuge of the Musical Past

Dawnie Walton Searches for Representation in Rock and Roll

By Dawnie Walton | April 1, 2021

Why I Decided to Write Fiction and Publish a Debut Novel<br> in My 80s

Why I Decided to Write Fiction and Publish a Debut Novel
in My 80s

Orville Schell on His Long Odyssey From Nonfiction to Fiction

By Orville Schell | April 1, 2021

The Anxiety of Influence: On the Few Books I Was Able to Read While Writing My Own

The Anxiety of Influence: On the Few Books I Was Able to Read While Writing My Own

Marcia Butler Recommends Jonathan Lee, Akhil Sharma, and More

By Marcia Butler | April 1, 2021

On the Valuable Writing Lessons I Learned as a Television Reporter

On the Valuable Writing Lessons I Learned as a Television Reporter

“I’m conscious of the economy of words, never saying more than what’s necessary.”

By Nancy Johnson | April 1, 2021

Best Reviewed
Books of the Week

  • The Rest of Our Lives
  • Call Me Ishmaelle
  • This Is Where the Serpent Lives
  • Lost Lambs
  • Winter: The Story of a Season
  • The Score: How to Stop Playing Somebody Else's Game
  • Departure(s)
  • Fly, Wild Swans: My Mother, Myself and China
  • The Flower Bearers
  • Black Dahlia: Murder, Monsters, and Madness in Midcentury Hollywood

Writing a Novel in Prison. In 30 Days. During a Pandemic.

By Marya Brennan | March 31, 2021

Hala Alyan: Which Comes First—the Characters or the Politics?

By Reading Women | March 31, 2021

On the Narrative Thrills of Detective Fiction

By Amanda Dennis | March 31, 2021

Gabriela Garcia on the Interplay Between Literature and Class Consciousness

Gabriela Garcia on the Interplay Between Literature and Class Consciousness

The Author of Of Women and Salt Talks to Jane Ciabattari

By Jane Ciabattari | March 30, 2021

A Room of One’s Own Sounds Great... But What If You're a Mom?

A Room of One’s Own Sounds Great... But What If You're a Mom?

Ilona Bannister on the Fantasy of Compartmentalization

By Ilona Bannister | March 30, 2021

Bridged: How the Art of Writing Can Close the Divide Between Worlds

Bridged: How the Art of Writing Can Close the Divide Between Worlds

Jennifer De Leon on Mother-Daughter Relationships and the Power of Memory

By Jennifer De Leon | March 29, 2021

Dantiel W. Moniz on Imposter Syndrome and the Morbidity<br> of Girlhood

Dantiel W. Moniz on Imposter Syndrome and the Morbidity
of Girlhood

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | March 29, 2021

The best writing advice I've ever read comes from Robert Frost.

The best writing advice I've ever read comes from Robert Frost.

By Emily Temple | March 26, 2021

Interview with a Journal: <em>NOON</em>

Interview with a Journal: NOON

Everything You Need to Know About the Independent,
Not-for-Profit Annual

By Vanessa Willoughby | March 26, 2021

Deborah Levy on the Retrospective Mood of the Pandemic

Deborah Levy on the Retrospective Mood of the Pandemic

In Conversation with Linn Ulmann on How to Proceed

By How to Proceed | March 26, 2021

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Page 180 of 263
    • New Series to Watch this WeekendJanuary 30, 2026 by Olivia Rutigliano
    • Ritual, Alternate Histories, and More: 8 Novels About Secret SocietiesJanuary 30, 2026 by Karen Winn
    • The Best Reviewed Books of the Month: January 2026January 30, 2026 by CrimeReads
    • The Rest of Our Lives
    • The Best Reviewed Books of the Month
    • "Poignant Tender The final line of em The Rest of Our Lives em is by…"
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