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Hanif Abdurraqib on Decentering Pain in the Stories of Black Lives

Hanif Abdurraqib on Decentering Pain in the Stories of Black Lives

This Week from the Thresholds Podcast with Jordan Kisner

By Thresholds | May 5, 2021

Personal Space: Julie Metz on Memoir as the Key to Locked Family Stories

Personal Space: Julie Metz on Memoir as the Key to Locked Family Stories

The Author of Eva and Eve Talks to Sari Botton

By The Virtual Book Channel | May 5, 2021

How Do You Write a Historical Novel About Under-Documented Lives?

How Do You Write a Historical Novel About Under-Documented Lives?

Emily Hourican on Researching Her Novel, The Glorious Guinness Girls

By Emily Hourican | May 5, 2021

Loan Le on Stepping Back into Those Emotional Teen Years to Write a YA Novel

Loan Le on Stepping Back into Those Emotional Teen Years to Write a YA Novel

This Week on So Many Damn Books

By So Many Damn Books | May 5, 2021

The Punctuation Marks Loved (and Hated) by Famous Writers

The Punctuation Marks Loved (and Hated) by Famous Writers

; vs. — vs. , vs. . vs. !

By Emily Temple | May 4, 2021

How John Steinbeck’s Diaries Helped Me Write My Debut Novel

How John Steinbeck’s Diaries Helped Me Write My Debut Novel

Stacey Swann on Showing Up to Your Work No Matter What

By Stacey Swann | May 4, 2021

Best Reviewed
Books of the Week

  • The Rest of Our Lives
  • Call Me Ishmaelle
  • Homeschooled: A Memoir
  • The Spy in the Archive: How One Man Tried to Kill the KGB
  • Watching Over Her
  • American Reich: A Murder in Orange County, Neo-Nazis, and a New Age of Hate

A Spaniard, a Frenchman, and Several Dead Russians: What I Owe Roberto Bolaño

By Chris Power | May 4, 2021

This is how Alison Bechdel jumpstarts her creativity.

By Vanessa Willoughby | May 3, 2021

Exploring My Disparate Cultures in Fiction Helped Me Better Understand Them Both

By Gian Sardar | May 3, 2021

Jhumpa Lahiri on the Joy of Translation as Discovery

Jhumpa Lahiri on the Joy of Translation as Discovery

"I can no longer imagine not working on a translation."

By Jhumpa Lahiri | May 1, 2021

Rachel Cusk on Writing Without Feeling Like a Writer

Rachel Cusk on Writing Without Feeling Like a Writer

In Conversation with Kjersti Skomsvold on How to Proceed

By How to Proceed | April 30, 2021

Elizabeth McCracken on Savoring the Mystery of Writing

Elizabeth McCracken on Savoring the Mystery of Writing

“Some mysteries must be left alone.”

By Elizabeth McCracken | April 30, 2021

What Creative Satisfaction Looks Like to Elissa Washuta

What Creative Satisfaction Looks Like to Elissa Washuta

In Conversation with Courtney Balestier on the WMFA Podcast

By WMFA | April 29, 2021

The Long Road to Publication: An Interview with Anjali Enjeti

The Long Road to Publication: An Interview with Anjali Enjeti

Devi Laskar in Conversation with the Author of The Parted Earth

By Devi S. Laskar | April 29, 2021

Gabriela Garcia on Historical Forces That Shape Individual Lives

Gabriela Garcia on Historical Forces That Shape Individual Lives

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | April 29, 2021

On Rediscovering Spontaneous Touch Through Writing

On Rediscovering Spontaneous Touch Through Writing

Laura Hankin Struggles with the Absence of Intimacy

By Laura Hankin | April 29, 2021

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Page 175 of 261
    • Thinking Outside the Cop: Using Game Wardens in Crime FictionJanuary 13, 2026 by Sarah Crouch
    • Make Our Villains Gayer, Please: Reclaiming the Trope of Queer-Coded AntagonistsJanuary 13, 2026 by Isha Raya
    • Ross Montgomery on Researching Profanity, Halley's Comet, and Writing Historical FictionJanuary 13, 2026 by Alex Dueben
    • The Rest of Our Lives
    • The Best Reviewed Books of the Week
    • "Poignant Tender The final line of em The Rest of Our Lives em is by…"
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